of Antigone‚ the protagonist of the play‚ Antigone‚ challenges society’s orders and norms. At the time period of the play‚ society’s norm for women was the maintain order in the family‚ give life to newborns and take care of the family members. However‚ Antigone challenges these social orders due to her social value of life: burying her brother‚ Polynices‚ and giving him a proper burial. Thus‚ it is through these norms and restrictions as well as her only social value that stimulates Antigone to
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In Antigone‚ by Sophocles‚ two sisters‚ Ismene and Antigone‚ have two different views on what it means to be human. Ismene understand “being human” or “life” in a biological sense. She believes in continuing‚ by being a female‚ in continuing the family bloodline. Antigone however‚ understands “being human” in a sense of family honor and reputation. Both are important‚ but neither is right nor wrong. Creon‚ the ruler‚ has his own views on how to rule the city. He believes that he is in charge and
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Discovers his fate from his actions * Usually a leader of men-ex: King * Their fate affects the nation or a large number of people * Their suffering is not senseless * Most tragic hero’s are men‚ with a could examples of Antigone and Cleopatra * Athenian Tragedy * Oldest tragedy existing * Emerged during 6th century BC * Reached its peak as dramatic form in the 5th century * When &Where * Open air theatres * Could usually hold
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Reading Response for Antigone Power is a tricky entitlement to decide among a community. Some people may believe that the ruler has the best decision in mind for everyone in that specific community‚ and other people may believe otherwise. My personal opinion on how much power a ruler should have is sort of a complicated opinion in that I do not believe in one specific ruler to make decisions for a whole community. Rulers should not have any significant power than anyone else because it should be
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self-destruct themselves? It could have been a family tragedy. In Sophocles Antigone Antigone buries her brother‚ which is against the law‚ but she still does it and gets sent to a cave to be killed. Creon‚ the leader‚ must make a big descion to keep his authority. Through Koryphaios’s conversation with Creon he convinces him not to kill Antigone. Leaders need to enforce laws to keep a country alive. Haimon‚ Creon’s son‚ is engaged to Antigone. Haimon talks to Creon and he gives supportive reasons not to kill
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political aspects of Antigone‚ we created an off text improvisation where we played characters from Theban society -I was “A Female Citizen”- we read them out to the class so we could get an idea of people we could work with which was a good idea as it enabled us to engage with each other and incorporate more detail into our improvisation. Our improvisation was set in a market place‚ we each spoke of our feelings to each other‚ which showed the contrast in opinions towards Antigone(or her sister)/Creon
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believing that everyone else lives there too. The characters of Nora and Torvald Helmer highlight two different ways of thinking‚ yet show how two such different viewpoints can share striking similarities. Both Nora and Torvald are codependent‚ self-involved‚ and superficial people; however‚ Torvald is content to be this way‚ while Nora feels that this way of life is not quite right for her and yearns to escape it. Both Torvald and Nora are dependent on each other in the way that they rely on each
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Antigone | Quote | Comments | Analysis | 1. "And now what is the proclamation that they tell of made lately by the commander‚ publicly‚/to all people? Do you know it? Have you heard it?/Don’t you notice when evils due to enemies/are headed towards those we love?"Line 8-12 | Antigone speak to Ismene about their brother Polyneices‚ that it is unfair to unbury him. Also she refers to the situation of the evil‚ cursed their father Oedipus who had been expelled outside from Thebes. | | 2
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be able to handle it. As a result‚ he doesn’t dare reconsider any of his decisions--doing so‚ he thinks might make him appear weak and cause his subjects to lose respect for him. So when he orders that Polyneices be left unburied and then orders Antigone to be entombed alive when she’s caught violating the order‚ he can’t let himself listen to her or Ismene or to Haimon. He even refuses to listen to Teiresias‚ conveying the displeasure of the gods‚ until Teiresias has left‚ but in fact that message
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Ibsen’s use of symbolism is also evident in the dialogues exchanged between Nora and Torvald. From the very beginning of the play‚ the type of language and the ways in which Nora and Torvald communicate appear to be significant in characterizing their relationship. This is especially evident in Torvald’s numerous notable references to Nora‚ such as “my little squirrel‚” “my little spendthrift‚” “little featherbrain‚” “my dearest treasure‚” and “[m]y obstinate little woman” (4‚ 5‚ 59‚ 57‚ 26). Such
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