Antigone Antigone deals with the conflicts arising from three demands made upon the human psyche: the demands of religion (Zeus); the demands of the state (Thebes); and the demands of human instincts (Aphrodite). Characters like Antigone represent how firm beliefs and a strong sense of religion can impact an individual’s thoughts and actions. When Antigone was put before King Creon to defend herself she says to him “But all your strength is weakness itself against the immortal unrecorded
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209). Crean automatically assumes that the man committing the deed is male‚ indicating that women are not capable of taking action in the same way as men. Women are further portrayed as weak and helpless when Creon is talking about his discord with Antigone‚ “If we must lose‚ let’s lose to a man at least” (lines 539-540). Creon’s statement reveals that he thinks women are so inferior to men that losing to a woman is disgraceful to a
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they have gone‚ sharing their double end on a single day” (Creon) This quote was important because this was the basis for the drama of Antigone. This quote was from Creon referring to Polyneices. He was saying that since Polyneices went against Thebes‚ that Polyneices will not get buried. If this piece of the book was not said‚ this drama would not be a drama. 2. “Curse you! Find the love for your outlet down there. No women while I live shall govern me.” (Creon) This quote reflects Creon’s hubris
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Antigone Life has a way of becoming complicated. Problems between friends‚ foes‚ and even family members develop everyday for people of all walks of life. It is part of human nature to disagree‚ cause conflict and fight for what we believe in even if that means stepping on someone else’s toes along the way. Aristotle had thoughts on complication dating back to 335 B.C when he wrote Poetics- the earliest surviving work of dramatic theory. In it he analyzed tragedies and theorized that every tragedy
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prominent play named Antigone; the third of the trilogy. Even though one would usually think that ancient Greek theater is dull‚ one can learn a lot about themselves while reading them. While reading this story myself‚ I found that I correlate to the main character herself‚ Antigone. The character intrigued me; for we think and speak similarly. After finding this‚ I kept discovering more and more connections between the two of us. Separating into three different categories‚ Antigone and I are similar
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The Excitement of Antigone Sophocles manages to make internal events as exciting as external events in the play Antigone. Family and religion are sensitive subjects to this day and increase the excitement of events that wouldn’t be exciting otherwise. By emphasizing family affairs and religious beliefs‚ Sophocles makes internal and psychological dealings as exciting as they would be given external sources. The struggle between people is intensified when there are family relations and brings
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The play “Antigone” conveys the interactions between the King Creon and his niece Antigone. Their interaction is different than a normal conversation between a women and male at the time‚ especially a man with as much power as Creon. Normally‚ a woman would surrender to the males wishes and keep her thoughts to herself. Antigone separates herself from this commonality by showing no fear as she admits to burying Polyneices‚ her brother‚ when the Creon questions her (Line 411). Creon is shocked by
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Who is Antigone? Antigone’s reliance on gods gives her the strength and perseverance to object the state’s power. Throughout the tragedy‚ Antigone displays a series of emotions as she is challenged to her mindset and what she believes is right. Due to her reverence towards the gods‚ Antigone was capable of burying Polyneices regardless of the consequences the state provides. This allowed the challenging of Creon’s power which set the plot of the whole tragedy. Antigone believes that her duty towards
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Despite tradition‚ Sophocles chose a woman to lead his story. Strong willed and quick witted‚ Antigone proves to be a loyal sister and pure wife. Antigone is noble of birth. Her hamartia is she shows hubris‚ a classic tragic hero trait‚ when telling Creon‚ “And I‚ whom no man’s frown can frighten‚ Am far from risking heaven’s frown by flouting these‚ I need no trumpeter from you to tell me I must die‚ we all die anyway.” (210) She takes on the role of her better‚ a man. When she buries he brother
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someone they see as inferior to them‚ they usually feel obliged to preserve their power through displaying their dominance. Thus‚ when Creon‚ in Sophocles’ Antigone‚ is disobeyed by a woman‚ he feels the need to inflict punishment to not only her‚ but also the people connected to her. Throughout Scene II‚ although Creon is notified that Antigone was the caught trying to bury her brother‚ he seems to be doubtful of the possibility. Even when she is questioned and “den[ies] nothing‚” he does not
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