In the memoir Night‚ the narrator Elie Wiesel recounts a moment when he saw the terrible horrors of the concentration camp “Infants were tossed into the air and used as targets for the machine guns.” (Wiesel 6). Moishe had explained to the people of Sighet the horrors of the concentration camps and what they did there. What the men in the concentration camps did was terribly horrific. Wiesel didn’t have much to say about Moishe’s statements and proclaims‚ in the end he saw at first hand what other
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In What Dies? At the end of Night‚ by Elie Wiesel‚ as Wiesel is staring back into his own corpses eyes‚ it is clear to readers that Wiesel’s emotions‚ feelings‚ and even psychological mindset is completely and utterly eradicated. After enduring not only the mental toll of the Holocaust but also the somatic torture placed upon him‚ Wiesel is nothing but dead- just not literally. As found on page 85‚ “I was putting one foot in front of the other‚ like a machine.” This refers to a time when Wiesel’s
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Two weeks and three days after Eliezer Wiesel was released out of Buchenwald he looked himself in the mirror and saw a horror of himself. “I wanted to see myself in the mirror...From the depths of the mirror‚ a corpse gazed back at me.” said Wiesel at the end of the book. This quote has a lot of meaning because he hadn’t seen a reflection of himself since the ghetto‚ which was in 1941. He refers himself as a corpse‚ which shows the rough conditions he went through at these concentration camps. He
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can clearly communicate how he felt at a specific time. As a reader‚ personification allows us to easier relate to the idea or feeling the author is conveying. Wiesel uses personification on page thirty nine‚ when he says “Remorse began to gnaw at me.” Remorse cannot eat away at a person‚ but it allows the reader to understand how guilty Elie felt when he did not stand up for his father. A second example of figurative language used in Night is foreshadowing. Foreshadowing allows the author to keep
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In his book‚ Night‚ Elie Wiesel uses vivid imagery and dramatic diction to bring to life his horrid and painful memories of the Holocaust and his time in Auschwitz. At the end of chapter 4 Wiesel describes the events that occurred leading up to the death of a young pipel. This scene is brought to life by Wiesel’s incredible use of diction to reinforce the imagery used to create a sense of emotion felt by the reader. Throughout this book diction is used to create a deeper connection to the events
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Family- Sighet Hungary Elie- only son Father- well respected Jewish council Mother- no great detail 3 sisters- Hilda‚ Bea‚ Tzipora Poor Moishe the Beadle works at sinagog Teacher of Kabbalah Expelled from Sighet- foreigner Profit presumed dead Didn’t believe him when he said they were going to die Edicts Couldn’t leave Yellow stars Didn’t allow valuables 6pm curfew couldn’t travel by train not attend sinagog Physical + Mental = Cruelty Inhumane Stop at Kaschau border
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February 27‚ 2012 Night Discussion Questions: Chapters 8 & 9 Dylan Gnatz 4. Wiesel reports that after Buchenwald was liberated‚ the prisoners had no thoughts of revenge. Is this surprising? The prisoners’ lack of will for revenge is in no way surprising. The Jews held in the concentration camps had little will to survive after liberation‚ let alone seek retaliation. The entire point of the concentration camps themselves was to exterminate the Jews‚ both physically and mentally‚ and they were
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“The yellow star? Oh well what of it‚ you don’t die of it...” (Wiesel 5). This dialogue from a character in the novel expresses the hardships of the Jewish populations during the early time of the holocaust. Dehumanization is when a human feels like their life is not worth anything to even be alive anymore. They feel deprived of all their human qualities. The Germans threw the Jews into harsh concentration camps. They placed sanctions on their everyday ordinary lives. If the guards felt like a
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Death is not something I would wish upon anyone but myself. It’s not something to be longed for‚ and it’s not something I’d force someone into. At least‚ not who I am now. Death is a cold hand gripping my neck‚ my arms‚ my torso‚ pinning me down. Death is punching me in the face repeatedly. Death is keeping me from opening my eyes. Death won’t let me see life again unless it’s when my mind wanders. I’m trying to fight against this but Death won’t let me. I stop struggling for a second‚ trying to
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Unit 3 Reflection Death’s narration makes the story much more interesting because not only is he able to narrate in first person but he’s also able to narrate in third person making the use of the literary device of foreshadowing much more effective. From the very beginning of the book death lets the reader know that everyone in Liesel’s life will die‚ from there the rest of the book’s plot is developed to explain how Liesel slowly but surely loses very important people in her life. It starts off
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