accomplishments‚ achieve their sublime effects by taming Dionysian passions by means of the Apollonian. Greek tragedy evolved out of religious rituals featuring a chorus of singers and dancers‚ and it achieved its distinctive shape when two or more actors stood apart from the chorus as tragic actors. The chorus of a Greek tragedy is not the “ideal spectator‚” as some scholars believe‚ but rather the representation of the primal unity achieved through the Dionysian. By witnessing the fall of a tragic hero‚ we
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older man who lives in Germany. All Aschenbach wants to do is become successful in his field of work‚ writing. As a young child‚ Aschenbach was raised to be a successful‚ fundamental and polite person‚ creating apollonian like qualities within him. But as the book goes on‚ Aschenbach’s apollonian like qualities seem to dissipate‚ leading this careful‚ fundamental person to a sudden death. One day‚ Aschenbach decides to take a walk to think what he needs to do next in his life. He realizes that it is
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trans‚ 1968)‚ Nietzsche presented a theory of Greek drama and of the foundations of art that has had profound effects on both literary theory and philosophy. In this book he introduced his famous distinction between the Apollonian‚ or rational‚ element in human nature and the Dionysian‚
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In this essay I will relate my self-portrait called "Always a Woman" to Nietzsche’s philosophy of the poles of "Apollonian and Dionysian”‚ the philosophical dichotomy between free will and primal nature. In relation to Nietzsche‚ Wikipedia describes Apollonian and Dionysian as: "Apollo (Apollonian): the dream state or the wish to create order‚ principium individuationis (principle of individuation)‚ plastic (visual) arts‚ beauty‚ clarity‚ stint to formed boundaries‚ individuality‚ celebration of
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amateur theatre‚ and refuses to listen to her male chauvinist husband. The narrator’s wife’s abandonment of the Apollonian for the Dionysian serves as a modern day Adam and Eve that‚ instead of questioning the sinful nature of man‚ questions the traditional masculine-feminine roles in society. According to Biblical tradition‚ Adam and Eve lived prosperously in an orderly‚ Apollonian garden — Eden. However‚ once Eve strays from this order and eats the apple of knowledge (while tempting Adam to
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Examine Nietzsche’s statement in The Birth of Tragedy that it is only as an ‘Aesthetic Phenomenon’ that existence can be ‘justified’ to eternity. According to the qualities of ‘eternity’ and ‘existence’ that Nietzsche and Schopenhauer prescribe; it is by definition that something can only be justified in the phenomenal world: the world of ‘existence’. Although this statement describes existence justifying itself to eternity‚ The Birth of Tragedy tends to illustrate the inverse: eternity justifying
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His works influenced to the European culture by supporting the humanist movement. There are two different concepts to describe the cultures‚ one is apollonian the other is dionysian. The Apollonian is based on reason and logical thinking. In contrast‚ the Dionysian is based on emotion. Therefore‚ " The Creation of Adam‚" is closer to the Dionysian. The Creation of Adam is more about the humanities that contained the literature‚ history‚ art‚ music‚ and philosophy. The secret in the painting explains
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Tragic perspective from culture acts and owns its Dionysian‚ that tells a story in a heroic way. It produces beautiful art that tells the truth. For example in the Antigone‚ she represents the Apollonian in which her choice to fight against Creon as a representation of Dionysian. Even though Antigone disobeys the law and understands her actions she will die for doing it; this proved such an important thread of the hero ends with such tragedy. She makes a heroic choice of what she believes in‚ and
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goal of the space missions. In literature‚ The Birth of Tragedy by Friedrich Nietzsche alludes to Apollo by implying the word “apollonian.” Apollonian is a term described to anyone who possesses characteristics of Apollo. Another novel‚ Apollonian and Dionysian: Patterns of Imagery in Edith Wharton’s Tragic Novels by Hong Zeng also alludes to Apollo by using “apollonian.” The term is derived from his name along with his characteristics. In both novels‚ he is compared to others. The final allusion
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relates to the division between mythology and philosophy‚ two seemingly opposing ideas both captures in the concept of art. These two sides are sometimes considered the Dionysians and the Apollonians of art. Dionysians represent the mythological and “free” side. They seem more creative and imaginative in comparison to the Apollonians who strive to accommodate perfect structure and accuracy to their art. In the Bible God’s enormous vaults of creativity and art in creating the world alone represents
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