must be respected. How does Antigone demonstrate pre-feminist ethics? Possible Answer: Antigone believes that a woman’s duty is not to the men who rule a domain‚ but rather to her own instincts and her own sense of right and wrong. She believes that the gods do not dictate through a ruler‚ but rather through individual beliefs. When does Creon become apologetic for his actions? Possible Answer: Creon never apologizes for his actions. Instead‚ he simply orders Antigone to be freed because he knows
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shown throughout this story. These elements are part of what make Antigone a tragedy and are manifested well. The first example of violation we see is when Antigone buries her brother‚ despite Creon’s law against burying a traitor. Antigone violates Creon’s law due to her love for her brother and her respect for the Gods. She knows that she will die if she is caught yet she does not even deny the crime when she is accused. Antigone also violates her sister Ismene’s concerned warnings about the outcome
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Sophocles‚ the great Greek tragedian wrote the tragedy Antigone. In the play he uses universal themes‚ themes the audience knows and can relate to. These universal themes‚ loyalty to family‚ to state and to the God’s cause the conflict resulting in tragedy. The audience witnesses loyalty to family‚ through the strong emotions of the characters. Most of the characters in Antigone are blood related. Antigone deeply loves her brother and can’t bear the thought of him not having a proper burial. She
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pages twenty through thirty of Jean Anouilh’s play‚ Antigone‚ but before the interactive oral‚ I deemed Antigone the Tragic Hero—she fulfills many of the criterion. Antigone is the daughter of Oedipus‚ thus she is of noble birth. In an act of heroism‚ Antigone challenges Creon’s totalitarian state. Antigone’s fate was predestined; the Chorus declares that Antigone is going to die. I did not think there could be an affirmative case for any other character. During the interactive oral‚ one cultural and
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Creon has decided to sentence Antigone to death by execution for the crime of burying her dead brother‚ Polynices‚ against his own decree. Creon first heard of this from the Sentry‚ who at the time‚ did not know who did it. The Sentry later informs Creon that it was indeed Antigone who committed the crime. After confronting Antigone‚ and ignoring Ismene’s desperate pleas for mercy‚ Creon ends the scene by having the guards escorting Antigone and Ismene into the palace. Since the plot scene
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are a direct polar opposite of Creon. The motivations of Antigone conflict with Creon highlight his characteristics of self pride‚ views of laws‚ and rudeness towards women. Each of these characteristics brings Creon out as a tragic hero as soon as the play begins and his role is ginormous throughout the play Antigone. Antigone herself brought out Creon’s self pride as he viewed himself much greater than anyone he encountered. By Antigone going directly against Creon‚ he felt as if he had something
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From Author to Reader‚ and back Again: Transmittance of Interpretation and Intention in Translation Sophocles’ tragedy Antigone‚ although written long ago in a linguistic form foreign to the modern English speaker‚ finds new and relatable life by the whims and wits of Robert Fagles and Anne Carson’s translations‚ Antigone and Antigo nick respectively. After reading either translation and recognizing the great variation between them‚ the expedient question to ask encroaches as “Which is the more
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play‚ “Antigone‚” the main character is a clear example of a courageous‚ intelligent high-class woman defying her culture’s limits. She didn’t just go against the State‚ but her superior male relative as well. This in turn intimidates and infuriates the king. The gender roles are very important because they create tension in the story‚ which helps build up to the climax. It also affects the decisions of some characters because they want to defend their pride. Right from the prologue‚ Antigone expresses
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Lakota Godsey Professor Schindler May 1‚ 2015 Sacrificing Womanhood: Antigone In Sophocles’ Antigone‚ an obvious power struggle between men and women exists as they are bound by traditional gender roles. Antigone‚ the antagonist‚ becomes dissatisfied with the powerlessness and supposed inferiority of Greek women. She disturbs the traditional gender roles by going against the king’s commands and sacrificing herself for her brother. She insists that her extreme family loyalty drives her to sacrifice herself
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Antigone Foil – characters who have contrasting or opposite qualities. In the play Antigone by Sophocles‚ Ismene is shown to be in great contrast to Antigone‚ who is her sister. She is portrayed as a gentle and passive while Antigone is depicted as an aggressive and headstrong woman. In the prologue‚ Antigone and Ismene are shown discussing what has transpired since their leave and subsequent return to Thebes. In this scene Antigone asks her sister in line 6-7 “have they told you of the new decree
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