eschews‚ often playfully‚ the possibility of meaning‚ and the postmodern novel is often a parody of this quest. This distrust of totalizing mechanisms extends even to the author; thus postmodern writers often celebrate chance over craft and employ metafiction to undermine the author’s "univocal" control (the control of only one voice). The distinction between high and low culture is also attacked with the employment of pastiche‚ the combination of multiple cultural elements including subjects and genres
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MASTER LECTURE 1/5 What Makes A Short Story A Short Story? Dr. Rica Bolipata-Santos June 30‚ 2014 Structure of Lecture - Definitions - Conflict - Blowfish Definitions "Defining is never a complete process." SHORT STORY - Mac dictionary: a story with a fully developed theme but significantly shorter and less elaborate than a novel - Merriam-Webster: an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often
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Substitutionary Atonement.” Anglican Theological Review 95.1 (Winter 2013): 9-24. THEO 510 LUO (Summer 2013) Survey of Theology Liberty Baptist Theological Seminary Joshua M. Peoples (ID# 22750743) May 26‚ 2013 A Journal Critique of “The Forgiveness of Sins and the Work of Christ: A Case for Substitutionary Atonement.” In his article‚ “The Forgiveness of Sins and the Work of Christ: A Case for Substitutionary Atonement‚” author
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Time of Lies: Abstract iconography in “Maus” Art Spiegelman’s graphic memoirs “Maus I” and “Maus II” present an approachable and sensory biography‚ a detailed and authentic retelling of a Holocaust survivor’s experience. The pictorial style of the memoir encourages the reader to visualize the text and more vividly relate to the experiences portrayed in the literature. The graphic and artistic aspects of the text employ devices that are unique to comics‚ in style and sequence‚ while drawing the
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Bibliography: Scholes‚ Robert. "Metafiction." Metafiction. Ed. Mark Currie. New York: Longman‚ 1995 (Shakespeare ’s Tragedies - ‘Fashion It Thus‚ Julius Caesar and the politics of representation ’ John Drakakis‚ MacMillan Press London 1998) (Jefferson. Ann. "Patricia Waugh‚ Metafiction The Theory and Practice of Self-conscious Fiction." Poetics Today. 7:3 (1986): 574-6.) Hamlet‚ New Swan Shakespeare Advanced
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Christ focuses through abundant symbolism and deliberate diction on his personal role in our salvation‚ illustrating that worshiping religious laws without the atonement is void of saving power. Through the use of symbols in the parable of the good Samaritan‚ Christ paints the course of redemption‚ showing that only through his atonement is redemption possible. The parable starts with a man journeying‚ and states that he “went down from Jerusalem to Jericho.” Traditionally‚ and possibly even more
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modernism Approximate dates: 9/12 – 10/21 Essential questions: ➢ What constitutes the hero’s journey in a bildungsroman? ➢ How does a work communicate the anxieties of its age? ➢ What are basic tenets of Freudian theory? ➢ How does “metafiction” change the relationship between author and reader? Concepts‚ terms‚ and themes: Archetypes‚ light/dark dichotomy‚ phallic and yonic symbols‚ the natural world vs. the mechanized world‚ psychosexuality‚ the Oedipus Complex‚ structuralism Texts:
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Compare and contrast the literary style‚ themes and characterisation from Jane Austen’s ‘Northanger Abbey’ and Ian McEwan’s ‘Atonement’. Atonement follows the story of Briony Tallis‚ who witnesses events between her older sister Cecilia and Robbie Turner the son of her father’s housemaid. Briony ’s innocence gives way to a misinterpretation of what she sees‚ triggering her imagination to run wild and leads to an unspeakable crime that changes all of their lives. Jane Austen’s first novel Northanger
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F/T question made me ponder with more intensity that the others. The question links the fall‚ the atonement of Christ‚ the agency of man‚ and the reality of men being “free forever”. The answer that I-learn provides‚:” It is the Atonement of Jesus Christ which makes men be “free forever” (see 2 Ne 2:26-27)” At first glance‚ I thought‚ we have agency long before the Fall occurred‚ and the atonement of Christ certainly freed us from being forever apart from God. Moreover‚ Christ came to redeem men
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Quest Explored in “Araby” and Atonement In James Joyce’s “Araby and Ian McEwan’s Atonement both authors express that that the characters mature and grow through quests. In Joyce’s “Araby” the boy goes on a quest to the bazaar to meet Managan’s sisters whom he is very interested in. However‚ because he is a young boy and does not leave his much‚ and has no source of income there are limitations on his freedom‚ which ultimately affect his quest. In McEwan’s Atonement Briony goes through a life near
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