18:00 18:00 - 19:00 19:00 - 20:00 20:00 - 21:00 21:00 - 22:00 AMNAH OSMAN AMNAH OSMAN LAB 4 ROSMAWATI DERAMAN 202ADD_SEC02 223KM_SEC01 LT2.2 CR5.27 *ALWANI YUSOF 4 203KM_SE 203KM(L)_ C10 SEC10 AZIDATUN-NOOR SAIDIN We Th 12 HC.Term 1 CU200_3.1 LAB 4 JAAZ SUHAIZA JAAFAR NIK HASLIZAWATY ABDUL HALIM 209KM_SEC10 205KM_SEC10 CR4.7 CR5.2 *ALWANI YUSOF MPU3223_S 201KM_SE 201KM(T)_ EC10 C10 SEC10 CR5.3 CR4.1 CR4.1
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[pic]Lata Mangeshkar |Lata Mangeshkar | |Born |September 28‚ 1929 (1929-09-28) (age 82) | | |Indore‚ India | |Genres |Film music (playback singing)‚ Indian classical music | |Occupations |Singer | |Instruments |Vocalist
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AUD610 SUMMARY OF CASE “ENRON” Prepared for: DR NOOR MARINI Prepared by: AFNANIN BT ABD AZIZ 2012212966 NOR IDAYU BT ISA 2012485132 SITI NORFAZILAH BT HAMIRUDDIN 2012670652 NOOR PARIHA AMIN NUDIN 2012660688 NURFARAHANIM BT MOHD SABRI 2009449842 ACKNOWLEDGEMENT Without the assistance‚ cooperation and guidance of several parties‚ this assignment would not be achievable. We
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Anil’s Ghost follows the life of Anil Tissera‚ a native Sri Lankan who left to study in the United States on a scholarship‚ during which time she has become a forensic anthropologist. She returns to Sri Lanka in the midst of its merciless civil war as part of a Human Rights Investigation by the United Nations. Anil‚ along with archaeologist Sarath Diyasena‚ discovers the skeleton of a recently burned victim in a government area. With the help of the mysterious Sarath‚ Anil sets out to identify the skeleton
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E.V.S SCRIPT Hritik -Fact Finder Devang – Fact Finder Ashutosh – Ecologist Vasu-Student Noor-Teacher Noor: Good morning children…..sit down‚ today you’ll meet some one special….plz welcome Dr. Ashutosh….he’s one of the most famous ecologist… He’s here today to tell discuss a few things about air….we are reading that in E.V.S..right. Ashutosh: Hello children….so first of all I want to ask if any of you ever think to do something about air pollution…… Vasu:Sir…I ..think …that’s the job
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award winning author‚ Michael Ondaatje‚ and it was published in 2000. The novel starts with Anil Tessera returning to her home country‚ from the west‚ where she had been studying to become a forensic anthropologist. She had returned‚ to investigate mysterious deaths that are plaguing the country. Her and her co worker‚ Sarath‚ exhume a body on government land‚ and together they thoroughly research him. Anil has been asked to create a presentation‚ on their skeleton. However‚ the skeleton is stolen
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given to men in Laila’s family. Laila’s mother is all consumed with love for her sons‚ but cannot give the same attention to her daughter. This is illustrated through the truncated sentences when mammy grieves over her son Noor “it was something to see‚ And Noor. Oh Noor. My poor Noor.” The audience is reading from a third person’s perspective which is shown through the repetition “they” which creates distance with the audience and empathises with Laila. Hosseni’s intended purpose was to show “a story
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“TRAFFIC MANAGEMENT” (A Case Study of Road Network of Main CBD Area Hyderabad) SUBMITTED BY: WAQAR AHMED 10 MCRP 06 SUBMITTED TO: IRFAN AHMED MEMON DEPARTMENT OF CITY AND REGIONAL PLANNING MEHRAN UNIVERSITY OF ENGINEERING AND TECHNOLOGY JAMSHORO 1. INTRODUCTION Traffic management is the term used to describe the study of the needs of all users of the transport system and provision of better facilities
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other precious stones of appropriate colors as to represent life‚ created for the Mughal Badshah Shah Jahan of India in the 17th century‚ which was in his imperial capital Delhi’s Public audience hall‚ the Diwan-i-Am. Shah Jahan had the famous Koh-i-noor diamond placed in this throne. The French jeweler Tavernier‚ who saw Delhi in 1665‚ described the throne as of the shape of a bed (a "takhteh" or platform)‚ 6 ft. by 4 ft.‚ supported by four golden feet‚ 20 to 25 in. high‚ from the bars above which
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atrocities are seen all over the world‚ and aren’t exclusive to Sri Lanka. Anil is present in this testimony and is deeply affected at what she sees. At one of the sights Anil see a woman crouched over in a mass grave. Ondaatje writes‚ “She had lost a husband and a brother during an abduction in the region a year earlier...she had once been the feminine string between them‚ the one who brought them together...There are no words Anil knows that can describe‚ even for just herself‚ the woman’s face. But
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