This paper looks at the conversational discourse presented by English psychologist and autism specialist Tony Attwood in an episode of Australian Broadcast Corporation’s podcast Conversations‚ hosted by Richard Fidler. This podcast episode is titled‚ “Love and family and Asperger’s: Tony Attwood” as it circles around the topic of marriages that involve one autistic partner and one neurotypical partner. Much of the examples given about these cases‚ in which Tony Attwood has professional experience
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In the course of the many interrelated short stories written in Moral Disorder we tend to find out many thing about the main characters. In some ways the reader develops a sort of one on one relationship with each character‚ and learns more and more about them in each story. Specifically‚ one of the main characters who tends to stand out in the storyline as a person with a sort of mysterious personality is Tig. Tigs mysterious personality is brought to life mainly in the story “Monopoly”.
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In Margaret Atwood’s novel Oryx and Crake‚ Atwood argues that genetic modifications are harmful to society instead of being helpful. Atwood shows this by describing all of the disasters that have taken place because of the genetically modified children. In the novel‚ genetic modifications start in animals‚ and then slowly progress to humans. When the modifications were taking place in animals there were a lot of people that knew about it‚ but once it switched over to the human population the people
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Noticeably‚ the two simplistic looking verses‚ zero punctuation‚ lack of capital letters‚ and bracketed title invite closer inspection. The unusual length‚ and form are true to Post-Modernism’s desire to bring awareness to the prose. In that regard‚ Atwood calculatedly triggers the reader awareness of the poem’s odd form‚ but also provokes a closer look at what’s being said. The figurative language is split with a break between the stanzas‚ to distort the readers interpretation of the first two lines
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can even be applied to our nation’s present state. Margaret Atwood is Canadian‚ and expresses her anti-American sentiments through her poem‚ as she writes about the egocentric and greedy ways of humanity (though many right wing critics consider her to be too “left wing”). The poem focuses on our imperialistic ways‚ and although it was written in the 1970’s about the 1800’s‚ it is still applicable to current events today. Atwood begins the poem with “starspangled cowboy‚” where the word
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poem‚ Variations on the Word Love‚ Margaret Atwood juxtaposes the connotations and denotations of the word “love” in order to comment on the misrepresentation thereof in our society. In this essay‚ I shall attempt to explore how these connotations and denotations relate to one another‚ how they are sustained as well as how they change throughout the poem. Finally‚ I shall also attempt to explain how this poem may be viewed as a love poem even though Atwood deviates from the conventions of love poetry
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may be seem strange‚ considering the great value that authors place on putting together original criticisms and interpretations. Many literary works of this kind also might draw from religious or biblical texts‚ and The Handmaids Tale by Margaret Atwood is a clear example of this. This novel has borrowed characteristic traits from the Bible in order to influence certain religious practices or behaviors‚ divide social groups or classes‚ and to control usage of language within society.
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“Happy Endings‚” by Margaret Atwood contains both journalistic and literary elements. While sections of this short story may appear within a newspaper article had these events occurred‚ multiple elements in this piece would not be included. Atwood contribute a pleasant mixture of these elements to construct a successful work. Margaret Atwood displays the feelings and reasoning behind the actions of the characters‚ making this a literary piece. In “Happy Endings‚” Atwood contributes a few expected
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Metafiction and Happy Endings (Margaret Atwood) METAFICTION A. Definition: The narrator of a metafictional work will call attention to the writing process itself. The reader is never to forget that what she is reading is constructed--not natural‚ not " real." She is never to get "lost" in the story. B. Possible Contents: intruding to comment on writing involving his or herself with fictional characters directly addressing the reader openly questioning how narrative assumptions
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life will shape us as people‚ one way or another. The memories that we carry with us‚ formed as a result of the experiences we have will contribute to the identity that we eventually form. Such is true for the main character in Cat’s Eye by Margaret Atwood.
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