Characters Raina Petkoff Raina‚ the heroine of the play‚ is the only child of Major Petkoff and Catherine Petkoff. She is a "romantic" and had romantic notions of love and war. Catherine Petkoff Catherine Petkoff‚ Raina’s mother‚ is a middle-aged affected woman‚ who wishes to pass off as a Viennese lady. She is "imperiously energetic" and good-looking. Louka Louka‚ a servant girl in the Petkoff household‚ is proud and looks down on servility. She is ambitious and wishes to rise in life. Nicola
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Ironical Significance: The title of Arms and The Man is chose after careful consideration. The title is both apt chosen attractive and the dramatist’s choices justified. It is an ironical reversal of Virgil’s original intention. Virgil in his famous epic The Aencid recounts the martial exploits and adventures of Aeneid. But Shaw does not look at war with the same eyes as Virgil. He does not write this drama to speak about the glories of war. He rather proves that heroism and utter foolishness do
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: George Bernard Shaw‚ “Arms and the Man: A Pleasant Play.” Introduction by Rodelle Wientraub. Edited by Dan H. Laurence. Penguin Books‚ 2006. Text Summary of Act One The scene is set in Bulgaria in November of 1885‚ during the Serbo-Bulgarian war. In a small town near the Dragoman Pass‚ a young lady loiters on the balcony off her bedchamber‚ looking out at the romantic night in the Balkan Mountains. Raina Petkoff is dressed in a nightgown but covered by a costly fur mantle. Her mother‚ Catherine
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ARMS AND THE MAN: ACT 2 ‘ EXTRACT 1 - page30 Nicola:” Be warned in time‚ Louka: mend your manners………… Nicola:……………...But you’re young: you’re young!” 1. What does Nicola warn Louka about? It’s a fine spring morning‚ Nicola‚ the manservant and Louka‚ the maidservant of the Petkoffs are talking to each other. Louka‚ smoking a cigarette is standing‚ between the table (the table that was laid in the garden) and the house‚ turning her back with contempt on the manservant who is chastising her for her
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George Bernard Shaw wrote Arms and the Man in 1893 during the Victorian era when most plays were lighter dramas or comedies in the vein of The Importance of Being Earnest‚ which was a play about manners and other Victorian conventions. Still‚ in many ways‚ Arms and the Man‚ despite some of its themes‚ is a perfect example of Victorian literature. The play opened to the British public in 1894 to mixed reviews and was one of the plays included in the Plays Pleasant Volume which included a few of Shaw’s
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Play analysis "Arms and the Man" By Bernard Shaw "Arms and the Man" starts with gunfire on a dark street in a small town. The romantic and willful Raina is about to begin her true-life adventure by sheltering the handsome fugitive Bluntschli‚ enemy of her equally handsome fiancé Sergius The setting of the play is in war-torn Bulgaria‚ and focuses not only on the romance between the young people of the play‚ but the atrocities that go on during war times and the ability of people not so very
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Citations Jeong‚ Gyung-Ho. "Congressional Politics Of U.S. Immigration Reforms: Legislative Outcomes Under Multidimensional Negotiations." Political Research Quarterly 66.3 (2013): 600-614. Academic Search Premier. Web. 12 Nov. 2013. Hinojosa-Ojeda‚ Raúl. "The Economic Benefits Of Comprehensive Immigration Reform." CATO Journal 32.1 (2012): 175-199. Academic Search Premier. Web. 12 Nov. 2013. Hall‚ Joshua C.‚ Benjamin J. VanMetre‚ and Richard K. Vedder. "U.S. Immigration Policy In The 21St Century:
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Comedies often have the unfortunate reputation of having little real depth. Arms and the Man‚ proves that notion to be false. Shaw’s play is full of comedic drama‚ combining an entertaining plot with true philosophical depth. On one level‚ Arms and the Man is a successful‚ and somewhat unique‚ romantic comedy. The young‚ melodramatic‚ and superficial Raina comes from a military family deeply involved in a war; her fiancé and her father are both military officers. She is shocked‚ one night by
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Aristophanes’ comedic anti-war play‚ Lysistrata‚ manipulates gender politics in order to ultimately promote the notion of peace. It is not through feminist ideals‚ but rather the the exploitation of gender and exploration of gender politics in which the comedy is able to present a political argument against war. In order to demonstrate the politically resonating stance that Aristophanes retains‚ this paper will outline the facets of the play which clearly validate such stance through the manipulation
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Power of Darkness (1886))‚ began a tradition of psychological realism in Russia which culminated with the establishment of the Moscow Art Theatre by Constantin Stanislavski and Vladimir Nemirovich-Danchenko.[1] Their ground-breaking productions of the plays of Anton Chekhov in turn influenced Maxim Gorky and Mikhail Bulgakov. Stanislavski went on to develop his ’system’‚ a form of actor training that is particularly suited to psychological realism. 19th-century realism is closely connected to the development
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