Questions of Antigone What is Antigone‚ in the Phenomenology of Spirit‚ doing for Hegel? What point does the tragedy help to articulate? Essentially‚ Antigone serves to illustrate the dissolution of the Ethical World‚ the Sittlichkeit of ancient Greece‚ the first manifestation of Spirit proper. But how exactly does this work? When we unpack the role of Antigone in the Phenomenology questions and ambiguities emerge. Does Hegel choose sides in the conflict between Antigone and Creon? Is Antigone an individual
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Antigone The main theme for Antigone is that people sometimes have to learn the hard way from their mistakes. This theme is expressed in the final four lines of the play. They read‚ There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished‚ And proud men in old age learn to be wise. These lines are an important part of the play. They symbolize Creon ’s bad decisions‚ his defiance of the gods‚ the punishment
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hours each. Sophocles was a Greek tragedian and the playwright of the famous tragedy‚ Antigone‚ which astounded the audience due to the dominant woman tragic hero of Antigone. He incorporated the Chorus‚ a group of elders‚ into this tragedy as all Greek plays did. The Chorus was used to provide wisdom‚ advice‚ and morals directly to the characters‚ and also provide background information to the audience. In Antigone‚ the Chorus uses the literary device of allusion to introduce a different atmosphere
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living and not with the breathless dead. As Antigone prepares to be taken to her “rockbound prison‚” she surrenders her resolute façade and reveals her vulnerable‚ humbled side as she feels estranged and doomed as an outcast forever from her loved ones and society as whole (939). Antigone begins calling out to her city saying “O you mock me!” personifying Thebes‚ giving the city power over herself; power to judge her transgressions (930). Antigone uses many apostrophes as she calls out to Thebes
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Antigone is a Greek tragedy written by Sophocles set in the Bronze Age at the dawn of day in the royal palace of Thebes. It is story of a driven young girl named Antigone who is determined to bury her recently deceased brother‚ Polynices‚ by defying the orders of the new king of Thebes’‚ Creon. . The definition of an Ancient Greek tragedy thought up by Aristotle explains that tragedy is “an imitation of an action that is serious‚ complete possessing magnitude: In embellished language‚ each kind of
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Pride is shown through out the reading “Antigone”‚ when she gives her brother a proper burial. Since her brother is not allowed a proper burial‚ Antigone sets out to do it herself. She is found committing this crime‚ faced to the king‚ and is supposed to be killed because she did not obey the laws. Pride is a crime in this tragedy‚ and it is what leaves everyone dead. Antigone is furious that her “own brother” cannot be properly buried. She decides that she will do it herself‚ and does not care
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On this day of great regret‚ I‚ Creon have decided to not fight with destiny and give Polyneices a proper burial‚ and to release Antigone from her cave of slow death. If I do not release Antigone‚ the prophet Tiresias has said that my beloved son Haimon will die. Oh‚ this is quite the calamity‚ I must hurry to go release Antigone before this predicament worsens‚ but first I will give Polyneices a genuine burial. I must follow the mighty laws of all gods and serve them to the day of my death. Accompanied
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I examined the role of Gods in two texts- Gilgamish and Antigone and I felt that each text defines the role of Gods in its own unique way. For Antigone‚ the role of Gods is indirect; this is shown in Antigone’s actions and beliefs as her character is obviously clear minded and always aware not only that honoring the divine was the right stand to take in any situation‚ but also how exactly to pay respect to them: "I know I’m pleasing those I should please most" (line 88). After realizing the fact
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The historic play of “Antigone” written by Sophocles‚ is not only about getting closure for a loved one but also what it means to be heroic and stand up for what you believe in. They are faced with conflicts between the will of man vs. the will of the god’s. As wells as contrasts between Antigone vs. Ismene. This piece also gives us insight about the history of the story and the history of ancient Greece. This ancient Greek play embodies a deeper lesson shown through the different conflicts and
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considered to be citizens. Unsurprisingly‚ this dynamic of male dominance extended into their theatre practice‚ in which men played all of the characters--even the female characters--and men composed the entire audience (Della Gatta). Remarkably then‚ Antigone and Lysistrata both feature strong and assertive titular heroines‚ despite the androcentric culture in which they were were conceived and performed. Rather than challenging the patriarchal organization of society‚ however‚ these plays reinforce the
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