"Aristotle s six elements of drama in oedipus rex" Essays and Research Papers

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    Endgame Vs Oedipus

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    wanted their audience to understand may not get across. Oedipus Rex and Endgame are two completely different types of plays that were written more than 2000 years apart. While many people may not see a correlation between the two types of plays‚ they both have one thing in common- the importance of understanding the time period. Knowing background knowledge about when plays were written can help future audiences comprehend

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    According to Aristotle

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    According to Aristotle‚ Form * Is that which disciplines‚ directs and constrains matter. * You are a bit of matter come to existence with various forms that are within. If the form of being triangle makes it possible to have a certain degree‚ then your form should be giving you that kind of necessity. Forms bring you into reality. When form brings discipline‚ structure‚ through time in the universe does it do through discipline. Determinism is whatever is going on is the only way things

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    of the Philosophies of Plato & Aristotle And the Ultimate Beneficial Nature of the Tragic Drama By: Stephanie Cimino In the various discussions of imitative art there has been a notable disagreement between two distinguished philosophers; Plato and Aristotle. Although it was Plato who first discussed the concept of imitative art‚ it is my belief that Aristotle was justified in his praise and admiration of imitative art‚ specifically‚ the tragic drama. In my discussion on the two philosophers’

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    Drama Report

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    Angelique P. Hibaya II- Amethyst http://www.wattpad.com/2401652-the-damask-drum Drama Report Title: | The Damask Drum (Aya no Tsuzumi) | Author: | Unknown; Arthur Waley for English translation | Origin: | Japan | Characters: | The old gardener‚ the courtier and the princess | Setting: | Laurel Pond‚ the palace at Asakura | Conflict: | The princess sends a message to the gardener that she will meet him at the pond and marry him if he beats the drum which she has placed in a laurel

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    Nehemas and Aristotle

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    Nehemas & Aristotle For Nehemas‚ friendship is a moral state where one treats a specific group of people with preference. Where one neglects neglecting moral value in order to give those specific people that specific treatment. The values of friendship distinguish us from each other and make us different in the sense that opposites attract or it makes us interesting to each other. He says that there are different types of friends. Casual‚ close and in between. The close friends are very special

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    History of Drama

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    * History of Drama * Spanish Period 1. Tibag * “to excavate” * St. Helena’s search for the cross 2. Lagaylay – Pilareños of Sorsogon get together during Maytime 3. Cenaculo – passion and death of Christ a. Cantada – chanted like pasion b. Hablada – rhythmic measure of words in a deliberate manner * Spanish Period 4. Panunuluyan – Mary & Joseph searching for refuge before Christ’s birth - presented before 12mn on Christmas eve 5. Salubong – during easter

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    Aristotle And Kongzi

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    Aristotle ( 384-322 B.C.) was a Greek philosopher and political scientist born in Stagira‚ Greece‚ who focused mainly on politics and made significant contributions to various fields of knowledge such as ethics‚ biology‚ and politics. Many of his opinions and thoughts regarding politics are expressed throughout his work the Politics‚ Book I from 350 B.C. Unlike Aristotle‚ Kongzi (551 - 479 B.C.) was an ancient Chinese politician. He introduced Confucius‚ a teaching that was built to establish the

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    Improvisation for Drama

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    There was a stage where I was less confident with myself and I really‚ well ‘sucked’. The current topic what we’re doing in Drama is improv (improvisation) and the topic is quite a hard one at first but the more someone does it the better you get and the easier it gets. My experience with improve is that at the start i didn’t do as well and that did affect my confidence. Working on it over and over again and playing all the improv games really did help me out and I’ve realised that I’m doing almost

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    Oedipus Arrogance

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    Aristotle once said that “A man doesn’t become a hero until he can see the root of his own downfall.” An Aristotelian tragic hero must possess specific characteristics‚ such as hamartia‚ anagnorisis‚ and the fate is greater than deserved. The hero inspires the audience to feel pity and fear‚ pity because the hero does not deserve his fate‚ and fear because anyone could have the hero’s fate. Consequently‚ in Sophocles’s Oedipus The King‚ Aristotle’s definition of tragedy applies to Oedipus. Oedipus’s

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    Oedipus the King

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    because of their fate or their choices or their fate. In the story Oedipus Rex there is a character named Oedipus whom through out the story has things happen to him. Some people say it’s because of his faith. Other people say it’s because of his actions. Most people say it’s because of his actions. For starters‚ Oedipus’s problems are because of his actions. For example Oedipus thinks too highly of himself as a king‚ he believes everyone

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