This part of the research project is an opportunity to focus your thinking about your topic and thesis. Using the techniques we’ve discussed in class (such as brainstorming and freewriting)‚ develop a draft research question and thesis that will help guide your research in the forthcoming stage of the project. You may wish to do that brainstorming around textual elements we have discussed in class–setting‚ plot‚ character‚ diction etc.– or look at how critical contexts such as postcolonial theory
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BROTHER IN THE LAND Character Sketch of Rhodes In the play script “Brother in the Land” by Robert Swindells and adapted by Joe Standerline‚ Rhodes is portrayed as a sadistic P.E. teacher who is an active member of the MASADA and participates voluntarily in tasks which are set up‚ in order to overthrow the Civil Defense Team. Unfortunately at the end he turns out to be a selfish person who deceives the MASADA. Rhodes proves to be a good strategist as he prepares the students and tells them about
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Atonement – Is (A Hebrew word that literally means “to cover over” or “make propitiation) The aspect of the work of Christ‚ particularly in the death‚ that makes possible the restoration of fellowship between God and man. The doctrine of the atonement states that Christ died and atoned for the sins of the elect. The core meaning of the atonement‚ for the Christian‚ is the satisfaction of a demand for justice. The doctrine of the atonement has been explained from several different perspectives: (Murphy
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forgive’ pages 3-6 How does McEwan establish the genre of tragedy in this extract? In relation to the rest of the novel‚ how typical are the tragic features used here? When thinking of a tragic novel or play‚ you may think of the great Greek tragedies. You may think of Shakespeare’s Romeo and Juliet. You may even think of a more modern play such as Death of a Salesman or Hardy’s Novel Tess of the D’Urbervilles. All of these end‚ as has become the custom for tragedy‚ with the death of their tragic
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Metafictional Elements in Ian McEwan’s Atonement At first reading‚ Ian McEwan’s Atonement seems to be a modernist novel that owes much of its stylistic techniques to classic novels by authors such as Virginia Woolf and Jane Austen. That is‚ until the first-time reader turns a page to discover the epilogue entitled “London‚ 1999” and has this illusion shattered by the revelation that in fact Parts One‚ Two‚ and Three were penned by none other than the 77-year-old Briony Tallis. This epilogue‚ and
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Adrian Barlow writes of Susan Hill’s Strange Meeting: “At the time of its publication‚ to write a novel about intense relationships between men in the First World War was considered an ambitious risk for a woman writer.” Compare and contrast the ways in which your three writers present relationships between men. ’One of the paradoxes of the War - one of the many - was that this most brutal of conflicts should set up a relationship between officers and men that was... domestic. Caring. As Layard
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In many ways Walton’s depiction of Victor Frankenstein is made accurate through the first five chapters; Frankenstein judges Elizabeth immediately on her beauty and likens it to that of an angel who has been ‘heaven-sent’. Then‚ in the next chapter he describes her soul as ‘saintly’‚ indicating that she is as good as she is beautiful. The depiction of Frankenstein as a ‘wanderer’ is primarily true as he spent the beginning of his life travelling with his parents until they gave up their ‘wandering
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Everyone makes mistakes in life and would pay for them in different ways. In Khaled Hosseini’s “The Kite Runner” and Joe Wright’s “Atonement”‚ both the protagonists commit unforgivable ‘crimes’ and seek redemption. Therefore‚ redemption is portrayed as an important theme throughout two works. Amir‚ who betrays Hassan‚ redeems himself by cofessing the truth and adopting Sohrab; whereas the character of Briony loses the opportunities to pay for her guilt of preventing Robbie and Cecilias’ relationship
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| Atonement: Barricading the Ladder | | Daryl Deebrah ENG 4U1 Ms. C. Kivinen Due: April 27th 2012 Atonement: Daryl Deebrah April 21/2012 Class conflict is not new. Complications between the classes have occurred many times throughout history and the theme has been explored numerous times different pieces of literature by a variety of authors. However‚ in Ian McEwan’s 2001 novel‚ Atonement‚ he provides
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Atonement- Analysis of Scenes The scene starts with a long shot of the three characters walking on a path in the reeds towards the camera. The reason a long shot is used is to establish the setting of the characters. It cuts in to a close up of Robbie to show his emotion as he realises they have made it to the sea. It cuts to an medium high angle aerial long shot as the characters are running through the reeds to show the true desperation of the men. While they are running the music playing is
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