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    Archetypes in Mary Shelley’s Frankenstein Virtually all literature contain instinctive trends in the human consciousness to represent certain themes or motifs‚ these are defined as archetypes. Archetypes can be thought as blueprints or as bundles of psychic energy that influence the manner in which we understand and react to life. There are two different categories of archetypes; the plot archetype and the character archetype. The orphan‚ martyr‚ wanderer‚ warrior‚ magician‚ villain‚ wise child

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    CARL JUNG AND THE THEORY OF ARCHETYPES Background Carl Gustav Jung was born July 26‚ 1875‚ in the small Swiss village of Kessewil...He was surrounded by a fairly well educated extended family‚ including quite a few clergymen and some eccentrics as well. [Jung’s father] started Carl on Latin when he was six years old‚ beginning a long interest in language and literature -- especially ancient literature. Besides most modern western European languages‚ Jung could read several ancient ones‚ including

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    variety of character archetypes weave through the narrative‚ shaping the journey of the hero‚ Odysseus. One of the characters who both follows and subverts her archetype is Eurykleia‚ the maid servant of Odysseus in his house and was also a nursing servant who took care of Odysseus and his son Telemachus‚ who has waited for Odysseus to come home for 20 years after taking care of his son Telemachus and being loyal in his service. Though she is associated with The Loyal Companion archetype due to staying

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    Rogers World Literature 27 October 2012 Archetypes in Harry Potter and the Sorcerer’s Stone Archetypes have been here as about as long as the stories about gods and heroes. Archetypes are themes that have been used for several thousand generations. They are what shape modern film and literature today. Many movies and literature today are based on archetypes. While watching the film Harry Potter and the Sorcerer’s Stone‚ I noticed that it has the archetypes of the unhealable wound‚ the initiate‚

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    involvement with Eragon’s family. These men all made choices driven by things they perhaps could not control or fully understand. With the use of the archetype of one who does wrong for the right reasons‚ Christopher Paolini shows us just

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    Analysis of the archetype in O. Wilde’s novel "Portrait of Dorian Gray" The scale of the realization of ideas through the archetype of an animated portrait allows one to compare "Portrait of Dorian Gray" and Gogol’s "Portrait" as manifestoes of related epochs. In the first chapter‚ an analysis of the archetype in Gogol’s story was conducted‚ we will try to discover the archetype in Wilde’s novel by the same characteristics: • the inclusion of the archetype in ontological issues; • reflection of

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    Abigail Williams: Misfit Archetype Abigail Williams‚ a character from The Crucible‚ is a misfit archetype. A misfit archetype describes a character who doesn’t fit in with their community and surroundings. These types of characters can often display an attitude of freedom. I chose the misfit archetype for Abigail Williams because she fits into it very well. To begin with‚ Abigail was found conjugating with Tituba and other girls in the woods. She is also a misfit because she starts accusing fellow

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    species have rooted in our minds. These universal images are called archetypes‚ and they vary from the image of fire to the image of motherhood. Three stories in particular this year have reflected to a great extent Jung’s proposed archetypes. These are the Bible’s story of Moses‚ Ernest Gaines’ A lesson Before Dying‚ and Ray Bradbury’s Fahrenheit 451. All three of these stories present to the reader many archetypes; however‚ the archetype of rebirth is the most impertinent in the Bible’s story of Moses

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    of Blake’s Use of Archetypes) As English poets emerged in the eighteenth century‚ William Blake’s name became a topic of discussion. He was a well-known poet who had one eye on mystical visions and the other on the real social ills around him. The way he expressed his mystical vision side was through archetypes‚ plot patterns‚ character types‚ or ideas with emotional power and widespread appeal. These were sometimes viewed as ways to describe truths about humanity. “In archetypes‚ there is the Nurturer

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    relation to that of the theatre. Confined‚ both within the mound as well as on the stage‚ caught within the inconsistencies of the desperate playing out of herself and the virtually inconsequential perking up of the one-way chatter‚ Winnie is the archetype of

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