Rear Window Director: Alfred Hitchcock Cast: James Stewart‚ Grace Kelley‚ Wendell Corey‚ Thelma Ritter‚ Raymond Burr Screenplay: John Michael Hayes based on a short story “It Had to be Murder” by Cornell Woolrich published 1942 Cinematography: Robert Burks Music: Franz Waxman Paramount Pictures Use of Subjective point of view. Someone said there are two kinds of people in the world‚ there are people who
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the film Rear Window (1954). As such‚ the aesthetics chosen by the director emphasize the altered gender roles of Jefferies and Lisa. The film’s editing techniques contribute to these roles; a series of point-of-view and shot/reverse shots exhibit Jefferies feelings of confinement in the scenes “Lisa” and “Something’s Wrong.” The sound techniques used‚ such as off-screen diegetic sound‚ echo Jefferies’ preoccupation with what’s going on in his own backyard‚ instead of his relationship with Lisa
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The Rear Window In the short story‚ “The Rear Window”. News photographer Jeff Jeffries is seemingly confined to a wheelchair day after day and is boredom struck. He assumes the only feasible means of an extracurricular activity is by spying on the other tenants through his rear window of his apartment of Greenwich Village. This story is an imagery into the real lives of other people and sometimes looking to other people’s lives and forgetting about the handicap in our own lives. This takes the
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Alfred Hitchcock’s Rear Window is a mystery and thriller that leaves audiences in a constant state of suspense. Rear Window opens by showing photographs of high risk environments hanging on a wall of an apartment. This leads one to believe that whoever owns the apartment lives a high risk and adventurous life. However‚ once the broken camera is shown‚ it is understood that the main character‚ L.B Jefferies‚ is a photographer before it is stated through dialogue in the film. Early into the film we
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Firstly I would like to say that Rear window is a true classic film. The film is a is the mother of all suspense thriller film and the director Alfred Hitchcock is the father of the genre. The predictability of the film proof its originality ‚pioneered and innocence compared to the films of its genre today. Films today has matured from its roots which is Rear Window but have not lost its core elements. The only difference between films today of the same genre and Rear Window is that movies nowadays forcefully
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Writing. Caruso examines the social mores of their respective contexts while combining the traditional conventions of crime writing with their own unique twist. Caruso’s Disturbia depicts a new high tech world of voyeurism; directly parallel to Rear Window but with the added social facts of modernity and new technology to appeal to a younger audience. The protagonist and amateur sleuth Kale‚ being “6 months shy of eighteen” is judged as an undependable
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English B1A 9 September 2013 An Abnormal L.B. Jeffries in Rear Window The movie Rear Window by Alfred Hitchcock is about a photographer Jeffries‚ who has a broken leg‚ is sitting next to his window‚ spying on his neighbors since they share the same courtyard‚ and later on being curious about one his neighbors‚ Mr. Thorwald‚ must have involved in his wife ’s disappearance. Hitchcook ’s label for most of his work is the lack of romantic
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Rear Window: Irresistible Voyeurism Alfred Hitchcock’s Rear Window is a uniquely captivating film that is an exemplary style of cinematic craftsmanship. Reaching into the minds of the characters‚ as well as the audience‚ Alfred Hitchcock is the master at utilizing the juxtaposition of images to bring us into the minds of the characters. In Rear Window‚ the story is so distinctively executed that it allows us to relate to our own curiosities‚ question our identities‚ and ponder our closest
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In the 1950’s film Rear Window‚ director Alfred Hitchcock sets his entire work looking through a man‚ L.B. Jeffries’ rear window. Because of his broken leg‚ Jeffries is confined to his apartment‚ and even to his wheelchair. It is here‚ in his apartment‚ that the protagonist watches‚ or even spies on his neighbors. He draws conclusions on these people‚ but from a distance: across the apartment-building courtyard. In addition to this physical distance separating Jeffries from his neighbors‚ his perspective
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visual sense as well and director Alfred Hitchcock knew this and applied it in his movie Rear Window. When Alfred Hitchcock fans refer to his style‚ they are usually referring to Hitchcock’s camera magic and editing. When I think about Hitchcock the first thing that comes to mind is his use of sound effects‚ language‚ and music to create suspense or a sense of understanding. In the film Rear Window‚ there are many occasions where Hitchcock uses sound in order to convey a feeling of terror
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