Art and Aesthetics Everything that we see around us is piece of art‚ but not everyone is able to notice it. Main thing that distinguish art and not art is only our attitude‚ the way we look at object that we are observing and the way artist present the art work to his audience. Personally I think that everything might be an art if you use your creativity‚ include your imagination and release all your potential‚ which was inherent in you by nature many years ago‚ while you are looking at
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Book Report: “The Art of War” Name: Chapman‚ Cameron L. Rank: Cpl Unit:PMO‚ H&S BN‚ BCO Date: 19 May 2015 Book: “The Art of War” Author: Sun Tzu The book “The Art Of War” is about looking into the leaderships point of view on tactics and war-fighting skills‚ such as management of troops. This book was written in view of military commanders and tactics they used to win wars and battles. In this book report I will be giving incite on the positive and negative decisions on the leadership
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Degenerate art is the English translation of the German entartete Kunst‚ a term adopted by the Nazi regime in Germany to describe virtually all modern art. Such art was banned on the grounds that it was un-German or Jewish Bolshevist in nature‚ and those identified as degenerate artists were subjected to sanctions. These included being dismissed from teaching positions‚ being forbidden to exhibit or to sell their art‚ and in some cases being forbidden to produce art entirely. Degenerate Art was also
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ruling class in society. Art which the ruling class favors comes to be known as high art. Because the ruling classes want to preserve their privileged social position‚ their attitudes tend to be deeply conservative. One feature of art sponsored by power factions in society is that it tends to be highly ornate and decorative. Art serves as a way for these people to show off their material wealth and power. This takes the system of patronage‚ where wealthy patrons of art sponsor skilled artists and
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Some kind of summary PreHistoric Art Since the earliest humans are considered to have no specific language‚ prehistoric art is then recognized as preliterate form of communication. Literacy is not yet present during that time that’s why they used art to communicate with others and also to interpret their culture and environment. Generally‚ Prehistoric art is dominated by two subjects Survival and Fertility. Survival can be seen in the cave paintings wherein the most drawn things are animals
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Museum Report The Ancient Near Eastern gallery at the Metropolitan Museum of Art in New York contained a widespread of art pieces that regurgitated reminiscence of materials learned in the early weeks of World Art I. The first art form that I became engrossed by was a stone relief titled Orthostat relief: lion attacking a deer. This relief was said to be accredited to the Hittites culture during the Neo-Hittites Period‚ and dating 19th century. Its precise geographic origin is Syria‚ Tell Halaf.
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There were many differences between Pre-historic art and Egyptian art .One being that pre-historic art was before written history. Which roughly started about 40‚000 BC as to were written was about 3‚500 BC. Also many pre-historic sculptures which they date to be around 40‚000 BC had three main aspects to it Found ‚Portable ‚Magical .A prime example of this would be the Venus of Willendorf which was dated around 25‚00-21‚00 BC. This figure shows the apparent large size of the breasts and abdomen
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Feminist Art The subject of Feminist art has been debated for many years. Female artiste worked anonymously in a society‚ obsessed with male dominance for a long time‚ examples of women artistes before 19th cent are rare. They encountered a clash between their roles as Mothers‚ householders‚ workers etc in the society where males imposed patriarchal social systems and hence restricting a female’s artistic (along with her political‚ social) expression. significant in the dominant culture’s patriarchal
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Arts and Crafts Origins and key principles The Arts and Crafts movement was a British and American aesthetic movement occurring in the last years of the 19th century and the early years of the 20th century. Inspired by the writings of John Ruskin and a romantic idealization of the craftsman taking pride in his personal handiwork‚ it was at its height between approximately 1880 and 1910. It was a reformist movement that in uenced British and American architecture‚ decorative arts‚ cabinet making
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that artists during the renaissance matured‚ from mere craftsman into creative intellectuals‚ and the process of producing art grew into a philosophical endeavor. Before these statements are explored further‚ perhaps the literal meaning behind these words should be investigated. What is the difference between a craftsman and a creative intellectual‚ art as technique and art as philosophy? Are these ideas and modes mutually exclusive? The idea of craftsman seems to imply a type of specialization in
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