Antigone Life has a way of becoming complicated. Problems between friends‚ foes‚ and even family members develop everyday for people of all walks of life. It is part of human nature to disagree‚ cause conflict and fight for what we believe in even if that means stepping on someone else’s toes along the way. Aristotle had thoughts on complication dating back to 335 B.C when he wrote Poetics- the earliest surviving work of dramatic theory. In it he analyzed tragedies and theorized that every tragedy
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The Excitement of Antigone Sophocles manages to make internal events as exciting as external events in the play Antigone. Family and religion are sensitive subjects to this day and increase the excitement of events that wouldn’t be exciting otherwise. By emphasizing family affairs and religious beliefs‚ Sophocles makes internal and psychological dealings as exciting as they would be given external sources. The struggle between people is intensified when there are family relations and brings
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Who is Antigone? Antigone’s reliance on gods gives her the strength and perseverance to object the state’s power. Throughout the tragedy‚ Antigone displays a series of emotions as she is challenged to her mindset and what she believes is right. Due to her reverence towards the gods‚ Antigone was capable of burying Polyneices regardless of the consequences the state provides. This allowed the challenging of Creon’s power which set the plot of the whole tragedy. Antigone believes that her duty towards
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Despite tradition‚ Sophocles chose a woman to lead his story. Strong willed and quick witted‚ Antigone proves to be a loyal sister and pure wife. Antigone is noble of birth. Her hamartia is she shows hubris‚ a classic tragic hero trait‚ when telling Creon‚ “And I‚ whom no man’s frown can frighten‚ Am far from risking heaven’s frown by flouting these‚ I need no trumpeter from you to tell me I must die‚ we all die anyway.” (210) She takes on the role of her better‚ a man. When she buries he brother
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someone they see as inferior to them‚ they usually feel obliged to preserve their power through displaying their dominance. Thus‚ when Creon‚ in Sophocles’ Antigone‚ is disobeyed by a woman‚ he feels the need to inflict punishment to not only her‚ but also the people connected to her. Throughout Scene II‚ although Creon is notified that Antigone was the caught trying to bury her brother‚ he seems to be doubtful of the possibility. Even when she is questioned and “den[ies] nothing‚” he does not
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The play “Antigone‚” by Sophocles displays an interesting storyline in which the main characters Antigone and Creon undergo various obstacles due to their actions. Throughout the play‚ Antigone attempts to secure a respectable burial for her brother Polyneices. By choosing to protest and defy Creon’s rule‚ Antigone unquestionably breaks the law. However‚ her defiance does not seem like an act of civil disobedience against injustice because Antigone was acting in her own self-interest when considering
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every action is a motive. In Sophocles’ work of art Antigone‚ there are many possible motives for the character’s actions. Creon causes Polyneices burial to be forbidden‚ sentences Antigone to death‚ and locks Antigone in a stone room because his motives were to be a fair and unbiased ruler. Creon says‚ “and as for the man who sets private friendship above the public welfare‚ -I have no use for him‚ either” (1. 153-154). Creon punishes Antigone because he knows that pardoning a guilty person just
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called Antigone and was based on a girl with a royal background who purposely defies the law to stand up to their beliefs and buries her brother Polyneices despite the king’s proclamation. Many centuries later‚ Martin Luther King would be delivering a sermon on the topic of conformity which reflected many of Sophocles’
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Theme #1: As death slowly isolates Antigone by taking away those dearest to her heart‚ she feels as if her home is below with the ones she cares about rather than in a corrupt world full of animosity. She tries coping with the pain but desperately needs to connect with death to maintain her happiness. Antigone also tries to escape her fate through death but safeguards the respect of the gods while doing so “[...]all for reverence‚ my reverence for the gods (1034)”. However‚ Antigone’s obdurance causes
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Writers use many tactics to get across to their readers. In order to get the moral of the story or the overall theme of the book‚ they might write about the main character reaching an epiphany of some sort that reveals the focus of the story. Writers tend to end their story with a happy ending in which the main character experiences a spiritual reassessment or a moral reconciliation. In Margaret Mitchell’s Gone with the Wind‚ the main character‚ Scarlett O’Hara‚ undergoes a spiritual reassessment
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