Along the Lines of Poetry In the poems Introduction to Poetry and Marginalia‚ the author Billy Collins uses figurative language to lead the readers through his perspective as he delivers different tones throughout both poems. Although the two poems have many similarities‚ Collin’s tone in the two pieces create two very different pieces of writing. Collins directs two very different tones in the poems to draw the reader in‚ and then connect with them personally though figurative language. In Introduction
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Caribbean Voices : Living a Double life / Dual Identities. Caribbean Poetry is the expression of the constant dualistic nature of the Caribbean identity. Caribbean Poetry exemplifies a unique hybrid made from the voice of the Caribbean experience and its postcolonial English heritage but this creates an inner crisis. The inner crisis of two conflicting cultures that create further conflicting ideas of home and belonging on one hand and growth and fulfilment on the other. But it is also about the
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Year 10 Homework Option 2: Protest poetry Aboriginal Charters of Rights We want hope‚ not racialism‚ Brotherhood‚ not ostracism‚ Black advance‚ not white ascendance: Make us equals‚ not dependants. We need help‚ not exploitation‚ We want freedom‚ not frustration; Not control‚ but self-reliance‚ Independence‚ not compliance‚ Not rebuff‚ but education‚ Self-respect‚ not resignation. Free us from a mean subjection‚ From a bureaucrat Protection. Let’s forget the old-time slavers:
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Priscilla Grunauer Period 3 3-27-07 3. The evening in The Love Song of J. Alfred Prufrock is compared with “a patient etherized upon a table‚” the “evening is spread out against the sky.” T.S. Eliot has compared his lonely night to a patient who is under an anesthetic‚ completely numb to all that surrounds him. “The evening is spread out against the sky‚” gives a very distinct image lending itself to another image; a patient spread upon an operating table completely subdued. 7. The obvious
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The Beauty “In November” By: Emilie Parsonage Have you ever seen something that at first glance may look like nothing‚ but when you dig deeper and deeper into it‚ you are able to see the true beauty shining through? In the poem‚ In November by Archibald Lampman‚ the true beauty of a burned forest is masked by broken ground and charred trees and bush. At first glance‚ there appears to be nothing remaining but wreckage. However‚ through the use of personification‚ visual and kinesthetic imagery
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A Poison Tree By William Blake I was angry with my friend: I told my wrath‚ my wrath did end. I was angry with my foe: I told it not‚ my wrath did grow. And I waterd it in fears Night & morning with my tears; And I sunned it with smiles‚ And with soft deceitful wiles. And it grew both day and night‚ Till it bore an apple bright. And my foe beheld it shine‚ And he knew that it was mine‚ And into my garden stole‚ When the night had veiled the pole; In the morning glad I see My foe outstretchd beneath
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It seemed somewhat difficult to read through a poem and try to “get” how a poem got a tone from its diction and imagery. It sounded easy to think about‚ but the hard part got to be articulating how it worked and what made me actually feel a certain way over a poem. For that battle‚ I read “Common Ground” by Judith Ortiz Cofer. At first‚ I read the title and thought it’d be something for pro-equality and how people are essentially created equal. By the second stanza‚ with the line‚ “when I look
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Metaphysical and Cavalier Poetry I. 17th Century Metaphysical Poetry: http://www.eng.fju.edu.tw/English_Literature/period/metaphysicals.html http://www.unm.edu/~aobermei/Eng221/metaphysicals.html What is metaphysical poetry? What are its (6) characteristics? What is Platonic Love? How does this concept play into metaphysical poetry? Who first coined the term “metaphysical poet”? What have critics said about these poets? II. Cavalier Poetry: http://newark.rutgers.edu/~jlynch/Terms/cavalier.html
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heritage of past and present poets. One of the most famous World War 1 poets in today’s history‚ Robert Graves‚ describes his poems through his terror and fear of his war experiences. Throughout this lecture today I will be discussing the theme of Poetry and Power portrayed within Graves poems and how his life and writings have influenced poets today. Acknowledgement of context and topic What lead me to the central idea of choosing Graves’ war poems was from the powerful stories of ANZAC day
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HOMEWORK: POETRY ASSIGNMENT: THE COLLECTED POEMS OF YOU Your marks for the Poetry unit of work will be derived from an assignment and from a short test. The test will be in Week One of Term Four. To revise‚ simply read over the poetry documents you have already read in Term Three. The test will ask you for definitions of some of the words from our terminology list. You will be asked to respond to a poem‚ using some words from the terminology list. You will be asked to answer some short questions
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