Hello Sidney‚ I recently received your letter regarding the revision of Antigone. After reading‚ I have gladly decided to accept your offer and give you my insights on revising Antigone to your needs. I have come up an answer for your first request‚ which was “Can we do something about Creon’s hamartia? Can we change the story in some way to make him more pitiful to the audience? Creon’s hamartia was his inability to be a good ruler who canable to make good decisions‚ reconsider his actions‚
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left frantic and sorrowful. In the play Antigone by the playwright Sophocles‚ Antigone learns that her brother Polynices has been banned from proper burial rites by the leader Creon‚ who believes Polynices is a traitor. Antigone then defies this law‚ and when caught‚ is punished with being buried alive. Creon is then told by Haemon‚ his son‚ Tiresias‚ and the chorus leader to let Antigone go free‚ but when Creon finally gives in it is too late and Antigone has already hung herself. In response‚ Haemon
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he Antigone‚ a tragedy written by Sophocles is a story about a girl named Antigone‚ who was sentenced to death by the ruthless king Creon‚ her uncle after burying her dead brother Polyneices‚ which was declared against the law after him and his brother fought‚ killed by the other’s sword. Back then women were not treated as equals like in today’s society‚ they were sometimes forced into marriage‚ had to stay home and could not work‚ and had very few rights to their name. But what if Antigone was
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Antigone’s Room. She sits with her head bowed. Enter Creon. Creon: Antigone. You are the daughter of a traitor - Oedipus. While you wait upon your judgment to be dealt‚ please tell me. Tell me why you have done what cannot be undone and damned yourself to this fate. Antigone: I do not feel damned. I do not lie here and claim my actions as regrets for they were of my own will. I believe that I have done what is right for my family and to the gods. I have stood up and apart from those that condemn
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universe through his third ode in “Antigone.” Its powerful message foreshadows the death of Antigone and her lover‚ Haemon‚ through its crisp imagery and perfect diction. The chorus passionately sings the evils of love while closely examining the situation of the Lovers’ potential ends. Force emanates from each word that Sophocles conducts‚ forcing the viewer to be enthralled in their meanings. The chorus ardently depicts the specifics and evils of love throughout “Antigone” through subtle repetition‚ personification
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tragic hero is one who is in power or associated with power. They have a hamartia‚ or flaw‚ that will ultimately cause their own downfall. Many would use this and claim that Antigone is the tragic hero of the self-named play‚ but one character has a much more grand fall from the heavens after he losses both wife and son to Antigone (isn’t exactly their main reason‚ but Antigone’s actions do lead to their untimely deaths.) The true tragic hero is then Creon‚ for he put the law over his own family‚ and
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antagonist and theme are addressed in this paragraph. Antigone is the only one who placed moral law above civil law. So‚ from those elements in this paragraph‚ it shows that moral law is more important than civil law. Second: Compare your answers to the other members of your group. Between all answers from part one‚ create a better answer as a group below which answers: What is the main literary argument of the paragraph? In Antigone by Sophocles‚ the conflict between moral law and civil law
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tragedy Antigone by Sophocles in which two tragic heroes Creon and Antigone have to endure the pain of trying and failing. To the naked eye it may seem although Creon and Antigone are the complete opposite of one another‚ however Creon and Antigone are enduring the similar experiences throughout the play despite the despise they have for one another. Creon and Antigone both have the characteristics of tragic heroes but demonstrate those characteristics in different ways. Both Antigone and Creon
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that a different way is the way to go. This is exactly what happens in Sophocles’ play Antigone. Ismene‚ Haimon‚ and Creon all have a difficult time choosing between following what their conscience is saying and what society thinks‚ which leads to conflict between the characters. Ismene faces this conflict of conscience vs. society when deciding whether to help Antigone bury Polyneices or not. When Antigone asks her if she is going to bury him with her‚ and if she even cares about her brothers
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Antigone through the lens of Judith Butler’s “Survivability‚ Vulnerability‚ and Affect” Introduction Antigone is tied by two key sentances to the message in Judith Bulter’s “Survivability‚ Vulnerability‚ and Affect”‚ “It has been since at least the time of Antigone‚ when she chose openly to mourn the death of one of her brothers even though it went against the sovereign law to do so. Why is it that governments so often seek to regulate and control who will be publicly grieved and two will not
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