art is a seascape painting‚ painted with oil and painted on canvas. The artist was Peter Monamy (1681-1749). The painting portrays three ships stuck in a storm. There is a main ship‚ a ship in the background‚ as well as‚ another ship behind that. Through research it is not known if the artist was depicting a certain event in time‚ but some say it was a depiction of “the great gale of 1703” or when Sir Cloudisley Shovell’s fleet was stuck in a storm in 1707. I chose this painting because it depicted
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Northwest Montana. Jessica unusually meticulous oil painting techniques is grounded in the varnish mediums of the Dutch Golden Age. The New York Times has described her works as “Straightforwardly beautiful” with “an element of weird”. Her work has been noted for its color and luminosity‚ it’s imaginative and evocative content‚ and for the high quality of her technique. This is exactly what I notice when I saw the painting of “The merry widow”. The painting depicted a heavier set women sitting down next
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beacon While reviewing a woman‚ an extraordinarily brilliant and uncompromising thinker‚ a leftist feminist considered it as the order of the big doctor and an often underestimated and aloof “irrepressible crank”-as she puts her in describing herself; Judith Levine’s choice in her “Boston Review” forty years celebrating article was more than obvious. As a radical cultural critic who never really sounded dogmatic and a journalist Allen Willies was one of the great public intellectuals of her generation
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Matthew Tan TA: Ben Sheredos Section: A06 Prof. G. Doppelt PART A The debate on abortion is primarily made up of two sides: prolife and prochoice. The prolife side’s main argument is that the fetus is a person and therefore has a right to life. Judith Thomson addresses this argument in her paper‚ “A Defense of Abortion‚” by giving a hypothetical sick violinist example. In this example‚ kidnappers abduct a healthy stranger and‚ after rendering him unconscious‚ performs a surgery to “connect” the
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Dan Rebok Art History 100 3/2/2010 Compare/Contrast Paintings at Palmer The Sacrifice of Jephthah’s Daughter 1650 by Pietro Vecchia is a rather unusual painting. The premise is that he must sacrifice his own daughter because of a deal with God. In the painting she has her arms across her chest covering her naked self and is bent over almost in a ball. This cowering is a stark difference to‚ Giovanni Baglione’s St Sebastian healed by an Angel 1603. Sebastian is in repose with his hands behind
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Three paintings depicting mental illness and how society tried to rid the people of these illnesses before modern time are Hieronymous Bosh (Flowers of Folly/Stones of Madness)‚ Brueghel’s Stone Operation‚ and Girolamo Di Benvenuto’s painting of Exorcism. In Bosh’s painting‚ there are four individuals: a man with a funnel hat‚ attempting to cut open the second man’s brain to extract the stone of madness‚ there is also a man who is holding a vase and a woman who is watching the event‚ while she balances
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depicts a very Romanesque portrait of King Napoleon I in a full military uniform riding on top of a horse that is kicking up onto its hind legs‚ while Napoleon is striking a pose with his right hand pointed up towards the sky. The Composition of this painting has Napoleon front and center in the middle of the canvas‚ on top of his horse‚ and he is actually highest figure on the canvas‚ most likely to signify his dominance as the ruler of France. Napoleon and his form a triangular composition with his
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Tonita Peña in year unknown‚ signed with her legal name. The painting is untitled as well‚ its subject matter the participants in a ceremonial Pueblo dance. Line was used more conservatively in this painting than in Tonita’s other works. The skin of each dancer is not so boldly defined in its outline‚ different colors and shapes gently shifting from one to the other. In that respect‚ contrast is very subtly; however‚ the black in the painting stands out more boldly against the rest of the dancers. Color
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A bora ring is a sacred site for indigenous Australians where initiation ceremonies for indigenous males were held. In her poem "Bora Ring"‚ Judith Wright mourns the loss in contemporary Australian society of the culture and traditions of indigenous Australians. She begins with descriptions of Aboriginal culture that has vanished as a result of European settlement. At the end of the poem‚ Wright recognizes the destruction wreaked upon indigenous Australians by their white brothers and shows remorse
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Wailing Women‚ created by Ken Currie is a large-scale painting that attempts to capture the emotional trauma of war (figure 1). Currently located at the McMaster Art Gallery‚ this oil painting successfully conveys large-scale loss of human life through its expressionistic style. Currie’s choice of style allows for the figures to be more distorted and symbolic‚ making the piece more visually appealing. Rather than merely present the event to the viewer in an art form‚ the Currie creates an emotional
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