Comedy and Tragedy | | Comedy According to Aristotle (who speculates on the matter in his Poetics)‚ ancient comedy originated with the komos‚ a curious and improbable spectacle in which a company of festive males apparently sang‚ danced‚ and cavorted rollickingly around the image of a large phallus. (If this theory is true‚ by the way‚ it gives a whole new meaning to the phrase "stand-up routine.") Accurate or not‚ the linking of the origins of comedy to some sort of phallic
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Although Waiting for Godot’ is seen to be very depressing and contains many elements which may mark it as a tragedy‚ the four characters create a great deal of humour in their mannerisms and their behaviour. Beckett created the concept of The Theatre of the Absurd’‚ a play on human emotions and character which may give off feelings of despair‚ yet also of humour simultaneously. Most of the time‚ the audience tends to laugh at the helplessness created by Vladimir and Estragon in the play‚ and the
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Ravitch From The New York Review of Books—November 11‚ 2010 Waiting for “Superman” a film directed by Davis Guggenheim Anthony‚ a fifth-grade student hoping to win a spot at the SEED charter boarding school in Washington‚ D.C.; from Davis Guggenheim’s documentary Waiting for ‘Superman’ Ordinarily‚ documentaries about education attract little attention‚ and seldom‚ if ever‚ reach neighborhood movie theaters. Davis Guggenheim’s Waiting for “Superman” is different. It arrived in late September with
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Ancient Greece. In the Nicomachean Ethics‚ Aristotle said that‚ “Without friends‚ no one would want to live‚ even if he had all other goods.” He obviously believed that the love that comes from friendship‚ or philia‚ was the most important thing the someone could hope to obtain. Philia is a consistent theme that shows up in many Greek texts‚ including Aristotle’s
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Question 7: Aristotle says we cannot really be happy without certain external goods that are not fully in our control: good family‚ friends‚ financial security‚ children‚ beauty. Do you agree? Do our external circumstances determine if we have a good life? Or can we have a good life by becoming independent of external circumstances? Answer: Before I begin to explain my answer to the first question‚ I think it’s important to note that Aristotle acknowledged the existence of contention between what
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In Waiting for the Barbarians‚ the line that divides the so called ‘civilized’ from the ‘barbarians’ is shown as deeply ambivalent. Illustrate this with examples and discuss the larger implications of this portrayal. J.M. Coetzee unravels the complexities behind the concepts of ‘civilised’ versus ‘barbaric’ in his book Waiting for the Barbarians. These concepts are reflective of the larger ideas of “Self” and “Other”‚ and are shown to be problematic in its definition. In the novel‚ the ever present
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Communist China uses propaganda and force to hide the truth from the public‚ as well as controlling them in a sense. Ha Jin writes Waiting and in this book he comments and portrays communist China in great detail. Waiting’s main character‚ Lin Kong‚ is commonly criticized as indecisive and unable to love. In an interview published in Asia Week in 1999‚ Ha Jin comments on Lin’s inability to love: allegorically…sum up a sort of internal psychological damage to the Chinese… the Revolution was to
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Troy Maxson as a tragic hero‚ and tragic plot were evident throughout the play. Also‚ the feeling of catharsis at the end-which is proper of tragedy‚ was clearly identifiable. I. Fences fits into the tragic genre based on the points given by Aristotle. In Poetics‚ he defines tragedy as "the imitation of an action that is serious and also as having magnitude‚ complete in itself." • Aristotle’s idea is that the plot has a beginning middle and end and all parts follow each other in concise fashion
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than the bottom 60 percent combined.” Base on the article “How Dumb Are We” by the author Andrew Romano‚ which means that most Americans belong to a middle class dedicated to work full time to provide support for their families. In the documentary “Waiting for Superman‚” directed and written by Davis Guggenheim‚ an important American film director‚ and whose topic is mainly America
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the one change fix-all is something that intrigues me. People have made claims that a single change within our education system would lead to a monumental change that would place us amongst the top countries in terms of our education system. In the Waiting for Superman movie‚ a claim is made that if we were to remove the bottom 6-10% of bad teachers in the work force our education system would automatically become good enough to contend with Finland. A claim by the PISA reviewers in the book the smartest
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