in never falling‚ but in rising every time we fall.” By this he meant that to achieve glory you must bounce back and overcome‚ or be resilient‚ when faced with adversity. This same theme of resilience is shown in the graphic novel Persepolis and the tragedy Antigone. In Marjane Satrapis’ Persepolis and Sophocles’ Antigone both protagonists are faced with insurmountable obstacles but various factors allow one to give up and the other to be resilient. In both stories‚ the protagonists face issues: they
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I stand here before you today to quiz my acceptance into the Elysium Fields. I‚ Antigone believe my actions were the correct thing to do. My loyalty to family and the Gods help me come to the conclusion that my brother could not be left unburied. Divine law stated that no family member shall the left unburied. Denying burial to my dearest brother polyneices would disgrace his body furthermore his soul would be unrest for eternity. Creon my power hungry uncle created a law denying his burial going
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Antigone - Prompt #3 CREON "Die then‚ and love the dead if thou must; No woman shall be the master while I live (184)." This quotation portrays a powerful and important theme about gender and the role that a woman plays in Greek society. Antigone’s gender has an incredible effect on the others around her‚ for her actions don’t constitute those of an average woman in Greek society. An average Greek woman is characterized as subservient and passive‚ but Antigone possesses independent‚ strong-willed
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So as a result‚ war was an unintended consequence of the the Treaty of Versailles. Just like in history‚ there are unintended consequences in Sophocles’ tragic play‚ "Antigone." Tragedy creates a cause and effect chain and shows how the world operates‚ and it shows in this particular play. In Antigone‚ by Sophocles‚ Antigone and Creon are both blind to possible outcomes of their actions resulting in unforeseen and foreseen consequences that ultimately result in the death of Creon’s entire bloodline
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Antigone as a Feminist Icon Male authority is a dominant theme in Sophocles’ “Antigone.” Men occupied the land‚ ruled the towns and assigned the women duties to perform. Antigone‚ however‚ believed that she was just as strong as the men who ruled society during that time‚ which led to her downfall. The goal of the feminist movement has generally been to seek equality between the sexes. Through the women’s movement‚ women have won the right to vote‚ and can now compete for traditionally male
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Contextualisation of Antigone. Original Setting Antigone is set originally in Ancient Greece in Thebes‚ The play is about the Princess Antigone rebelling against her Uncle‚ King Creon of Thebes‚ after he states that her brother Polyneices‚ who rebelled against his country‚ will not be buried after his death in war. Her other brother‚ Eteoclese is going to be buried with full military honours. Antigone‚ finding this unfair‚ asks her sister Ismene to assist her in burying their brother‚ who refuses
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because of one’s decisions. In Sophocles’ play Antigone‚ this exact circumstance finds its way into Haimon’s life. A fall-out between himself and Creon‚ his father‚ occurs. Haimon disagrees with Creon because he loves Antigone‚ he wants to help his father with public relations‚ and he believes burying of the dead is God’s right - and his only. Love seemed to be a reoccurring theme throughout the play‚ but it was most impactful in Haimon’s love for Antigone. Some might argue that he only desired to marry
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For example‚ if a group of friends wants to hang out the same day an important family event is happening‚ it is typical to miss out because family comes before others. The theme of family first is apparent in
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ANTIGONE by Sophocles (c. 496-406 B.C.) translated by Dudley Fitts and Robert Fitzgerald ANTIGONE by Sophocles Characters Antigone‚ daughter of Oedipus Ismene‚ daughter of Oedipus Eurydice‚ wife of Creon Creon‚ King of Thebes Haimon‚ son of Creon Teiresias‚ A blind seer Sentry Messenger Priest (Choragos) Chorus Scene: Before the palace of Creon‚ King of Thebes. A central double door‚ and two lateral doors. A platform extends the length of the façade‚ and from this platform
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Loyalty is the foundation for any type of relationship-- relying on one another to have faith in the other person. When that faith dwindles is when their true devotion is tested. Both “Argus” by Alexander Pope and Argos Recognizes Odysseus by Theodoor Van Thulden use Odysseus coming home from war to a welcoming greeting from his old dog he had left behind to show that loyalty can last a lifetime if trust is put into the right person. Both of these works have been compared and used as a way to represent
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