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Today‚ Walt Disney is a household name. You will be hard-pressed to find any person who has not seen‚ in their life‚ at least one Disney film. They are well-liked by children and parents alike‚ and provide a fun escape for the viewer. However‚ they are not without their problems. This essay will explore in particular some of the problems surrounding the female characters within Walt Disney Animation Studios’ shorts and features‚ concentrating particularly on the Official Disney Princesses. We will
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Interactive Media— What’s that? Who’s involved? Elaine England and Andy Finney ATSF January 2002 ATSF White Paper—Interactive Media UK—©2002 ATSF 1 Interactive media - what’s that? For those people that have been part of the digital revolution this query seems rather trivial. But it is experience and expertise that allow people to discuss terminology without actually defining the terms. It is easy to forget how long it takes to get up to speed! For those people starting off on the quest
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CDD/ODI Policy Brief No. 4 CDD/ODI Policy Brief No. 4‚ November 2005 The role of traditional institutions in political change and development Richard Crook Why traditional institutions? Among development practitioners‚ there is growing interest in the search for more ‘authentic’ and socially embedded civil society actors. Renewed interest is being shown in whether locally-based traditional institutions match this description‚ given their continuing importance in respect to local justice‚ land
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The National has a nice write-up on how Spirited Away helped break the mould for Japanese movies. Spirited Away (千と千尋の神隠し‚ Sen to Chihiro no Kamikakushi) is a 2001 film by the Japanese anime studio Studio Ghibli‚ written and directed by famed animator Hayao Miyazaki. Its original Japanese title can be translated as The Spiriting Away of Sen and Chihiro or Sen and the Spiriting Away of Chihiro. However the name also forms a pun‚ with "Sen to Chihiro" sounding like "Sentou Chihiro"‚ which means
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What Did Dinosaurs Really Look Like? In a luminous top-floor workshop closed to the public at the American Museum of Natural History in New York‚ artists work with scientists to re-create scenes from lost or vanishing worlds. This is the birthing room for the museum’s elaborate dioramas‚ such as the brace of Northwest Indians who air-paddle their canoe through a fluorescent entrance hallway‚ or the 94-foot blue whale that swoops down from the duplex ceiling of the Ocean Life Hall‚ or the herd
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Teorya‚ Metodo at Gamit. University of the Philippines Press: Quezon City B Gorospe‚ M. (2008‚ November 21). Child violinist dazzles with Mozart. Posted at http://blogs.inquirer.net/beingfilipino Valmero‚ A Navarra‚ R.L. (2007‚ August 08). ‘Surf’s Up’ animator is a Pinoy dude. Posted at http://blogs.inquirer.net/beingfilipino Buenavente‚ F.G Zeus A. Salazar (1981) in Sikolohiyang Pilipino: Isyu‚ pananaw‚ at kaalaman. Allen Aganon at Ma. Assumpta David (1985). National Bookstore‚ Inc.: Manila Andrew B
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“I am in the present. I can not know what tomorrow will bring forth. I can know only what the truth is for me today. That is what I am called upon to serve and I serve it in all lucidity.” –Igor Stravinsky Igor Fyodorovich Stravinsky (June 17/5‚ 1882 – April 6‚ 1971) lived by this mantra. As a 20th Century composer‚ pianist‚ and conductor‚ music was his truth. Time magazine even named him as one of the 100 most influential people of the century. Music and its livelihood were the fiber of
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The animated film The Snowman is a charming‚ whimsical‚ kid friendly adaption of Raymond Brigg’s classic picture book. The film deals with friendship‚ fantasy‚ Christmas‚ reality and treasure. In the former part of the film‚ it portrays a boy’s nocturnal adventures with the snowman he built. Easiness‚ harmony and happiness suffuse the whole frames. The boy and the snowman creep and frolic in the house; they venture outside and ride on a motorbike; they take flight over the land and reach the Arctic
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Wiley Wiggins‚ Adam Goldberg‚ Julie Delpy‚ Ethan Hawke‚ and Nicky Katt. Linklater first shot Waking Life in digital video as a live action movie in New York City‚ Austin‚ and San Antonio. The edited finished product was transferred onto computers by animator Bob Sabiston. Linklater invited some thirty artists
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