"Arab cinema" Essays and Research Papers

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    Test #1: Study Notes Chapter 1 Cinephile: a lover of cinema Filmography: a list of films There are distinct types of explanation in film history: 1. Biographical History 2. Industrial/Economic Historybusiness procedures 3. Aesthetic Historyfilm art (form; style) 4. Technological History 5. Social/Cultural/Political Types of Explanation: 1. Chronology 2. Influence 3. Trends/Generalization 4. Periods (by positing trends‚ historians generalize) 5. Significance Methodological Individualism:

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    French-New Wave Introduction This essay is about the influence of the French-New Wave on contemporary cinema. It begins by the brief introduction to French-New Wave‚ of which the influence on will emerge without strain in the process of analysis. Arising From time to time‚ filmmakers‚ film critics‚ and film buffs will make references to a period in film history known as the French New Wave. For some people this is a term to throw out just to sound impressive‚ while for others it carries

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    140-the Arab Spring Implications for British Policy October 2011Foreword 1 preface 2 introduction 3 Chapter 1: Regional Overview 4 Eugene Rogan (university of Oxford) Chapter 2: Tunisia: the Trailblazer and the Benchmark 8 Michael J. Willis (university of Oxford) Chapter 3: Egypt: transition to democracy 13 Tariq Ramadan (university of Oxford) Chapter 4: Six lessons from Libya 16 Shashank Joshi (RUSI) Chapter 5: Syria:revolution and repression 20 Marwa Daoudy (university of

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    Film Studies Assignment 1 Classical and Post-Classical Hollywood Cinema Table of contents INTRODUCTION--------------------------------------------- 3 CLASSICAL HOLLYWOOD------------------------------- 4 Classical Gender Representation-------------------------------------- 4 Classical Style‚ form and content-------------------------------------- 5 GENRE TRANSFORMATION AND POST-CLASSICAL HOLLYWOOD------------------------------- 5 REFERENCES 8 BIBLIOGRAPHY 9 FILMOGRAPHY 10 INTRODUCTION During

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    Leading cinema operator‚ Golden Screen Cinemas (GSC) extends its reach to East Malaysia with the opening of its first cinema in Sarawak with the opening of GSC Bintang Megamall‚ Miri under the “GSC Lite” branding today. “The 8-screen GSC Bintang Megamall‚ Miri is the first GSC cinema to open with all- digital halls in the GSC chain‚ the first all-digital hall cinema in East Malaysia and will also offer the first digital 3D hall in Miri”‚ said Ms Koh Mei Lee‚ GSC Chief Executive Officer. “GSC

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    Arab Business Etiquette vs. American Business Etiquette Business etiquette is very important‚ wherever you are in the world. It can make a huge difference to the success of your business and it can make or break a deal. Most businesspeople are familiar with the correct business etiquette when they are working in their own country‚ with someone who shares the same customs‚ language and culture‚ but cross-cultural business etiquette can be a big challenge. The differences between the ways in which

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    Aesthetic and Thematic Definition of Independent Films "The Official cinema of the world has run out of breath. It is morally corrupt‚ aesthetically obsolete‚ thematically superficial‚ and temperamentally boring." (Lionel R et al‚ 1960) As a result of this and a great number of other reasons‚ independent cinema was born. For the most people who have a basic knowledge of American cinema‚ “independent filmmaking consists of low budget projects made by (mostly) young filmmakers with a strong personal

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    DECLINE OF STARDOM AND EMERGENCE OF REAL LIFE CHARACTERS IN MALAYALAM CINEMA: A STUDY BASED ON SALT AND PEPPER‚ TRAFFIC AND ADAMINTE MAKAN ABU INRODUCTION The Malayalam film had a glorious past of 80 years. It has gone through various phases of time and of success‚ failures in various aspects of film‚ of technical changes‚ treatment of the plot‚ editing styles etc. The black and white moving

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    and Qeysar by Masoud Kimiai. Nevertheless‚ it was following the Popular Revolution in 1979 that the Iranian New Wave movement (as it is known today) began to truly take shape. In parts two and three‚ I am going to ask how and why the post-revolution cinema‚ particularly works from auteur Abbas Kiarostami and Jafar Panahi‚ took on its genre defining conventions. Despite intense interior turmoil‚ the past thirty years have seen Abbas Kiarostami‚ Jafar Panahi and the Makhmalbaf family evolve into internationally

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    Arab Spring’s Effect on Region’s Society “Why does every nation on Earth move to change their conditions except for us? Why do we always submit to the batons of the rulers and their repression? How long will Arabs wait for foreign saviors?" said Faisal al-Qassem (Mark Lynch). Many Middle Easterners were tired of waiting for something to happen. To them‚ every year was just another pass time for talking‚ debating‚ and absolutely no action; however it took the courage of one man to start something

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