After examining the first two productions‚ and seeing the tremendous effect they had on both the performers and the audience members‚ I am even more delighted to talk about my final production‚ which also embraced the spirit of Antigone. The Aperta’s production present “ Antigone of Syria” The aim of this production was to “Introduce theatre and art to socially‚ economically and culturally deprived Syrian women refugees. Through the medium of theatre these women had an opportunity to express themselves
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Jeannie Vu Eng101 12/2/14 Bibliograhy Johnson‚ Ben. "Feminism in Antigone." Feminism in Antigone. Prezi Inc‚ 22 Nov. 2013. Web. 29 Nov. 2014 accessed. < https://prezi.com/rttpl_tcefpr/feminism-in-antigone/>. 1) This article was actually not about feminism but the exact opposite because he seemed to have emphasized the superiority felt between Creon and other men within the ancient Greek era despite Antigone’s “bravery”. 2) Ben Johnson cited many credible sources showing evidence to help build
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Upon looking at both versions of Antigone I was able to recognize the differences and similarities almost immediately. Not only do the differences in setting‚ costumes‚ and how the characters are portrayed stand out; but‚ the interpretation between each version of the play gives the impression that while one director focuses solely on the emotion of the characters‚ Antigone and Ismene‚ the other tries to tie in the drama of Thebes as a whole during this period. For the setting of both films
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Ismene and Antigone can be looked at as siblings who fight. For example‚ Ismene doesn’t seems to be involved in anything risky or rule-breaking. She did want to dis obey Creons wishes. She is obedient or a "good girl". Antigone on the other hand is very stubborn‚ she wants things done her way. Antigone doesnt care about Creons wishes. Ismene obeys what she is told while Antigone is more rebellious and does not care for what Creon has to say‚ or anyone for that matter. This is important because it
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Professor Tragic Elements of Antigone and OMM A tragedy is a serious work of fiction that presents the downfall of its protagonist‚ who through some error in judgment‚ weakness in character‚ or twist of fate suffers crushing defeat or death. It also must involve incidents arousing pity and fear. The novel Of Mice and Men‚ by John Steinbeck‚ and the Greek drama Antigone‚ by Sophocles‚ both have the woeful elements of a tragedy. In Antigone‚ the main character Antigone is of the cursed family of Oedipus
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Superior Control The Greek play‚ Antigone‚ written by Sophocles‚ sheds light on whom and what a leader truly is. Antigone is a strong representative of the people. Antigone is a listener to the people and knows true judgment. She fences the logical state Creon is in pertaining to his power in law. The doomed daughter of Oedipus believes “the eternal laws of Heaven” were the only laws powerful enough to teach morals‚ not Creon’s. (Scene 3 line 69) Greek gods were the only beings who know how
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Oedipus Rex and Antigone. The latter is a play that expands upon the tragic hero Oedipus’ children‚ specifically his daughter Antigone. Antigone apprises the reader of the hostility of the two sons of Oedipus‚ Polyneices and Eteocles; the sons that fought for control of Thebes eventually murdered one another‚ leaving Antigone and her sister Ismene the only surviving offspring. The remainder of the play tells us of the chain reaction of Antigone’s death and Creon’s actions. Creon and Antigone both reveal
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Antigone “No- there’s nothing shameful in honouring my mother’s children” Antigone said to Creon. “You had a brother killed fighting for the other side” Creon blurted(581-583). Antigone’s word‚ actions‚ and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of disrespect‚ rude‚ and stubbornness to be highlighted within Creon’s character. Ultimately‚ these conflicting motivations develop
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guards—all that your can do is to have me killed. The political heroism in Antigone’s resistance is her refusal of state power. Antigone says no to all she finds vile‚ and in this sense she is more powerful than the ruler beholden to his throne. Despite all his trappings of power‚ Creon finds himself helpless‚ unable to act on his own. He wants not to execute Antigone but cannot help ordering her death. Having said yes to state power‚ he is circumscribed by his own kingship‚ by very the throne that
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The film adaptation of Sophocles’ Antigone portrays the text substantially well in several ways. The filmmaker’s interpretation encourages the audience to be discerning as their perception of the Greek tragedy is enhanced. The play becomes profound and reverberant because of the many interesting elements of production. These include musical score‚ set design‚ and the strategic costuming all of which advocates an improved comprehension of Antigone. The musical score proficiently provides the
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