Enumerate and define editing styles. a) sequence shot - contains no editing at all b) cutting to continuity – merely condenses the time and space of a completed action c) classical cutting – interprets an action by emphasizing certain details over others d) thematic montage – argues a thesis – the shots are connected in a relatively subjective manner e) abstract cutting – is a purely formalistic style‚ totally divorced from any recognizable subject matter 1. The
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The “Eternal Sunshine of the Spotless Mind” is a science-fiction film set in an alternate reality‚ in which humans have the ability to wipe all of the memories of a specific person from their minds -- forever. The movie can be difficult to entirely understand until the very end‚ as it does not follow a linear narrative. We are introduced to the two main characters‚ Joel‚ who is played by Jim Carrey‚ and Clementine‚ who is played by Kate Winslet‚ and they are on a train back to Rockville Centre. The
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his mother‚ uncle and aunt. The arrows indicate their respective coloured circle’s stage direction and the numbers indicate the order of which movement takes place. The blue rectangle moved onto the stage is Sandy’s bed. Voice: Sandy’s voice in this scene reflects his transitioning emotions as he moves from relative to relative. With his mother‚ his voice is calm as the fear and uneasiness of the situation is only just expressed through his tone‚ while when he crosses to his aunt‚ his loud sobs sound
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into identifying with different characters. Throughout the film‚ Hitchcock’s techniques voyeuristically implicate the audience to shift their sympathy between two main characters Marion Crane (Janet Leigh) and Norman Bates (Anthony Perkins). Hitchcock explores the nightmarish themes of madness‚ duality of characters‚ personal traps and voyeurism through employment of devices like mise-en-scene and motifs. Through the use of mise-en-scene in the parlor‚ Hitchcock masters the visual arrangements that
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Taking a closer look at one scene‚ the filmmakers are able to create an authentic look at the two most tumultuous decades of changing in American culture. Specifically‚ the scene involving Jenny‚ drug use and her contemplation of suicide (1:29:07-1:31:18) which is completely without dialogue relies heavily on the elements of mise en scene to communicate the mood‚ message‚ and tone. It is very compelling and connects the audience. The set design is filled with small details that add to believability
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In Citizen Kane there are many examples of Mise-en Scene‚ but today we will focus on one. The idea and recurring motif of loss; Specifically for Mr. Kane himself. This theme is quite an ironiq thought for someone who tried so desperately to acquire anything and everything. First take a look at the scene of Kane during his youth in Colorado you will notice that even in the beginning he loses his childhood‚ home‚ and his parents. Next is the segment of the movie where Kane seems to gain all that he
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the first scene‚ medium close-up shot of a teenage girl as she talks about her disappointment in her father and that she pitys him; suggesting almost sarcastically that someone should ’put him out of his misery’ ‚another male out of shot suggests that maybe he could kill her father himself. This first establishing scene sets up the film and brings up the question why does she want her father dead‚ and does this male out of shot end up actually killing her father. The way the first scene is shot also
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Film 100‚ Introduction to Film Fall 2012 Semester (Main Campus) Mondays‚ Tuesdays and Thursdays‚ 11:00 a.m. to 11:50 a.m.‚ Library 0146 3 humanities credits Instructor: Dr. Ellen Kreger Email address: kreger167@aol.com (Please include your name in the subject line if it is not part of your email address!) Phone number: (914) 376-7745 (h)—Please call between 8 a.m. and 8 p.m. Office hours: By appointment Monday-Friday An introduction to the language of film‚ this course familiarizes
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Film 1 December 12‚ 2013 Mise en scene of Bicycle Thieves The major feature of Neorealist filmmaking is a concentration on the lives of ordinary people struggling against adversity in the devastation of the aftermath of WWII. They tend to focus on poor‚ working class people and their everyday lives‚ the socio-economic conditions of the time‚ and the desperation and moral ambiguity which results. However‚ not only was the subject matter different that what had come before – Neorealism also created
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director‚ cinematic language‚ mise-en-scène‚ diegetic sound‚ and cinematography. In the three times Academy Award nominated film Field of Dreams‚ The director‚ Phil Alden Robinson‚ builds the film with his artistic‚ cinematic language featuring unique mise-en-scene‚ as well as depicting characters who hear voices in diegetic sound‚ and includes an imaginative cinematic vision in film cinematography techniques. The director regulates the dramatic and artistic elements in the film‚ and director Phil Alden
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