In On The Subway by Sharon Olds the narrator contrasts two worlds to develop both portraits by comparing a white wealthy woman to a African American young man. By doing that she uses imagery by describing the appearance of both characters. Also she uses tone to explain the fear the white woman had because she felt threatened by the black man. He also uses organization to reveal how the white woman changed her mind from the beginning of the poem to the end. Olds uses imagery for the readers to imagine
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narration to or about someone else‚ and creating this persona of what he wishes he could be‚ Kunitz ideally creates sense of bravado in his characters and elevates his themes by doing so. No poem is this more apparent than in one of his later workings‚ “An Old Cracked Tune.” We start by getting to know his alter ego of Solomon Levi‚ a man with no father and a thorny mother. He lives in the desert and is taught by the sand and the rocks. Yet‚ Kunitz ends with the most powerful line‚ “I dance for the joy of
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The Grotesque Old Woman‚ by Renaissance painter‚ Quinten Metsys illustrates an old and unattractive woman of the 16th century. Her voluptuous‚ weathered breasts are on displayed and her headdress is one of astute fashion of an earlier German period and her eloquent dress and corset are fashionable to Italy in this time period. Her aged hands hold a small and delicate red bud‚ a symbol of engagement‚ and her slightly lifted chin is of poised position. All of this beauty and detailed is over shadowed
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Typically‚ a play about two elderly woman poisoning lonely males would never have entertained my short attention span‚ but "Arsenic and Old Lace" was able to grasp and maintain my interest. The cleverly complex plot (the two woman murderers have a mobster nephew) proved to be both suspenseful and engaging‚ encouraging audience members to examine and predict the next twist. Each scene builds the anticipation of the climactic resolution‚ never failing to loose the viewers’ attention. Flawlessly constructed
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Existential film is shaped by the central themes and overall narrative that draw strongly from existential beliefs and questions. Directed by brothers Joel and Ethan Coen‚ No Country For Old Men is an existential film as it reveals the idea of the existential concept of absurdity — anything may happen to anyone at anytime without any rational explanation. The three protagonists in the film‚ Llewellyn Moss‚ Anton Chigurh‚ and Ed Tom Bell‚ all experiences certain existential absurdity and amorality
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Barrows asserted that unlike the institution of slavery in the American South‚ the biblical institution of slavery was not based on the inferiority of one race. Barrows argued that this was the case in both the Old and New Testaments. Unfortunately‚ Barrows argument that biblical slavery in the Old Testament was not based on the inferiority of one race consisted of only a little more than a page and in the case of the New Testament only a few sentences. Nevertheless‚
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Confession of An Old Bishop I am a bishop who is more than 80 years old. Having ended the anniversary celebration of my episcopal ordination‚ I reflected on it many times. The direct reason that I make this reflection is the expenses of this celebration‚ which includes CNY 28‚000‚ the payment for guests staying in hotel‚ and CNY20‚000 for other spending during the celebration. Among all guests‚ some were from abroad‚ some were from other diocese. I was very busy receiving gifts and blessings every
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Alex Upton “1954” by Sharon Olds is a poem displaying the horrors of an instance of rape and murder of a young girl by a man named Burton Abbott in 1954. Olds uses a frantic and horrified tone highlighted by a careful choice of diction to express her messages that any ordinary-looking person can disguise evil and the current justice system has a hypocritical eye-for-an-eye mindset that only ends up destroying human life. The structure of “1954” is built on enjambment and broken sentences. This
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Evil Demon vs. Dream In the movie The Matrix the image of Neo waking up introduces us to the main character. The point of such awakening is to put the viewers under the impression that Thomas Anderson is in fact not dreaming‚ and back to the real world. Then‚ after he goes out clubbing‚ he finds himself turning off his alarm‚ waking up again. However‚ no scene in which Neo physically goes to bed exists in the film. Also‚ the movie builds an unreal environment around the main character. After reading
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[1] Critics like Daniel V. Fraustino are determined that this story is not about the trauma of World War I and World War II but a “murder mystery of high drama”[2]. It ought to be underlined that the essay you are reading is aiming to analyze "The Demon Lover" on a more psychological/psychoanalytical basis unlike what Fraustino did… Nevertheless‚ he is very right in last paragraph of his essay saying that this psychological interpretation having “its own kind of special appeal‚”[2]). Indeed‚ this
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