draw in the audience. She starts out by using a mix of sympathy and humor and then gets serious to inform
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3/20/2013 Lyndsay Cader 131200072 | Northlink College: Drama 2 | Task 1: Site Specific Contents 1 Theoretical perspectives of site specific ------------------------------------------------- Evaluation of the meaning of site specific 2 ------------------------------------------------- Misconceptulisation 2 ------------------------------------------------- Site specific or not site specific 2 ------------------------------------------------- I am site specific
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from different speeches create an easy understanding of the speech in order for the complete meaning of the text to be conveyed to the audience. Anwar Sadat’s: ”statement to the Knesset 1997” intelligently captivates modern audiences‚ depicting values which are relevant in today’s society. Features of his speech‚ including inclusive language engage the audience and explore values which are recurring themes throughout Sadat’s speech; democracy‚ justice‚ peace and unity. Through this‚ Sadat’s speech
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be stressed. They further explain that‚ “The functions of an introduction are to gain the attention of the audience members‚ to make them listen to the speech.” Just like Gamble‚ Payne (2001) gives an emphasis on getting the attention of the audience through introducing the subject. Payne (ibid) suggests that‚ the introduction has to bring about the topic‚ that is‚ highlighting the audience or the reader about the subject or topic. In addition to that‚ Gamble (ibid) further shows that‚ in the introduction
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is a performance that explores themes associated with the quest for refuge. This dance performance employed a multitude of production elements that led to the success of the dance and made the performance even more enjoyable for the members of the audience. The three production elements that I felt that “Living in Limbo: Stateless Identities” employed the best were the use of costumes‚ the use of props‚ and music. The first production element that was used successfully within “Living in Limbo: Stateless
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presenting a play‚ concert‚ or other form of entertainment” (Oxford Dictionary‚ 2018). Performance‚ however‚ has many elements to it. Its dictionary definition is merely a summary. Performance contains four key elements: the actor/character‚ the audience‚ the space in which the performance occurs and the narrative. A performance can be considered to be occurring when all four of these elements are present. A character
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answer this question I will be sharing about my own personal experience with theatre. In elementary I took part in the school play “Pirates of Penzance’’‚ where I performed on stage in front of a live audience. I now realize that theatre is a performance‚ performed by actors‚ intended to entertain an audience. A performance is the play itself involving the script‚ characters‚ props‚ costumes etc. In the play‚ I noted the script would never change but the way it would be performed could vary. For instance
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are audience‚ tone and attitude. Let’s start with audience. You have to know your audience‚ in order to match the information you are giving to their needs and interests. To do this‚ you could use a specific language or specific words. For instance‚ you could use jargon to make your knowledge of the topic clear to the audience. By doing this you will get closer to the audience and they will be more interested. Also changing your usage of words (more or less formal) can help the audience to remain
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and Actions to Ensure that the Audience in Unable to Come to a Unanimous Decision as to Whether doctor Roberto Miranda is Innocent or Guilty The audience plays a massive role in Durfman’s “death and the Maiden”. Durfman makes it clear not to state whether or not doctor Roberto Miranda is indeed guilty of the crime Paulina is accusing him of‚ leaving it up to the audience to do so themselves. However‚ even though there is no clear answer directly stated‚ the audience is able to come to an individualistic
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to be a physical theatre performance having props would defeat that object since the actors where the props. The style of the stage was proscenium arch because the audience sat in front of the actors‚ I think Mark Wheeller chose to have the staging like this because it represented a more intimate feature of the production and the audience would be able to be more involved in the performance. In addition because the performance is based on a sensitive issue
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