Lincoln Nebraska Anthropologist Anthropology‚ Department of 1-1-2005 Romantic Love and Marriage: An Analysis of the Concept and Functionality of Romantic Love as a Marital Stabilizing Agent Emily Sorrell Follow this and additional works at: http://digitalcommons.unl.edu/nebanthro Part of the Anthropology Commons Sorrell‚ Emily‚ "Romantic Love and Marriage: An Analysis of the Concept and Functionality of Romantic Love as a Marital Stabilizing Agent" (2005). Nebraska Anthropologist. Paper
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Mary Shelley’s Frankenstein highlights key issues that are prevalent not only in her society but others as well. One of the central flaws displayed in the book is a skewed sense of morality and guilt. Both Victor Frankenstein and his creation blame their actions and reactions on other people or higher powers‚ things or beings they deem to be out of their control. Also‚ Victor doesn’t consider what will happen after he animates his creation or whether creating life artificially with science is
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“Young Frankenstein” vs. “Frankenstein” Young Frankenstein was a immense film in 1974 produced by Mel Brooks. It was a comedy motion picture that was a parody of the original film “Frankenstein‚” adapted from Mary Shelley’s novel. Both films purpose was to entertain viewers for at least an hour and a half. Young Frankenstein did that a little bit better than Frankenstein. Shelley’s novel is a novel full of agony‚ and the depressing life of Victor Frankenstein. Brooks Young Frankenstein‚ on the
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The ‘Gothic’ elements in Frankenstein One of the first novels to be recognized as a Gothic novel was Horace Walpole ’s Castle of Otranto (1765). This text as well as others such as Matthew Lewis’ The Monk (1796) was seen as being linked with what were traditionally considered Gothic traits: the emphasis on fear and terror‚ the presence of the supernatural‚ the placement of events within a distant time and unfamiliar setting‚ and the use of highly stereotyped characters/villains/fallen hero/ tragic
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CONFLICT IN ROMANTIC RELATIONSHIPS As long as people have gotten romantically involved with one another‚ there has been conflict within those relationships. Some people argue that conflict is bad for the relationship and will ultimately lead to the demise of that relationship. Others argue that the conflict is good for the relationship and will help it to flourish. Conflict can be both positive and negative for a relationship. It can both help and hinder the relationship. No matter
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Fearful Frankenstein People naturally fear the capabilities of science. Nuclear war‚ flying in airplanes‚ and even cloning are all examples of twenty-first century fears. We fear these because of science. Nuclear war would devastate the world‚ flying in airplanes is risky because of the unnatural ability of human flying‚ and cloning because it seems to play God. Well‚ according to Peter Hutchings in his book The Horror Film movie monsters are “expressions of or metaphors for socially specific fears
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Characteristics of Romantic Period * Rachmaninoff Piano concerto No.2 1stmovement Sergei Rachmaninoff’s piano concerto No.2 is composed in 1900 at the end of the Romantic period emphasizing anti-modernism and representing the older Romantic tradition. The first movement is in sonata-allegro form‚ which is exposition‚ development‚ Recapitulation and Coda‚ preserving and extending the formal structure from the Classical period. The piece is very emotional and expressive‚ containing a lot
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Gothic in Mary Shelly’s Frankenstein Gothic novel is a terrified story in which most of the actions as well as the setting are the mysterious and terrifying one. Mary Shelly’s Frankenstein is a good example of a gothic novel‚ but this novel is not a mere gothic one‚ it is a mixture of gothic and romance in which gothic is the dominant element. Frankenstein is a story of Victor Frankenstein‚ a young scientist‚ who wants to know how to create life‚ and finally he makes a monster out of the rests of
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Shelley’s Frankenstein is a perfect example. Shelley’s protagonist Victor Frankenstein is a reflection of a ‘romantic’ through his belief that personal and collaborative imagination will lead to a deeper understanding of the world and a better version of human beings (N. Smith 2001‚ para 3). Romanticism started to become recognizable in art works such as Van Gogh’s ‘Starry Night’ which isn’t a literal representation but a
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Faust as a Romantic Hero In Johann Wolfgang von Goethe ’s Faust‚ the protagonist exhibits many characteristics of a typical romantic hero. First‚ he is larger then life. He has obtained numerous advanced degrees‚ and conjures up spirits. In his effort to go beyond knowledge and gain experience he strikes a bargain with the Devil. He is "not afraid of the Devil or hell" ( Lawall & Mack‚ 444) and proves that by making the deal with the Devil. Secondly‚ he embodies the best and worst of
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