Publication Details: JK journal of management technology‚ 2010 Summary: Not only in metros but also in small cities the media of entertainment is witnessing a paradigm shift. Undoubtedly‚ the Bollywood is at the apex of entertainment and Indian cinema has a charismatic presence. The young generation‚ prefer to spend their weekends with full fervour‚ fun and family in order to invigorate and overcome work stress. Big shopping malls housing multiplexes have become the hottest destination for this
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Press : History. Derek Bose(2006) ‘Brand Bollywood: a new golobal entertainment order’‚ Sage publications : Performing Arts. K. Gokulsing‚ Wimal Dissanayake(2004) ‘Indian Popular Cinema: a narrative of culture change’‚ Trentham Books:Perforing Arts‚ Ashish Rajadhyakhsa‚ Paul Willemen(1999) ‘Encyclopaedia of Indian cinema’‚ British flim institute : Performing Arts. Saldanha‚ Arun (2002) ‘Music‚ Space‚ Identity: Geographies of Youth Culture inBangalore’‚ Cultural Studies 16(3): 337-50. Vatsyayan‚ Kapila
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INDIAN FILM INDUSTRY ANALYSIS(growth) The Indian Film Industry has been one of the oldest segments of the Indian entertainment industry. The Lumiere Brothers brought motion pictures to India in 1896‚ and since then there has been no looking back. Today‚ India has the world’s biggest movie industry that churns out around one thousand movies each year. The Indian Film Industry is witnessing mark improvements on all spheres - from the technology used in making films to the themes of the movies‚ exhibition
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trees “PARALYSIS by ANALYSIS” PESTLE ANALYSIS ODEON & UIC CINEMA Odeon & UIC Cinema operate in UK and major European countries 236 cinema and 2179 screens as of December 2012 The PESTLE Analysis below is mainly for the UK arm of the business Political * Government review of Film Policy was release Jan 2012 is positive news for the film industry‚ * Plans to bring film education to all schools and raise interest in the cinema world Economic * Interests rates remain low which should
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Title: Vancouver --“Hollywood North” Versus the loss of Canadian identity D112 Term Paper CMNS 130 Introduction: 1 Vancouver is being called “North Hollywood” because a vast of film producers decide to set up their shooting places at BC‚ Canada. Vancouver is deserved to be rewarded as this special title because it’s unique beauty of the diverse sceneries and the sophisticated
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Abstract The Indian Cinema has carved a special place for itself in its audiences across the globe. It is believed to be capable of raising issues and at times changing people’s perceptions. One of the major issues that are of concern in India today is the ongoing war between the state and those branded naxals. These naxals claim to be the indigenous of the state. Since Naxalbari the war has grown many folds and incidents like Dantewada has put every Indian to shame. Cinema too has tried to draw
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was first told in the popular and influential 1917 Bengali novel by Saratchandra Chattopadhyay. The story has since become one of the touchstones of popular Indian cinema. This article is my attempt to compare the 3 Devdas films and the novel that inspired them and look at the elements that made this plot a popular theme in Indian Cinema – the association with Indian mythological tales; plot’s role in creating a self-destructive Indian protagonist; and the association the Indian audience places with
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the almost complete destruction of Jews and others by the Nazis during World War II‚ which lasted between1939 and 1945. We can learn much from this event and ways to prevent similar events from happening again. However‚ it can be compared to today’s Arab Israeli Conflict‚ which is the cause of a dispute over the land of Palestine. The Holocaust was the worst genocide in history. The Nazi dictator Adolf Hitler wanted to eliminate all Jews as part of his plan for world power. Jews were not the
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the rich history of Bollywood‚ the various pros & cons associated with the corporatisation of Hindi movies and whether it really is a game-changer or not. Corporatisation of Hindi Movies: Game Changer or Just Hype? The kaleidoscopic world of Indian cinema‚ with the Hindi film industry (Bollywood) at its cynosure‚ has continued to enthral its audiences across the globe for more than a hundred years and can undoubtedly be counted as the only bona fide passion sans cricket which binds every section of
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The stories in the Arabian Nights have gripped the world’s imagination now for more than 1000 years. From at least the 9th century part of the repertoire of storytellers in India‚ China‚ Iran‚ Turkey and the Arab world that is why this paper aims not only to give a suffice background of one of the most celebrated tales of the millennia but also explore the cultural treasury it has brought world that serves a fertile material ready to discover—The Arabian Nights. It delves in most cultural elements
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