Aody Rafati Dr. Jodi Melamed Eng 2010 12/11/2014 Cultural Identity in The Namesake The Namesake illustrates several elements of transition that are common to the stories of immigrant families and their children. As shown in the film‚ the first generation connects with their cultural identity and roots to a far greater degree and density than their children do. The second generation exists between two realities of culture including their ethnic heritage and the world they live in presently
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town‚ that he will continue to dwell in her mind.” (The Namesake‚ 278-279). Towards the end of the story Lahiri portrays the imbalance feeling of Gogol. Now he feels comforted by the mystery behind choosing that name for him. At 32‚ he feels proud for his name and its meaning‚ Nikhil Gogol Ganguly accepted his name and destiny. Now he feels burden of his hating himself for hating his name. He deeply ponders over his name‚ his identity‚ his namesake and realizes that one has to take the responsibility
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Introduction In The Namesake‚ Jhumpa Lahiri provides an account of the Ganguli family‚ an Indian American family of educated‚ middle-class Bengali immigrants. Torn between two cultures and two worlds‚ the Ganguli ’s live in Suburban Massachusetts. Ashoke and Ashimi Ganguli have two children‚ Gogol and Sonia. The caste system in India impacts the lives of Ashoke and Ashimi‚ whose marriage is arranged‚ but in suburban Massachusetts such distinctions are undermined through the common ties of class
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to analyse the various issues faced by the immigrants as portrayed in Lahiri’s novel first novel The Namesake. The story of the novel is set in United States‚ Calcutta hovers in the background. . It is out of her experiences of the bizarre identity crisis on the part of those who have remained as immigrants and those who were traumatized by homelessness‚ that the contents of the novel The Namesake were derived. Jhumpa Lahiri admits that as the novel conveys the experiences of alienation of the migrants
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In Juhmpa Lahiri’s novel‚ The Namesake‚ the reader is thrust into the daily life of Gogol Ganguli. Gogol is a promising young man from a Bengali family‚ which the reader gets the pleasure of knowing since his birth. Ever since Gogol’s childhood all he ever wanted was to find a place where he could truly fit in‚ whether it be in his own culture‚ or in the American one in which he lives. During his life‚ Gogol searches everywhere to find out who he is and where he belongs. During his long search‚ young
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There is never one main character that is the cause of every aspect of the story; secondary characters are just as important. In the case of the Namesake by Jhumpa Lahiri‚ Ashoke plays an important part of the overall work being a secondary character. Not only does Ashoke’s crash in the train launch the events leading up to the upbringing of the family‚ but Ashoke’s death also unifies the family and allows the family to grow. The accident with the train brought up within the first pages of the
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The Namesake has a connection to belonging as if deals with the disconnection of the Ganguli’s. The theme of alienation and the search for belonging between the two cultures is represented through the shifts between the two countries; where Ashoke and Ashima move to America growing their children up in an American society but teaching them Bengali traditions. Lahiri uses techniques such as symbols to illustrate the sense of belonging and not belonging. Throughout the novel‚ the composer of the
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The Namesake The movie The Namesake explored many issues with regards to culture and the relationships in which we create within different cultures. Throughout the movie issues with parents‚ partners‚ different cultures and death all play a key role in purveying the messages the director wanted to get across. When the Ganguli family has to move from India to New York we see how relationships change and how Ashima has to change in order to adapt to the American lifestyle. Gogol who is Ashima’s
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The final scene of ‘The Namesake’ is an emotionally significant scene because of the poignant references‚ the language and the issues addressed. This passage clarifies the novel’s status as a “Bildungsroman”. Sympathy and affection is created for Gogol‚ making the tone of this final passage pensive and sentimental. It delivers the climax where Gogol is finally able to find balance in issues that had been bothering him throughout the novel. One of the key concerns dealt with in this passage is the
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Lahiri’s The Namesake‚ for the quote foreshadows a lot of what the novel contains and helps us understand the difference between what we’re being told and what we’re‚ seeing. Jhumpa Lahiri chooses to start with a quote from Nikolai Gogol for it connects to both The Overcoat and The Namesake for names having more meaning than a label. Jhumpa Lahiri connects with both The Overcoat and The Namesake using names with meaning that have importance in their families. With both the The Namesake and The Overcoat
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