Creon and his hubris made his downfall In Sophocles play Antigone‚ who really fits the definition of Aristotle’s definition of tragedy? Or tragic hero? Creon fits better than Antigone. At the beginning‚ he is a good leader for his kingdom‚ has all kinds a good characters on him‚ loyalty‚ justice. But just because of his stubbornness and hubris‚ he get to this title. Antigone might be the big hero that defended women and human rights during that time‚ but she doesn’t really have a hubris. Instead‚ Creon
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Oedipus Cycle‚ Antigone‚ than in the latter two plays‚ Creon’s deterioration‚ however‚ is brought about by the same cause that triggers Oedipus’s downfall: his hubris. Though Creon is the voice of reason in Oedipus Rex‚ his hubris in the latter two plays causes his deterioration and eventual downfall. Throughout Oedipus Rex‚ Creon acts as the voice of reason‚ as displayed by his actions‚ which are calculated and politically well thought out. Early
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Most Greek tragedies have a tragic hero who is of nobility with hubris that lead to misguide judgment and their downfall. Both main characters Antigone and Creon have the characteristics as a tragic hero but Creon more so in his status as a king. Creon’s hubris and close mindedness doesn’t allow him to listen to the advice and comment that are made by his decisions. The ultimatum decision of Creon is putting Antigone who is both family and the fiancé of his son Haemon. Creon has the nerve to tell
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Antigone Compare and Contrast One of Sophocles many achievements was a Greek tragedy called Antigone. Two of the main characters have one main conflict‚ which was burying Antigone’s brother Polyneices. Having different opinions on it both Antigone and Creon have different personality traits but with all of the differences they are also alike in many ways. Antigone is a teenage girl who is caring in a variety of ways like she looks after her little sister Ismene‚ while being compassionate
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professional actors (Bloom‚ 45). He let the chorus converse with the characters‚ introduced elaborate costumes and stage designs. Two of Aeschylus’ plays‚ Oresteia and Prometheus Bound‚ illustrate the importance of Chorus and the characteristic concept of "hubris"‚ or excessive pride‚ focusing on man’s social and political consequences in the universe in relation to the Greek gods. Aeschylus was a native of Eleusis‚ a Greek town near Athens. The year of his birth was 525 B.C. He was the first of the great
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disrespect of his people‚ as well as his demise‚ Creon of Antigone is the play’s tragic
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Okonkwo is a strong powerful man‚ but his fatal flaw is his hubris. Hubris is excessive pride or self-confidence‚ and is shown to the reader quickly early-on in the book. I think that Okonkwo is aware that he is a prideful man in the sense that he would rather fight with his fists than try to talk something out‚ because he knows he can win with his fists. “..whenever he was angry and could not get his words out quickly enough‚ he would use his fists.” (Achebe 4) I also think that Okonkwo is more
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Conflict of Loyalty From reading Antigone‚ loyalty comes in all different forms. One is how Antigone expressed her loyalty to family by giving her brother‚ Polynices‚ a proper bruial; even though she wasn’t being loyal to the rules of Creon‚ king of Thebes. Humans are faced with basic conflicts of loyalties—to state‚ religion‚ and family. Personal happiness is another powerful and legitimate pull. But perfect balance among these compelling factors is impossible; hence suffering is inevitable. In
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looking at this definition‚ Antigone can fit the description. How she reacts to events and the ensuing consequences that occur‚ forms the plot of the play. At the very beginning Antigone chooses to bury polyneices even though it was against Creon’s wishes. She had a choice to leave his body buried but she chose to unbury him which shows her stubbornness‚ and this is a common trait amongst protagonists. Creon also has this trait and shows it when he discovers her body. Antigone does not give up under any
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In the novels The Time Of The Hero (TTOTH) by Mario Vargas Llosa and Things Fall Apart (TFA) by Chinua Achebe‚ both writers focus on the idea of hubris and the excessive pride of powerful characters. In fact both the Jaguar (TTOTH) and Okonkwo (TFA) are characters‚ which represents this idea of Hubris‚ as they’ve been shaped by their social environment and the notion of manliness and hierarchy. In TFA‚ Okonkwo respond to the Igbo society through his obsession of being hyper-masculine. In TTOTH‚ the
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