industry; this essay will also explore why it is called a ‘crisis’. Thus exploring the loss of jobs‚ the lack of Australian films being produced‚ and most importantly the erosion of a sense of national identity that Australian’s gain through Australian cinema. Recent successful Australian films ‘Australia’ (Luhrmaan B‚ 2008) and ‘Black Balloon’ (Down E‚ 2008) represents the quality that films should be produced to create a successful industry; this reinforces the sense of nationhood at risk of being lost
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Pirnus Kinopalæet – and the Danish Cinema Name of the students(class): Pirnus Paul (class sem 1v) ; Martin Knudsen (class 1a) Number of characters (including spaces‚ footnotes‚ end notes and text boxes):24952 Project Tutor: Ingerlise Stendevad Signatures of all participating members: Pirnus Paul: Martin Knudsen: INTRODUCTION Kinopalaeet is a movie theatre located in Lyngby and it’s one of the best cinemas in Copenhagen area. The cinema has the latest equipment and it’s designed
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BOLLYWOOD Selling Indian Movies in the West INTRODUCTION India’s most prominent movie industry is known by the name of Bollywood. It recently became the largest movie industry in the world (Jones‚ Arora‚ Mishra and Lefort‚ 2005; Srinivas‚ 2002). The name Bollywood is a reference to Hollywood‚ in which the “B” stands for Bombai‚ the city in which Bollywood originated. Bollywood is making thousands of movies every year with one of the world’s largest audiences. Bollywood has always exported their
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the list of topics offered below. The subject topics range from one of the genres studied in class (horror‚ western‚ melodrama) to one of the post‑World War II film movements studied in class (New Wave Iranian Cinema‚ Italian Neo-Realism‚ Soviet Socialist Realism‚ Contemporary Japanese Cinema). This is not meant to be an exhaustive list of suggested topics‚ but a selective offering. In some cases the topics can be modified to fit a different film/genre. I am also willing to entertain personalized topics
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assignment. I picked this topic because it stayed with me and I found it very interesting. I felt that it was a topic everyone would connect to since us all watch movies. This topic is mainly about how the sudden trend of remakes has invaded Indian cinema. The rate at which remakes are being made would make one feel that Bollywood has lost its originality. However‚ that is not the case. Considering the increase of remakes‚ I want to throw some light on this topic. Index 1) Introduction
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equivalent of Hollywood in India is a movie making‚ idea producing machine. It is not only a entertainment industry it is seen as a role model and the ultimate image. This is because like everyone knows Cinema is the most powerful media force. The Wilson Quarterly‚ Summer 1999 v23 i3 p56(1) Cinema Paradiso. Richard Schickel. . India is the same as everywhere in the world in where the young want to challenge tradition. This is the result of them watching Indian films that portray a continuous trend
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women representation. Hindi cinema has been a major point of reference for Indian culture in this century. It has shaped and expressed the changing scenarios of modern India to an extent that no preceding art form could ever achieve. And yet‚ the diversity in roles that women play is not aptly brought to examination either by the post colonial discoursers or the film studies intelligentsia. Gopalan (2000) leads discussion on the avenging women in Indian cinema. She argues that discussions of
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After exploring the two different characteristics between Italian neorealism and post war Japanese cinema‚ I can compare that both types of cinema relate to the lives of the country. By that I mean‚ their work was influenced on the struggles and culture of the two countries. After screening Rashomon and The Bicycle Thief‚ I found distinctive yet similar styles between cinematography and narrative. Comparing both the films‚ The Book Thief and Rashomon exposes arguments of the early-twentieth century
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Abstract With a recent surge of Asian Americans in American cinema‚ we are noticing that the stereotypes that we have used in the past are actually being used by their culture to break into American culture. Days of portraying Asian Americans as unintelligible and subservient are gone and are being replaced with a whole new outlook. The introduction of Martial Arts into American film has evolved the way Asians are viewed in American cinema. Quentin Tarantino introduced a whole new outlook to Asian
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Sixteen (2002) and This Is England (2006) Within the last few years British Cinema and Realism have been linked. “Realism began in the 1930’s with documentary films‚ and a prime example of this is with the ‘father of documentary’ John Grierson‚ who founded the British documentary movement and created classic films such as Drifters (1929)‚ Industrial Britain (1933)‚ Song of Ceylon (1934) and Night Mail (1936).”In which British Cinema depicting the daily lifestyles of working class citizens. Social Realism
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