What are the challenges that face a psychotherapist working with self harm or eating disorders. “She cuts herself. Never too deep‚ never enough to die. But enough to feel the pain. Enough to feel the scream inside. The lines I wear around my wrist are there to prove that I exist. A broken mirror‚ a bleeding fist‚ a silver blade against a wrist‚ tears falling down to lips unkissed‚ she’s not the kind you’ll come to miss.” (http://xxdailydreamxx.tripod.com/id16.html) I took this poem from an
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Brutus & Julius Caesar The tragic hero archetype has been played with for as long as literature has been created‚ but no one had quite a spin on it like William Shakespeare. Shakespeare’s tragic heroes were specifically designed to elicit pity and fear from the audience and to really feel their downfall. In Julius Caesar‚ the protagonist Brutus is a well-made example. But the character of which the play is named after is often not considered as one. Although the character of Julius Caesar does not
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In the Life Of Pi‚ the author uses symbolic archetypes such as the “the journey” or “the loyal companion” to divulge that we as humans have evolved as a group to frequently rely on each other for the basic resources that are key to survival‚ therefore‚ needing companionship/communication because the reality of isolation would tear us apart. By way of explanation‚ humans are reliant on each other‚ and communicating to one another fulfills ourselves and makes us a stronger and healthier individual
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The extract presented to me today is from the novel Fifth Business by Robertson Davies‚ published in the year 1970. It is a fiction in which the story is told in the first person’s point of view. To be brief‚ the story is written by Dunstan Ramezay as a letter on his retirement from teaching at Colborne College‚ addressed to the school Headmaster. This extract features Padre Blazon discussing miracles in which he uses repetition to emphasize it’s strong meaning and effect‚ his childhood in which
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HANS CHRISTIAN ANDERSON’S THE LITTLE MERMAID AND THE REPRESSED ELEMENTAL ANIMA RUNNING HEAD: LITTLE MERMAID‚ ELEMENTAL ANIMA David Johnston HANS CHRISTIAN ANDERSON’S THE LITTLE MERMAID AND THE REPRESSED ELEMENTAL ANIMA INTRODUCTION According to the wisdom of Marie Louise von Franz (1973)‚ a Jungian depth-psychological study of fairy tales begins with the initial exposition of all the characters. One examines the quality
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Golden Age was the first era of comic books‚ a time where they became so widespread and popular that more than 60 million copies were sold each month by 1946. Many of the most notable superheroes were created during these years‚ and the superhero archetype was constructed and defined. Characters such as Batman‚ Captain America‚ Flash Gordon‚ and Wonder Woman gained prominence in the Golden Age. Despite popular belief‚ Wonder Woman was not the first female superhero. A few came before her‚ many after
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in England‚ a valiant and brave warrior was one of the most valuable assets a king could have. Due to this‚ much of the writing from this period were epics and tales with a heroic warrior as the main character. One of the most famous examples or archetypes of this type of writing is the epic poem Beowulf. In this story‚ the main character‚ Beowulf‚ is a marvelous warrior and possesses many of the various Anglo Saxon traits. There are three categories of characteristics in Beowulf that are particularly
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the individual lead to the exploration of each man’s own destiny. During this period‚ a popular literary archetype was the Byronic Hero. This kind of hero was charismatic‚ intelligent and interested more in the game than in the resulting love or social connection. Mihail Lermontov wrote the novella “A Hero of Our Time” with the understanding that the Byronic Hero was a common‚ well-known archetype; and therefore his challenge was to find unfamiliar ways to present this familiar hero. In A Hero of Our
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The Archetype of a Noble Savage The definition of a noble savage is a primitive human representing natural goodness and simplicity when not encumbered by civilization. When born‚ humans are naturally good. We are naturally benevolent and compassionate creatures and it is only through the corruption from society and others do we become immoral. The Monster consistently displays this trait by doing noble things‚ but by the influence of society he becomes evil and malicious. Therefore‚ the idea
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Pan’s Labyrinth ENG4UI-05 Mr. Amoroso September 29 2014 Billy McPherson Pan’s Labyrinth An original model or type after which other similar things are patterned; a prototype is how the dictionary defines an archetype. In the movie Pan’s Labyrinth it characterizes strong elements of both romance and irony. When analyzing the plot‚ characters‚ symbols‚ and scenes of the movie‚ it shows these element throughout the whole duration. Ofelia‚ our archetypal hero shows how the movie has both a romance
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