In the play‚ Antigone‚ written by Sophocles‚ the tragic hero presented is Creon‚ the king of Thebes. Creon’s obstinate personality led him to avoid listening to anyone else’s reasoning. Creon has used bad judgment while he was ruling over Thebes. However‚ Creon went to great lengths to correct his mistakes. Creon’s personality‚ wrong conduct‚ and effort to reverse his mistakes make him a tragic hero. Creon’s stubborn‚ stern‚ and tyrannizing personality is a reason why he is a tragic hero. Creon
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Thebian play of Antigone has excited many debates over the years. The most prevalent being who exactly could be characterized as the tragic hero in the story. The argument that Antigone is the hero is deffinatly a strong one. There are many critics who believe that Creon‚ however‚ is the true protagonist of the play. In order to determine whether or not Creon is the tragic hero one must first examine what a tragic hero is. Aristotle states that a hero is neither purely innocent nor purely malevolent
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The Ideologies of Antigone When first reading Sophocles’ “Antigone‚” one might just think of a family torn apart over a sister’s bad decision to defy the King. However‚ given a closer look much more is revealed throughout the play. Several of the principles explored in “Antigone” are rules and order‚ and determination. The notion of rules and order are a focal theme throughout the play. “The central purpose is obviously the relation of the law which has its sanction in political authority and
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On this day of great regret‚ I‚ Creon have decided to not fight with destiny and give Polyneices a proper burial‚ and to release Antigone from her cave of slow death. If I do not release Antigone‚ the prophet Tiresias has said that my beloved son Haimon will die. Oh‚ this is quite the calamity‚ I must hurry to go release Antigone before this predicament worsens‚ but first I will give Polyneices a genuine burial. I must follow the mighty laws of all gods and serve them to the day of my death. Accompanied
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ANTIGONE PROLOGUE (1-116): Antigone‚ resolute and determined‚ proposes to Ismene that they flout the decree of Creon and bury the body of Ploynices‚ even at the cost of death. Ismene is afraid to join her and tries to disuade Antigone from her purpose‚ urging the weakness of women ant the necessity of obedience to the state. Antigone‚ in a burst of furious anger‚ scorns her advice. PARADOS (117-79): The Chorus of Theban Elders hails the defeat of the Argive army and the lifting of the siege of
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Elizabeth S. Antigone Analysis 5-2-13 It isn’t uncommon for people to challenge society for what they believe in. For example‚ in day to day life‚ Society says to not stone your wife if she has an affair‚ while the Bible says that it is alright. In Antigone by Saphocles‚ Antigone was right to disobey Creon by burying her brother‚ because she knew that he deserved the same rights as everyone else‚ despite the fact that he went against Creon’s rulings. Creon decided that Polyneices wouldn’t
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is what Antigone does in Sophocles’ story Antigone. She clearly disobeys King Creon’s order that no person should bury Antigone’s brother‚ Polynices‚ which is punishable by penalty of death. In this case‚ is Antigone’s decision the correct one? Her actions affect many of her other countrymen negatively because they cause problems within the royal family‚ disagreement among the people and directly relate to the death of three people including her own. By burying her brother‚ Antigone knowingly
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I examined the role of Gods in two texts- Gilgamish and Antigone and I felt that each text defines the role of Gods in its own unique way. For Antigone‚ the role of Gods is indirect; this is shown in Antigone’s actions and beliefs as her character is obviously clear minded and always aware not only that honoring the divine was the right stand to take in any situation‚ but also how exactly to pay respect to them: "I know I’m pleasing those I should please most" (line 88). After realizing the fact
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Samantha Albert Mr. Jordan Antigone Fear/ Pity Fear and Pity Shown in Antigone The Greek Philosopher Aristotle defined tragedy as a form of drama that evokes fear and pity in the audience. The tragic play Antigone conflicts that definition because although pity is evoked throughout the play‚ modern audiences have difficulty experiencing fear because they fail to acknowledge the role fate plays in their everyday lives. At the end of
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considered to be citizens. Unsurprisingly‚ this dynamic of male dominance extended into their theatre practice‚ in which men played all of the characters--even the female characters--and men composed the entire audience (Della Gatta). Remarkably then‚ Antigone and Lysistrata both feature strong and assertive titular heroines‚ despite the androcentric culture in which they were were conceived and performed. Rather than challenging the patriarchal organization of society‚ however‚ these plays reinforce the
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