Hello Sidney‚ I recently received your letter regarding the revision of Antigone. After reading‚ I have gladly decided to accept your offer and give you my insights on revising Antigone to your needs. I have come up an answer for your first request‚ which was “Can we do something about Creon’s hamartia? Can we change the story in some way to make him more pitiful to the audience? Creon’s hamartia was his inability to be a good ruler who canable to make good decisions‚ reconsider his actions‚
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admirable in Antigone and the audience is void of sympathy for the character as he continues to indulge in his hamartia. Oedipus on the other hand was once a well liked character and so the audience is able to experience catharsis as he falls from grace. Both Oedipus and Creon’s fatal flaw was pride. Strophe 2 brings up their hamartia saying “No pride on earth is free
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The play opens up with Antigone trying to convince her sister Ismene to be on her side with the burial of their brother‚ and while Ismene yields to what kind Creon wants‚ Antigone’s pride keeps her mind set on wanting what she wants best for her brother. “ But I will bury him; and if I must die‚ I say that this crime is holy: I shall lie down with him in death‚ and I shall be as dear to him as he is to me.”(Sophocles‚55). Obviously Antigone makes it clear that she has made her choice and stands by
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antagonist and theme are addressed in this paragraph. Antigone is the only one who placed moral law above civil law. So‚ from those elements in this paragraph‚ it shows that moral law is more important than civil law. Second: Compare your answers to the other members of your group. Between all answers from part one‚ create a better answer as a group below which answers: What is the main literary argument of the paragraph? In Antigone by Sophocles‚ the conflict between moral law and civil law
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Antigone’s Relations In the two Antigone plays that we read‚ Anouilh’s 1940’s modern version and Sophocles’ version‚ there are many contrasts. Everything from the setting to the message is different‚ however the relationship between characters is the most striking difference; relationships with Antigone in particular. In Sophocles’ version‚ the character relations are rather underdeveloped‚ which is an extreme contrast from the relationships shown in Anouilh’s version of Antigone. The relationships that
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Break Down of the Tragic Character Thesis: Although both Antigone and Creon experience supreme pride and a sense commitment‚ only Creon the tragic hero of the play‚ experiences transfiguration. Creon‚ the new ruler of Thebes decides that Antigone’s brother Polynices will not be given a proper burial because he betrayed his homeland. Antigone tried to give him a proper burial and is supremely proud of her deeds and herself because she believes them honorable and if she must be punished
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universe through his third ode in “Antigone.” Its powerful message foreshadows the death of Antigone and her lover‚ Haemon‚ through its crisp imagery and perfect diction. The chorus passionately sings the evils of love while closely examining the situation of the Lovers’ potential ends. Force emanates from each word that Sophocles conducts‚ forcing the viewer to be enthralled in their meanings. The chorus ardently depicts the specifics and evils of love throughout “Antigone” through subtle repetition‚ personification
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it with the opposite – the rule of a tyrant. The philosopher Plato‚ in his Socratic Dialogue The Republic‚ describes the psychological make-up of this ruler. The character of Creon in Sophocles’ play Antigone shares some of the personality flaws and actions described by Plato. If Plato had read Antigone he would have considered Creon a tyrant because of decisions and swift actions against the citizens of his city-state. The image of the tyrant was fully developed in Plato’s The Republic. In the five-fold
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Antigone’s Room. She sits with her head bowed. Enter Creon. Creon: Antigone. You are the daughter of a traitor - Oedipus. While you wait upon your judgment to be dealt‚ please tell me. Tell me why you have done what cannot be undone and damned yourself to this fate. Antigone: I do not feel damned. I do not lie here and claim my actions as regrets for they were of my own will. I believe that I have done what is right for my family and to the gods. I have stood up and apart from those that condemn
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highly renowned and prosperous a. Oedipus‚ Son of King of Thebes‚ King of Thebes‚ “Adopted” son of King of Crones b. Antigone‚ son of Oedipus c. Prometheus‚ Titan 2. The tragic hero(ine) must not be a perfectly good man or woman brought from a high status to low. This would merely be a shock; there must be justification for the fall. a. Oedipus‚ killed the King of Thebes. b. Antigone‚ buried her dishonored brother‚ disobeying Creon c. Prometheus‚ stole Zeus’s fire 3. Tragic hero(ine) cannot go
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