Art and Intention ART/101 Tyrancer Journet University of Phoenix Adolf Mizzell October 19‚ 2014 Art and Intention Summarize the reaction of the public to Michelangelo’s David and Marcel Duchamp’s Nude Descending a Staircase. The Marcel Duchamp’s Nude Descending art work became one of the controversial works because people thought he was mocking the audience because they could not find a woman in the painting. The public did not like the Michelangelo’s David art work. They were offended by the nudity
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Is this Art or Not? Here is an image. I do consider the following picture art because of its elements and formats‚ its influence from the Northern Renaissance‚ its significance to the Impressionism Movement‚ and its similarities to the Egyptian movement. In the following picture‚ there are various artistic elements and formats. In the background and foreground of the image‚ it is a neutral color scheme‚ consisting of whites and browns. In the center of the picture‚ you will see three basketballs
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art’s making and reception. Conceptual Art maybe defined as a concept or art movement that came about the 1960’s as a reaction towards formalism. Where in art theory‚ formalism is a concept where an artwork or piece’s entire artistic value is based purely on its form and visual aspects. For example‚ American essayist/art critic‚ Clement Greenberg suggested the notion that art should examine its own nature and was already a potent aspect of vision of Modern art during the 1950’s. However with the mergence
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Art Essay- The context‚ of which art is created‚ clearly reflects its history and where it is from. Society’s values are further highlighted by the piece and give us insight into what life was like. This is interestingly interpreted by Juan Bautista de Espinosa’s exuberant baroque style painting‚ with a heavily catholic influence from Spain in the late 1500’s‚ as well as Margaret Olley’s contrasting and simplistic sensibility of the mid 20th century. Each artist’s aesthetic‚ although significantly
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Culture” and “The Politics of Art”. Although these three articles all focus on the topic about art politics‚ each article introduce different aspects about art politics. “Censorship and Its Progeny” is about a history of political art that happens in Middle Ages‚ the art event in Alaska and the Censorship. “Performance‚ Community‚ Culture” mainly discuss the art performance‚ community and culture in British. “The Politics of Art” introduce specific events about art business that happened in America
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Week 2/Checkpoint/Art and Intention Leanne Diliberto Art/101 1/10/2014 Lynn Wocell Art and Intention When Michelangelo ’s sculpture David was first displayed to the public‚ it caused quite a reaction. The public did not understand the nudity behind the sculpture‚ therefore‚ they objected to it. Some even threw stones at the sculpture. Guards were hired to protect the piece of artwork from such vandalism. Eventually‚ a skirt was added to Michelangelo’s piece of artwork
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Stacie Mueller Art 100 Professor Morris 24 February 2012 The Evolution of Art To even begin to define art‚ we must have a starting point in history where something was first perceived as art. The question begs‚ though‚ why do we perceive it as art? To look up the word in a dictionary‚ you will find the term aesthetics almost always applied to its definition; however‚ much of we call art today is not exactly pleasing to the eye. Our shifting social attitudes have affected how art has been presented
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References: www.ehow.com Experiences in Movement; birth to age 8‚ written by Rae Pica
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Collins (2003) noted that the rhetoric for and by women skyrocketed between 1848 and 1919. This development can be attributed to the suffrage movement that considered the mutually exclusivity of rhetorical action and femininity (Campbell‚ 1989). The suffrage rhetoric characterizes the second wave of feminism. The emergence of the suffrage rhetoric based on the notion that suffragists were involved
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Artist’s within the Romanticism period reacted to the brutal inhumanity occurrences in the world. It was an art movement from 1755 to 1860 that allowed artists to react personally and emotionally to a subject matter. It offered a new style of freedom‚ where the artist’s attitude or mood was reflected within their works. Contrasting to the refined period of Neoclassicism‚ romantics broke the rational order of focused Classical Rome and its main value of solemnity. Theodore Gericault and Francisco
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