Kevin Foy Professor Marbach Art 101-001 February 22‚ 2010 Revision 1a.) Japan used blue because they are a country that has a wet climate and very green grass. California used yellow because their climate is very hot and sunny. It is always bright out there. According to the artists‚ the gates in central park are saffron which I believe are that color because it’s a major color you see everyday in the city.‚ Some examples were construction worker vests and the most important on was the color
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2014 Course and Section Number: ARTH 101 01E E1 201330 Course Title: Survey of Art & Culture I Credits: 3 Contact Hours: Online: M-F 8-9am and 4-5pm Prerequisites/Corequisites: Demonstrated competency through appropriate assessment or earning a grade of “C” or better in ENG 025 Introduction to College Writing II and ENG 032 Reading Strategies for College II School: Liberal Arts and Sciences Program: Humanities Right of Revision:
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Contemplation Over the weekend I went to the Bowers Museum in Santa Ana‚ they had interesting exhibits on The Art of Van Cleef & Arpels and Revolution to Romanticism. As I walked through the exhibit of Van Cleef‚ the jewelry they had was exquisite and each piece had its own form of history to it. They had jewelry that Grace Kelly wore on her wedding day‚ which were a set of pearls that had a diamond in the middle of them they were so beautiful to look at. After finishing this exhibit‚ the next
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depended on the writing of art critics such as Clement Greenberg‚ Harold Rosenberg‚ and Rosalind Krauss‚ to name a few‚ to teach us about art. Their writing has been so influential in the history of art that we have forgotten that they are opinion writers and not of fact; we have many times taken their opinions too literal‚ taken specifics for granted‚ when in reality we should be questioning their reflections. They have manipulated our opinion‚ reactions‚ and even likeness of art. They defined who the
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A BRIEF HISTORY OF ART THERAPY Randy M. Vick This history of art therapy focuses on the precursory and continuing trends that have shaped the theory and practice and the literature that reflects this development. Scholarship‚ like history‚ builds on the foundations laid by others. I am indebted to the authors of four other histories that I found to be particularly useful in the preparation of this chapter. Both Malchiodi (1998) and Rubin (1999) have assembled histories based on contributing trends
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strove to discover if art could work on the same level as music. I have decided to research the relationship between art‚ dance‚ and music. The interpretation of dance and music in art continually developed during the twentieth century. Firstly dance as a subject matter‚ drawn narratively and may have a symbolic meaning. This then moved on to dance interpreted emotionally. Thirdly music and dance can be interpreted abstractly. Endell’s hypothesis (Fig.1) shows this idea of art working abstractly.
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Italo-Byzantine style‚ a.i. he still relied on Byzantine traits. b. Painter and mosaicist‚ b.i. Cimabue used the formal traits of Byzantine art‚ b.i.1. Brought emotional aspects‚ b.i.2. An increased concern with naturalism‚ b.i.3. New awareness of three-dimensional space to his stylized forms. c. Cimabue is considered by many to have provided the foundation for the art of Giotto and Duccio in the 14th century. d. His great contemporary‚ Dante‚ recognized the importance of Cimabue d.i. He placed
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FINAL 1) The principle message of Egyptian art is continuity—A seamless span of time reaching back infinitely in the history and forward into the future. 2) Babylonians developed a true arch before the Romans. 3) A kouors dating from the early Archaic period. 4) This work was done in BLANK period of the fifth century bc. Here we find the BLANK of a figure in motion. 5) For many travelers‚ this is the very symbol of Rome. The Collosseum rises on three
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Baroque Art It’s hard to make a distinction in which the beginning of the Baroque period is clearly distinguished from that of the late Renaissance. Nonetheless‚ Baroque art is emotional‚ decorative and a direct result of the Counter-Reformation movement in Europe. During the Baroque period‚ there was a dramatic religious split in the Church with the formation of Protestantism. Catholics reacted with the Counter-Reformation to revitalize Catholicism. They needed to attract viewers with religious
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Destruction: Yoko Ono’s Performance Art‚” intersections 10‚ no. 1 (2009): 571-607. ABSTRACT What is currently known as “destruction art” originated in the artistic and cultural work of avantgarde art groups during the 1960s. In the aftermath of World War Two‚ the threat of annihilation through nuclear conflict and the Vietnam War drastically changed the cultural landscapes and everyday life in the United States‚ Asia‚ and Europe. In this context‚ “destruction art” has been situated as the “discourse
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