The topics we have discussed this week relates to the video in ways that demonstrate how to communicate effectively and keep the focus of the audience on what the writer or the speaker is talking about. It teaches how to become a talented speaker and how to line up thoughts in the right perspective to gain trustworthiness from the particular audience that is welcomed by the subject chosen to speak about. This video was design to give everyone who watched it an idea of how to motivate himself as
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one by one. He gives and introductory note to each subject prior to their self-introduction‚ allowing us to know what he thinks of them. The subjects themselves then start to introduce themselves to the audience. This dual introduction from Rouch and the subjects themselves allows the audience to have more than one account about each individual subject‚ hence providing perspective. Looking at the filmmaker-subject relationship‚ we detect elements of ‘participatory cinema’. Rouch was concerned
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life.” Introducing a theme gives your audience a roadmap. Make sure your stories‚ anecdotes or examples tie back to your main theme. Tell stories. Fill your talk with personal stories. Some can be simple anecdotes about something that happened to you‚ your wife or kids. Many stories of friends‚ people you met‚ or churchgoers in the congregation. Our brains are not programmed for abstract thoughts. Tell personal stories to connect with your audience. Use humor‚ sparingly. Start each talk
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Rhetorical Analysis Essay Judy Brady’s “Why I want a wife‚” was first published forty years ago‚ in the inaugural issue of Ms. Magazine. In this essay‚ Brady aims to convince her audience to take a gander at the expectations of what a man expects from his wife‚ as well as providing further insight from a male standpoint.” I want a wife who will take care of my physical needs. I want a wife who will keep my house clean”(Brady‚ page 13‚ third paragraph). Brady uses pathos‚ ethos‚ logos‚ and repetition
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Beatrice reveals a lot about his character. Our first view of DeFlores In Ii‚ shows him as desperate and lustful for Beatrice‚ this is re-iterated in act Iii when DeFlores admits in aside to the audience “I force errands‚ frame ways and excuses To come into her sight” (L30). The aside allows the audience a glimpse into DeFlores’ personal thoughts‚ and reveals the intelligent side to his character‚ which proves he is aware of his own motivations and faults‚ unlike the other characters. Beatrice refers
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Statement- To inform my audience about the evolution of how dogs became house pets. Organization- Chronological Topical Process- Hobbies: Painting Purpose Statement- To inform my audience how to paint a picture. Organization- ChronologicalTopical Event- Cultural Customs: Cinco de Mayo Purpose Statement- To inform my audience of the events at Cinco de Mayo. Organization- Topical Concept- Health: Four Food Group Theory Purpose Statement- To inform my audience about the Four-Food Group
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cinematography and sound to increase suspense and tension‚ which created fear as well. A commonly used aspect of cinematography in this film was the use of a hand held camera. The hand held camera created a more realistic environment for the audience and made them feel as if they were inside the scene. It suggested unprepared‚ unrehearsed filming of reality‚ and provided a sense of instability and nervousness. This type of cinematography was used during the scene where Theo was searching for
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written off by audiences as inherently evil. The paradox of McDonagh’s disturbingly humorous writing style push his audiences to the very edge of their comfort zones and at times shoves them straight off the edge‚ while still maintaining a strong level of entertainment. The Pillowman and The Cripple of Inishmaan feature the alienation of characters who struggle through both mental and physical disabilities respectively‚ which further the inappropriately dark humor‚ that when audience members take a
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not be ridiculed or discriminated and Taking advantage of those who are challenged are wrong. The audience is positioned to accept Burton’s dominant view-point by using technical and symbolic film code and successful techniques such as marginalisation‚ the binary opposition of good VS evil and intertextuality. This essay will further explore the discourses identified within the film and how the audience is positioned to accept Burton’s ultimate point-of-view. The particular imagery associated from
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Lindsay Chandler lkc5074@psu.edu; INART 005 Section 3 Botanica Review A single rose emerged from the darkness. It got closer and bigger‚ and before long‚ its huge white petals were blinding the audience. This is how Botanica began and ended at the Eisenhower Auditorium on September 12‚ 2013. Some may have perceived this symbol as a bit bizarre—trippy even. To a keen observer‚ though‚ this symbol would’ve made perfect sense amidst all the confusion of the performance‚ as its presence at the beginning
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