the ending scenes of the tragic playKing Lear. Every human death for people‚ who witness it‚ is an image of our own promised end. "Is this the promised end?" asks Albany at the end of King Lear. "Or image of that horror?" replies Kent. The bizarre nature of the scenes at the end of King Lear causes numerous questions to arise. One important issue that critics and readers have about this play is whether there is any sense of catharsis at the end of King Lear or not. Catharsis helps the audience feel
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well as listeners. Flatley gives two viewpoints on catharsis by discussing of the works of Du Bois and Douglass. Douglass “suggests that the songs allowed pent-up emotion to be innervated‚ that they are‚ in effect‚ cathartically therapeutic”‚ whereas “[f]or Du Bois‚ although the songs articulate sadness‚ loss‚ disappointment‚ and “unvoiced longing‚” they do not themselves relieve sadness.” (Flatley 2008: 150 – 151) However‚ the connection of catharsis and music has been noted already by Aristotle as
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Antigone Antigone was written by Sophocles‚ after the age of 50. Antigone is a play used to show Aristotle’s Definition of a Tragic Hero. His definition of a tragic hero is a man who is held in a high place of society and is brought down by the decisions he makes; because of that‚ his punishment may exceed the crime. In the end‚ he must accept the fact as to why he has fallen. The tragic hero of Antigone was Creon‚ who was king of Thebes. Creon is a tragic hero because he is a man of noble
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Aristotle’s Tragic Hero In order to fulfill the requirements of a tragic hero‚ a hero or a heroine must have certain characteristics. For example‚ they are required to be a member of royalty‚ be neither completely good nor completely bad‚ they have to be responsible for their own downfall due to a hamartia and lastly they need to realize their mistakes and accept their consequences. In Antigone‚ there are two main characters that fit the criteria of a tragic hero‚ but only the protagonist‚ Antigone meets
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in order to be effective tragic drama. Many of Oedipus’ character traits ultimately justify his place as a perfect specimen of Aristotle’s tragic hero. According to Aristotle’s Poetics‚ Oedipus Tyrannous is tragic hero due to his hamartia and peripeteia. In Greek tragedy every hero eventually shows signs of weakness and flaw. Though a character like Achilles‚ in Homer’s epic poem‚ the Iliad‚ was brought
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be able to handle it. As a result‚ he doesn’t dare reconsider any of his decisions--doing so‚ he thinks might make him appear weak and cause his subjects to lose respect for him. So when he orders that Polyneices be left unburied and then orders Antigone to be entombed alive when she’s caught violating the order‚ he can’t let himself listen to her or Ismene or to Haimon. He even refuses to listen to Teiresias‚ conveying the displeasure of the gods‚ until Teiresias has left‚ but in fact that message
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Everyone has a “tragic flaw;” a weakness‚ whether it be mental or physical‚ that causes downfall in one’s life. It doesn’t have be as dramatic an impact on a person’s life like when Dr.Faustus sold his soul to the devil because he was so eager to learn‚ for me my flaw is more relatable to Beth March in Little Women‚ we are both incredulously shy‚ holding us back from sharing our thoughts and opinions with the world. When I was younger‚ people would tell me I was quiet‚ but I wasn’t described as
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Sophocles King of Catharsis What is Catharsis? Aristotle describes catharsis as the purging of the emotions of pity and fear that are aroused in the viewer of a tragedy. Debate continues about what Aristotle actually means by catharsis‚ but the concept is linked to the positive social function of tragedy (english.hawaii.edu). A good example of a Catharsis play is Oedipus the King by Sophocles. Pity and fear are the dominating feelings produced by the play. The play is dripping with catharsis‚ from beginning
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The Tragic Downfalls of Creon and Antigone in Sophocles’ Antigone The hubris resonating throughout the play‚ ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively‚ resulting in their individual downfalls. In his opening speech‚ Creon makes his motives clear‚ that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter‚ as he refused burial for his nephew‚ Polynices. However‚ when the situation
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Women Vs. Men * Ismene is for the submissive role of women‚ quote on page 4 * On page 13 Creon talks about taming Antigone. Antigone needs to be tamed because women are supposed to be submissive and Creon’s ability to rule is in his ability to have everyone‚ especially women submissive. * On page 14‚ Creon’s comment about snakes suggests that women are snake like in nature‚ with a manipulative duplicity to their nature. He suggests that women hide their evil qualities behind attractive
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