Guilty With No Further Question Guilt is a powerful feeling. It often shapes our character and actions. It is human instinct to fear being judged‚ and denial is an inherent tendency. Franz Kafka’s The Trial opens with an idea of guilt and innocence. “Someone must have slandered Joseph K.‚ for one morning‚ without having done anything wrong‚ he was arrested” (Kafka 3). This introduction initially implies to the reader that Joseph K. is innocent. However‚ as the novel unfolds‚ and we are given more
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might think that the guilty are guilty‚ even before we judge them to be so; however‚ guilt does not exist prior to our judgment. Until then‚ there is a presumption of innocence because guilt has not yet been determined. You may have assumed that the process of judgment discovers the truth‚ or that it uncovers the guilty party‚ when in fact‚ it decides guilt and innocence in question. Judgment discerns and determines guilt.
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Guilt: For the One I Couldn’t Save “Troy? Are you awake? Listen: I’m just coming in to say goodbye. Gram committed suicide last night and I’m flying down to South Carolina to be with Pappy. I should be back in a couple of days. I love you‚ sweetie.” Weeks had passed since Mom broke this news to me‚ and I could still feel the harrowing blows it delivered that Saturday morning. Gram was dead. Worse‚ she took her own life. The thought gnawed at my heartstrings like a lion devouring raw meat. I couldn’t
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of the central characters. In Macbeth’s case‚ ambition is broken by guilt - and guilt is overwhelmed by brutal ambition. This tragic disposition enables the audience to empathise with him‚ as he is crippled from the stature of a hero to that of a pathetic criminal but‚ due to his merciless reign of tyranny‚ it is more of a struggle to hold any form of sympathy. In Scene One of Act Two (in anticipating the murder of Duncan) guilt takes its hold and Macbeth falls into a state of psychosis‚ losing
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Macbeth’s reaction to Macbeth’s toast). At this point we can tell that he cares about social status since he tells the Lords that they should sit in their own “degrees”. He feels powerful and more superior to the other Lords. Macbeth feels no remorse and guilt for having killed his friend‚ Banquo. On the other hand‚ he is more unstable and worried as the murderer articulates‚ “Fleance is scaped”. He is scared that the prophecy of the witches will come true. Polanski internalises Macbeth’s fears by using
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Guilt in a Heartbeat Through the heart beat from the Tell-Tale Heart Edgar Allan Poe shows that all bad deeds come with endless guilt. This short story illustrates that the obsession of the narrator‚ who is an everyday man‚ drives him to commit murder to an old man that has done no harm nor insult the narrator. This also goes to show that a man’s conscience can be his own enemy. The Tell-Tale Heart explores various ideas that reassure the insanity that drove the narrator to commit unjustified murder
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Alone- lost- in whirlwind of emotions‚ spinning out of control. I’ve done it… Done what? What have I done? Oh no. What am I gonna do? I don’t know if its relief‚ or if its guilt. They called me stupid‚ a loner‚ a nobody… It’s like a pain that hurts so deep down inside I can’t find where it starts and where it ends. Sometimes I can’t stop crying‚ and other times I can’t find any tears‚ and I just quiver with sorrow. Do I know what they say about me? Sure‚ I do. They call me a wierdo‚ an odd bod‚ who
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Guilt and Punishment Creon’s actions and judgment in the play Antigone were questionable‚ but I don’t think he deserved the punishment he received at the conclusion of the play. My philosophy of life probably influenced my decision because I believe that everyone deserves a second chance. Creon was arrogant and did not listen to anyone’s advice‚ including Tiresias‚ a prophet who has never told him a lie. However‚ in the end he realized what had happened and accepted his fate. Creon was just
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not obvious throughout the novel‚ but rather becomes gradually and implicitly apparent to the reader. Again and again‚ despite his own doubts and various shortcomings‚ K. denies his guilt‚ which is‚ in essence‚ to deny his very humanity. It is for this crime that the Law seeks him‚ for if he would only accept the guilt inherent in being human (and‚ by so doing‚ his humanity itself)‚ both he and the Law could move on. Ironically‚ this is in part both an existential and Christian interpretation of
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perfectly sane. His choices were made thinking they were logical‚ though some weren’t. His age and occupation was affecting his judgment and he thought of himself as the only one who could inflict justice to those outside laws reach. He chose his ten victims by talking to people‚ and asking the right questions to people he met or knew. He was so obsessed with is "justice" he swayed to the dark side looking for vengeance. This vengeance was for those they had killed‚ and were outside laws arms. He started
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