A Summer Project On “REALISM IN MODERN DRAMA” In Partial Fulfillment of the Requirements for the Award of Bachelor of Arts (Hons.) in English Submitted by: BISMA IRFAN BA (Honors) English ll A0706110036 ENROLL. NO. Submitted to: DR DEEPANKAR SUKUL Asst. Professor AMITY INSTITUTE OF ENGLISH AND BUSINESS COMMUNICATION AMITY
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3 out of 3 points What is the major factor in driving surveillance forward? Answer Selected Answer: The commodification of personal information. Correct Answer: The commodification of personal information. Response Feedback: According to Stanley and Steinhardt a major factor in driving data surveillance forward is the commodification of personal information by corporations. Question 2 0 out of 3 points What mid-evil technology enabled people
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Ukrainian Cossacks’ organization was born. One can go to Odesa and walk along the boulevards‚ where Pushkin walked a long time ago‚ and one can touch the trees‚ which Pushkin touched. It is also possible to visit the last house of Chekhov (now the museum in Yalta)‚ where Chekhov lived‚ and where he wrote his last works‚ and where he died. One may visit the famous symbol of the Crimea — the castle “Swallow’s Nest” or the residence of Russian tsars in Livadia. It is possible to go through Gogol places in
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CHAPTER – I INTRODUCTION 1.1. Origin and Development of American Literature A fundamental difference subsists between American literature and proximately all the other major literary traditions of the world: it is essentially a modern‚ recent and international literature. The American continent possessed major pre-Columbian civilizations‚ with a deep heritage of culture‚ mythology‚ ritual‚ chant and poetry. Many recent American writers‚ especially recently‚ have looked to these sources as something
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Chris van der Weide 06-12-2009 De Kersentuin Informatie Auteur Anton Pavlovitsj Tsjechow Titel De Kersentuin Jaar van uitgave 1903 Jaar eerste opvoering 1904 Synopsis 1900‚ een Russisch landgoed‚ de kersentuin. Ljoebow‚ bezitster van het landgoed‚ is vijf jaar geleden haar bestaan ontvlucht (nadat zowel haar man als zoontje overleden zijn) en is vertrokken naar Parijs. Ze keert nu voor het eerst weer terug naar haar geliefde landgoed‚ een landgoed van generaties
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- Read every single story - go over all notes on blackboard - no questions on “regionalism” on test - Don’t look at “real thing” discussion questions - know 3 waves of feminism - Romanticism: earliest‚ full of feeling and emotion. Not just romantic. Exaggeration of feelings; fear‚ aw‚ love‚ etc. - Realism: CHOICE; the narrator has a moral choice. - Naturalism: narrator has lack of choice; he is forced. -Modernism: uncertainty. Week 1 both Week 2 both Week 3 both Week 4 both
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afford better‚ as their budgets had been cut‚ (Anton et al. “Deep”). The lack of funding caused deaths and injuries of both patients and staff. Then in 2015‚ modern muckraker Leonora LaPeter Anton‚ published a series of articles shedding a new light on the topic alerting the unsuspecting public. Muckraking still does exist in 2016‚ as documented in the article written by Leonora LaPeter Anton‚ Insane. Invisible. In danger. (“Leonora”). Leonora LaPeter Anton was the muckraker is this investigation‚ with
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Tennessee Williams’ Background to A Streetcar Named Desire • From an early age‚ Williams used writing as “an escape from a world of reality in which [he] felt acutely uncomfortable”. • He wrote about the human condition as he saw it; unafraid to tackle topics such as incest‚ rape and madness. • He believed that “we are all savages at heart”. Which of the characters in Streetcar prove or disprove this? • He lived in New Orleans from 1938‚ a bohemian place where all manner of
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serves as a comparison to Anton’s quest of self discovery thoughout the novel. Tying this universal theme with the characterization of Anton‚ Mulisch portrays how the protagonist’s identity is significantly based on his[Anton] childhood experiences‚ which reveals his[Anton] curious and innocent nature. Anton’s innocence is revealed through his thought process: “Anton used to think that Carefree meant a place where cares entered freely‚ not a place free from cares”(3). Only a child would note nuances
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calling to the roof. At this point‚ he is an innocent young boy who has no knowledge of his powers and does not know about the Watches. This all changes when he follows the calling. He is taken hostage by a female vampire‚ perhaps for revenge when Anton killed her partner. Through this‚ Egor discovers the Night and Day Watches as well as light and dark magicians. Egor has not yet picked a side‚ yet he was destined to become a dark magician because he followed the calling. Realizing now what evil is
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