Crystal Green Dram 105 Dr. Rodda October 7‚ 2010 Sophocles’ Antigone Sophocles’ Antigone brings to life the underlying culture flaws in the Greek city-states by showing how the idea of filial piety and divine law undermine each other and were used as a means to justify the ends. Athenian citizens enjoyed a wide range of powers of self-governance: citizens elected military leaders and held judicial authority. Every male citizen enjoyed these rights. Women were not considered citizens; they were
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fortes‚ and a positive mindset. Sophocles uses the dealings between the law of the Gods and the law of man to portray that by conquering stumbling blocks we discover what who we are. Antigonê is a strong woman with religious convictions that compel her to do what she believes is right‚ regardless of consequence. Antigonê finds herself in a dilemma torn between submitting to Creon’s laws‚ and her obligations to her family. King Creon dishonored Polyneicês who fought against Thebes‚ and granted full
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There has been much talk about Sophocles’ “Antigone” over the years. The play by Sophocles has been subject to many criticisms that delve into mainly the decisions behind actions exhibited in the play. In this review‚ “Antigone” will be broken up into sections. These sections are characteristics that like many of the characteristics of a Shakespearean tragedy. This review is mainly compromised of those characteristics that are alike‚ with some references those that are unalike. The scholarly critical
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On this day of great regret‚ I‚ Creon have decided to not fight with destiny and give Polyneices a proper burial‚ and to release Antigone from her cave of slow death. If I do not release Antigone‚ the prophet Tiresias has said that my beloved son Haimon will die. Oh‚ this is quite the calamity‚ I must hurry to go release Antigone before this predicament worsens‚ but first I will give Polyneices a genuine burial. I must follow the mighty laws of all gods and serve them to the day of my death. Accompanied
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ANTIGONE PROLOGUE (1-116): Antigone‚ resolute and determined‚ proposes to Ismene that they flout the decree of Creon and bury the body of Ploynices‚ even at the cost of death. Ismene is afraid to join her and tries to disuade Antigone from her purpose‚ urging the weakness of women ant the necessity of obedience to the state. Antigone‚ in a burst of furious anger‚ scorns her advice. PARADOS (117-79): The Chorus of Theban Elders hails the defeat of the Argive army and the lifting of the siege of
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Since the inception of Sophocles’ Antigone‚ there has been an argument regarding the true tragic hero of the play. It is a commonly held certainty that Antigone must be the tragic character merely because she and the drama share the same name. This is‚ of course‚ a very reasonable supposition. Surely Sophocles must have intended her to be viewed as the protagonist; otherwise‚ he would not have given her the name as the play’s title. However‚ analytically speaking‚ Creon seems to fit the category
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Elizabeth S. Antigone Analysis 5-2-13 It isn’t uncommon for people to challenge society for what they believe in. For example‚ in day to day life‚ Society says to not stone your wife if she has an affair‚ while the Bible says that it is alright. In Antigone by Saphocles‚ Antigone was right to disobey Creon by burying her brother‚ because she knew that he deserved the same rights as everyone else‚ despite the fact that he went against Creon’s rulings. Creon decided that Polyneices wouldn’t
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is what Antigone does in Sophocles’ story Antigone. She clearly disobeys King Creon’s order that no person should bury Antigone’s brother‚ Polynices‚ which is punishable by penalty of death. In this case‚ is Antigone’s decision the correct one? Her actions affect many of her other countrymen negatively because they cause problems within the royal family‚ disagreement among the people and directly relate to the death of three people including her own. By burying her brother‚ Antigone knowingly
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I examined the role of Gods in two texts- Gilgamish and Antigone and I felt that each text defines the role of Gods in its own unique way. For Antigone‚ the role of Gods is indirect; this is shown in Antigone’s actions and beliefs as her character is obviously clear minded and always aware not only that honoring the divine was the right stand to take in any situation‚ but also how exactly to pay respect to them: "I know I’m pleasing those I should please most" (line 88). After realizing the fact
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Samantha Albert Mr. Jordan Antigone Fear/ Pity Fear and Pity Shown in Antigone The Greek Philosopher Aristotle defined tragedy as a form of drama that evokes fear and pity in the audience. The tragic play Antigone conflicts that definition because although pity is evoked throughout the play‚ modern audiences have difficulty experiencing fear because they fail to acknowledge the role fate plays in their everyday lives. At the end of
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