Andy Warhol Andy Warhol was born on August 6th 1987. He was originally given the name Andrew Warhola but as he grew older he developed the nickname Andy and he dropped the extra a in Warhol when he started his art career. He grew up in Pittsburgh‚ Pennsylvania. He attended Holmes School where he took free art classes after school. He later graduated from Carnegie Institute of Technology where he got a bachelor’s degree in fine art. He planned on becoming an art teacher until one of his friends
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towards popular culture transformed his work into a quintessential reflection of the industrial era. His adaptation of a multilayered process‚ and obsession with reproduction became the underlying feature that would set him apart from most pop artists. Warhol had a detached crisp style of art making that was centred on commercial imagery found in media outlets such as advertisements‚ magazine clippings‚ comics and newspapers. The use of silk screen allowed him to create copious amounts of near identical
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Andy Warhol’s 1985 painting‚ Apple‚ certainly caught my eyes as I was browsing his exhibit in the Blanton Museum of Art. The painting was a simple Apple logo decorated with a rainbow-like array of colors in between parallel lines that ran across the logo. These lines existed even outside the logo‚ except in a different color‚ yet stayed in stripes similar to how the lines on a sheet of notebook paper are. However‚ the most alluring part was how the lines and the “Macintosh” in the painting looked
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1024-7 November 27th‚ 2012 The Story of a Beautiful Friendship “Many works of literature deal wish close relationships.” In the novel Of Mice and Men‚ by John Steinbeck‚ the two protagonists have a close relationship. George Milton and Lennie Small are two migrant workers who travel around Salinas Valley‚ California‚ in the 1930’s during the Great Depression. Unquestionably‚ George and Lennie affect each other in both positive and negative ways. George Milton and
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society views consumerism through contemporary art? How is society represented in contemporary art? How does society influence contemporary art? An analysis of consumerism in art can be made from observing particular pieces from such artists as Andy Warhol‚ Roy Lichtenstein‚ Tom Wesselmann‚ Jeff Koons‚ Barbara Kruger‚ and Takashi Murakami‚ to name but a few. Turning the focus to Jeff Koons‚ who uses consumer objects in many of his pieces. One piece in particular; Hennessy‚ The Civilized Way to
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You may already heard about SAMO‚ see those kinds of painting or even heard the name Jean-Michel Basquiat. Today we decide to bring the light on this famous artist ; how did he starts ? How close was he from the famouse Andy Warhol ? And obviously what’s his artistic style ? He was born in Brooklyn and was a kind of precocious child‚ indeed he learned how to read and write by age four and was a gifted artist. His father banished him from the household after that he had been arrested by the
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and symbols found in artworks to create their own meaning. Semiotics is the study of signs and symbols‚ this understanding can give the viewer a more insightful interpretation towards artwork. The examination of three artists‚ Leonardo Da Vinci‚ Andy Warhol and Ron Mueck the specific viewpoints from which they produce their work are expressed. Through the analysis of elements and principles‚ as well as semiotics the intended meanings of each artist are communicated. The first artist that will be
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Sample Paper #1 [Student Name] [Assignment Name] [Date] [Instructor’s Name] Details of Renaissance Paintings (Sandro Botticelli‚ Birth of Venus‚ 1482) (1984) by Andy Warhol acrylic and silkscreen ink on linen Viewed at Arkansas Arts Center Andy Warhol exhibition (October 28‚ 2008) A Modern Venus Andy Warhol’s piece titled Details of Renaissance Paintings (Sandro Botticelli‚ Birth of Venus‚ 1482) represents the face of the goddess Venus. This piece was made in 1984 as a depiction of the
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noticeable validity of his theory in the contemporary world. By introducing three artworks that belong to different historical periods‚ namely‚ the ‘Mechanical Head’ by Raoul Hausmann‚ ‘Furhead’ by John McHale and ‘Thirty Are Better Than One’ by Andy Warhol‚ the impact of photography and of the new technologies in contributing to the development of these works will be analysed. All of the three works represent as a main subject a human head: according to Benjamin’s idea‚ man’s countenance represented
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political turmoil erupted during the 1960’s. The younger generation wanted greater individual freedom‚ much different than the conservative beliefs of the previous decade. These young ‘radicals’ began anti-war movements that started a social revolution. Andy Warhol’s Atomic Bomb and James Rosenquist’s The F-111 both show the negative side of war successfully. Negative artworks about the draft and Vietnam War became popular for some artists‚ whereas some artists just stuck with artwork consisting of consumer
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