Maria Anwar M. Phil Literature – 2nd Presentataion on “Persepolis as a postmodern fiction” What makes Persepolis a Postmodern Fiction? A mix of High art and popular culture: Marjane Satrapi’s ’’Persepolis’’ is the latest and one of the most palatable examples of a postmodern genre‚ an autobiographical novel in form of a comic-book which tells the history of Iran from Marjane’s point of view. Persepolis is a postmodern graphic novel that blurs the boundaries between popular culture and high art
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change of Indian fiction in English. The form of Indian novel in English has become more open‚ more playful‚ and more concerned. All the credit aptly goes to the gifted‚ stupendous‚ and extraordinary creative genius‚ Bankim Chandra Chatterjee. He‚ indeed‚ took all the pains to make novel a genre in Indian writing in English. He began to write Rajmohan’s Wife‚’ the first Indian Novel in English‚ in the year 1864. It was his initial and tentative attempt as literary genre to fiction based on a Victorian
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American Gothic Fiction From Wikipedia‚ the free encyclopedia Url: http://en.wikipedia.org/wiki/American_Gothic_Fiction American Gothic Fiction is a subgenre of Gothic Fiction. Elements specific to American Gothic include: rational vs irrational‚ puritanism‚ guilt‚ Das Unheimliche (strangeness within the familiar as defined by Sigmund Freud)‚ abhumans‚ ghosts‚ monsters‚ and domestic abjection. The roots of these concepts lay in a past riddled with slavery‚ a fear of racial mixing (miscegenation)
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Fan fiction is something has been around as long as people have been telling stories. Ancient people would retell old stories or explore minor characters’ roles‚ which are both things people still do today. But there seems to be an unwritten rule between writer and audience that each should respect the other. In other words‚ authors shouldn’t ridicule their readers‚ and fans shouldn’t belittle the author. When either side breaks this mutual respect‚ we begin to see problems in a work of art. One
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gender and sexuality in science fiction we must first agree that women and men are inherently of equal worth‚ as many writers of feminist science fiction use the genre’s position to discuss issues of change‚ injustice‚ and social partitions (Calvin). The motif of gender and sexuality in science fiction is not restricted to just one subgenre of science fiction but shows up in nearly all varieties‚ creating hybrids in the science fiction world. The genre of science fiction alone is constantly changing
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fantasies’.1 They are stereotyped into vacuous roles such as the romantic interest‚ damsel in distress and femme fetale. Female characters are given little to no agency by white male writers and this is overt in 20th century hard-boiled American crime fiction. In the works of Dashiell Hammett and Raymond Chandler‚ female characters exist only to serve as foils to re-emphasize the hyper-masculinity of the Continental Op and Phillip Marlowe‚ their respective detective protagonists. I put emphasise on the
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mystery and so on. But this is only recent development. There is a lot more to it than most people think. From a French man named Vidocq to the creation of modern detective fiction by Edgar Allan Poe‚ until today’s development of detective stories and its characters. So what made Poe such an important figure in detective fiction history‚ and in what way did his creation develop after his death? In my study I will try to answer these questions to the best of my capabilities. People started to take
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literature | | Chuck Palahniuk (on transgressive fiction)1 “The most successful books now serve us as sedatives‚ confirming the values and worldviews their readers already hold. They’re the books we read as sleeping pills at bedtime. When was the last book banned? Oh‚ how I miss the great book bonfires of my Christian youth! That’s when books had some power! When they had to be burned like witches.” In all its ambiguity‚ transgressive fiction is a genre of selective taste. This sub genre within
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Sci-Fi Formal Essay Quote: "I don ’t try to describe the future. I try to prevent it." Ray Bradbury Science Fiction is a popular and interesting genre’s to read. It is a genre that helps childhood dreams of living in other worlds come to life‚ It is known as the literature of ideas because of the concept of imagination used in the stories e.g. time traveling‚ space travel‚ alien races‚ dystopias‚ utopias etc. It brings us to an imaginative world of the future helping us portray
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Taylor Rogers 4/8/12 O’Neal Paper 3 ENGL 1023 Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about
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