Throughout his soliloquy at the end of Act 2‚ Scene 1‚ Iago makes various attempts to evade accountability for his malicious lies and actions towards the other characters in Othello in order to clear his conscience of his crimes. He begins his soliloquy by positing “that Cassio loves her‚ I do well believe it‚/That she loves him‚ ‘tis apt and of great credit” (Shakespeare 2.1.284-285). Obviously‚ Iago knows that Cassio and Desdemona are not actually having an affair because he is the one who invents
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the minds of Othello and Macbeth. Both Emilia (or Desdemona) and Lady Macbeth are characters in difficult circumstances. Explore how Shakespeare uses language and dramatic technique to present the stresses they endure. Explore how Shakespeare uses language and dramatic technique to present the weakness in the characters of Othello and Macbeth. Plan 1. Iago and the witches act as catalyst in the plays as they introduce new ideas into the play‚ was well as Macbeth and Othello. Furthermore
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force within action.’ To what extent do you agree with this? Within the play Othello‚ jealously remains the ultimate corrupting force‚ as it is through jealously that dramatic conflict occurs and the tragic events unfold. The consequences of jealously have a catalytic impact on the characters of the play and their mutual relationships. This is clearly demonstrated through the machiavellian villain of the play‚ Iago‚ whose actions and dialogue are driven by his jealously. It is Iago’s manipulative
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Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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tragic hero is “a man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake” (Aristotle‚ 38). In Shakespeare’s play‚ both Othello and Desdemona fit well within these guidelines. Othello is a well-revered general who is called to defend Venice and Cyprus‚ and Desdemona is an honest and good-natured young woman. Both of them display the potential characteristics required of a tragic hero or heroine‚ with
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The play “Othello” by William Shakespeare is a tragic love story that takes place in the sixteenth century. Whereas the movie “O”‚ directed by Tim Blake Nelson and written by Brad Kaaya‚ is a modern version of “Othello” and takes place at a preparatory high school. Because these tragic love stories take place in two rather different time periods causing the characters to have a great age difference which then creates a rift in what actions are considered to be acceptable and which actions will gain
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wanted to marry Desdemona‚ in fact he would convey his jealousy towards Othello and Desdemona’s marriage. Not only was he jealous of their marriage but also how Desdemona’s father‚ Brabantio‚ had told him that he could not marry Desdemona. Eventually Iago convinces Rodrigo to save up money so he can give it to Desdemona. In order for Desdemona to fall in love with Roderigo Iago tells him that Desdemona will soon get tired of Othello and when she does she will go to someone with money. Of course since
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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Othello Act 5‚ Plot Summary Outside of a brothel‚ Iago and Roderigo wait. Roderigo is preparing to ambush Cassio. After a few moments‚ Iago leaves the scene‚ even though Roderigo asks him to stay close in case something goes wrong with the ambush. Cassio then enters and Roderigo stabs at him‚ failing to pierce Cassio’s armor. Thus‚ Cassio defends himself and stabs Roderigo. Iago quickly returns to the scene and in the commotion stabs Cassio in the leg and exits. Cassio‚ unaware of who stabbed him
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The most powerful character in the play‚ Othello‚ is Iago. Carefully planning his words and actions‚ Iago is able to manipulate others in a way that will further him and his goals. It is clear that Iago has no shame in deceiving all those who trust him because he does so deliberately. Iago is brilliant at judging others and their characteristics and uses this to his advantage. He says about Desdemona‚ “…I will turn her virtue into pitch…” Iago uses Desdemona’s passion for helping others against
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