INTRODUCTION Fire is one of the original perils insurance was designed to protect against. Current building codes and many nearby fire departments make it easy to forget about the catastrophic damage fire can do. However the damage caused by fire and the fire departments effort to put out a fire is all too real. It happens in just an instance. Smoker falling asleep in a chair‚ an unattended candle‚ paper or clothing too near the stove or a heat generating source‚ or a spark caused from an
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Marge Piercy‚ an American poet‚ social activist and novelist‚ mostly known for being a feminist poet is the author of “Barbie Doll”. The title of this poem‚ “Barbie doll” make us think about a “perfect” girl toy that every child owns‚ but slowly we realize that this is not what the author means. In the first stanza‚ Piercy starts by saying “This girl child was born as usual”‚ which lets us understand that she was a normal girl just like anybody else. Other than that‚ the first stanza has a lot to
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DISCOVERY OF FIRE The largest technological breakthrough in prehistory was the discovery of fire. The discovery of the technology to make and sustain fire. The discovery of fire‚ or‚ more precisely‚ the controlled use of fire was‚ of necessity‚ one of the earliest of human discoveries. Fire ’s purposes are multiple‚ some of which are to add light and heat‚ to cook plants and animals‚ to clear forests for planting‚ to heat-treat stone for making stone tools‚ to burn clay for ceramic objects. Until
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and “Victim Number 18” portrays the effects of marginalization with a slow cadence and reminiscent tone‚ both poems demonstrate the detrimental effects of marginalization through the use of various segregatory pronouns.
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The bedroom poems of the 18th century was a new piece of literature introduced to me. I like how these poems were so detailed and made you cringe from the sights that were being portrayed. Both Behn and Rochester were two extremely strong poets who use sexual encounters to display gender and power roles among both men and women in the 18th century. In this close reading I will use “The Disappointment” by Behn and “The Imperfect Enjoyment” by Rochester to analyze the ideal of power. “The Disappointment”
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The winter imagery poem I chose that I felt captures the essence of Canadian winters is called “An Ontario Poem”. This poem provides expressive words and vivid examples to provide the reality of Canadian winters. The first couple of stanzas explains just how vigorously the wind blows also showing the reality of just how cold it really gets. It portrays this by stating “...and the gentle breezes blow at seventy-five miles an hour at thirty-five below”. The following four lines discuss how we love
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terrified of sadistic feet”. Dissimilar to Kelen‚ Auden utilizes clichés to express the depressive response that reality brings forth towards the fantasy life we build up in the writing‚ “I though that love would last forever: I was wrong”‚ this allows the poem to recite a shared thought and convey the idea of how reality destroys this cliché through death towards the reader‚ allowing for further emphasis on how that reality is harsh to all
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this poem. What patterns do you see here? What do the similes individually and collectively contribute to the poem‚ especially in terms of undermining the “lie” to which Owen alludes? Title As we begin to peruse the title‚ we get the initial impression that the contents of the poem are related to patriotism‚ honor and dying for one’s country. However‚ as the poem progresses‚ we begin to visualize what the speaker intends to convey‚ which is essentially the horrors of war. Thesis This poem encompasses
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During the time of the Harlem Renaissance‚ literature written by “colored folks” tended to have similar tones‚ messages‚ and visuals. These connections can be seen between the poems “We Wear The Mask” by Paul Laurence Dunbar‚ “If We Must Die” by Claude McKay‚ and an excerpt from Invisible man by Ralph Ellison‚ “Battle Royal.” A common tone between the three pieces would be pride. In “Battle Royal” the speaker is incredibly proud of his speech‚ to the point of delivering it despite coughing up blood
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in the year 1954. She is a poet‚ documentary film-maker and an artist. Her family moved from Lahore to Glasgow when she was less than year old. Presently she divides her time between London and Mumbai. Her other works includes Purdah and other poems (1988)‚ Post Cards from God (1997)‚ I speak for devil (2001)‚ Terrorist at my table (2006)‚ Leaving foot prints (2009). Dharker is also a documentary film-maker and has scripted and directed over a hundred films and audio-visuals‚ centering on education
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