"Atonement metafiction" Essays and Research Papers

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    presented in Atonement and the Great Gatsby? 1920’s America was very much a materialistic society revolving around money‚ wealth and status. This obsession with wealth is portrayed in the majority of relationships in Fitzgerald’s novel ‘The Great Gatsby’. Not only does the idea of money being the most important factor in life means one’s partner comes second‚ it additionally solidifies one’s class‚ meaning families are separated just by the amount of money they have to their names. Atonement comes from

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    Carried: Metafiction             Tim O’Brien brings the characters and stories to life in The Things They Carried. He uses a writing style that brings stories to life by posing questions between the relationship of reality and fiction (Calloway 249). This is called metafiction and it exposes the truth through the literary experience. Tim O’Brien uses metafiction to make the characters and stories in The Things They Carried realistically evocative of the Vietnam War.             Metafiction is found

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    The Metafictional Paradox

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    Patricia Waugh‚ Metafiction: The Theory and Practice Methuen‚ London‚ 1984. 153 pp. of SeljTonscious Fiction. Linda Hutcheon‚ Narcissistic Narratiue: The Metafictional Paradox. Methuen‚ London‚ 1984. 162 pp. Metafiction is now recognized as the designation of a kind of fiction - beginning to proliferate in the 1960s - that turns its attention on its own narrative andlor linguistic identity. Too often‚ critics have one-sidedly labeled it as an example of the anti-novel‚ a reaction against

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    author. Calvino demystifies the authority of the author in the novel through the use of metafiction structure and the multiplicity of authors which make the reader aware and critical of the fiction and the author. Calvino presents reading as a subjective process through the multiplicity of reading and deliberate ambiguities which develop the idea of multiple interpretations. Calvino uses self-reflective metafiction to make the reader aware that the novel is purely artificial. If on a winter’s night

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    throughout postmodernism stories include magic realism‚ metafiction and irony. Magic realism is where the supernatural is not displayed as questionable. Magic realism differs from fantasy because it is set in a normal‚ modern world with accurate descriptions of humans and a society that does not question it. Another element is Irony. Irony is used in postmodernism literature. Irony is when that which one would not expect occurs is true. Finally‚ Metafiction is a device that self-consciously addresses the

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    Postmodernism

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    First of all‚ it is important to be aware of the differences between postmodernism and modernism. While modernism always tries to find a new way to express something‚ postmodernism has no such concern. Modernism itself is representational‚ normative‚ original and Universalist. It has a linear progress. Postmodernism has no concern about being original. Moreover postmodernism claims that there is not possible way to create something brand new anymore. So‚ contrary to modernism’s originality‚ postmodernism

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    Metafiction allows for the author to disclose to the reader his/her experience of writing that portion of the text‚ while still focusing in on the present narrator. It is a “culmination of the complex mixture of artificially inflated description and genuine

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    In his novel Annihilation‚ Jeff Vandermeer uses a number of Post-Modernistic troupes‚ including metafiction. Vandermeer’s use of metafiction can best be highlighted by the passage in which the narrator directly addresses the reader after she discovers the pile of journals: “Can you really imagine what it was like in those first moments‚ peering down into that dark space‚ and seeing that? Perhaps you can. Perhaps you’re staring at it now” (Vandermeer 106). By directly addressing the words on the page

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    emphasize that it’s not the end that matters but the journey both in life and writing. (a) It’s evident that she’s ridiculing conventions of fiction writing throughout her story. 1. "If you want a happy ending‚ try A." The lack of form in this metafiction alludes to how romantic fiction lacks depth or structure. (b) While all versions end in version A‚ Atwood challenges all authors to pen authentic work. 1. “A what and a what and a what.” . She feels that romantic fiction writing lacks emotion and

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    novel is regarded as a compelling historiographic metafiction in contemporary British literature. The characteristics of this novel are the metafictive devices employed by the author. Different from the previous studies centered on the idea of role reversal between characters or the analysis of sophisticated plot‚ this thesis is devoted to the exploring of metafictive devices adopted in the novel. The paper will first state the features of metafiction‚ followed by the thorough study of three metafictive

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