you’ll try. When you find that‚ once again‚ you long to take your heart . . . (As CARLOTTA((NIEVARES)) is singing a backdrop crashes to the floor cutting her off from half the cast) MEG/BALLET GIRLS/CHORUS He’s here: the Phantom of the Opera . . . He is with us . . . It’s the ghost . . . PIANGI (CHICO) (looking up‚ furiously) You idiots! (He rushes over to CARLOTTA((NIEVARES) Cara! Cara! Are you hurt? LEFEVRE (GACIAS) Signora! Are you all right? Buquet! Where is Buquet
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Project Management 722G20 Dr. Paol Canonico and Dr. Jonas Söderlund Februay 13‚ 2009 Word count: 9‚944 The Sydney Opera House Stakeholder Management and Project Success Group 5: Vincent Anter Elin Hansson Ollie McNaught-Reynolds Annabelle Tessard Contents 1. Introduction ............................................................................................................... 3 1.1 Background .............................................................................
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assumption. The approach to this will be to use all the information that was provided in the analysis to determine the best position of strategy to save the Opera on opening day‚ to find a fiscal solution that will benefit both the Opera and Sally using a BATNA strategy. The conflict is defined in this scenario is the immediate need of the opera company needing an experienced soprano for opening night in 3 weeks versus an aging soprano who would like to get her career back on track. Sally was the
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reputation is hard and so is measuring it. Reviews on papers give a sight how the opera is doing‚ but the best way to know is to make a consumer survey for example once a month. Also comparing the growth in visitors between BLO and other operas gives an idea. Rating different aspects is another way to measure the artistic view. Giving value for example to the lead singer or the orchestra will help to understand how the opera is doing on its main field. These measures aren’t very proactive though‚ but
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This week’s material was light‚ all of it relating to the rise of opera. To help understand the influences that allowed for opera to emerge‚ two late madrigals were presented. Monteverdi’s Cruda Amarilli highlighted how the harmonic language of seconda practica broke existing harmonic rules to express the text. Most of the expression presents itself through dissonances on words such as "amaramente" and "l’aspido‚" all relating to the feelings of discord or distress. The second piece was Caccini’s
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can always confide in‚ those are confidants. A confidant is a common recurring theme in many literary styles‚ and is found in almost all pieces of literature. However‚ no piece of literature has a confidant character as complex as the Phantom in the musical "The Phantom of the Opera". The Phantom is a turn from the traditional confidant‚ who would be a friend of the heroine‚ or Christine in this case‚ and turns from a confidant to the main antagonist. The Phantom of the Opera used the Phantom as a
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reference to your text identify what response your play write is aiming to elicit and how you as a director would realise this in performance. As a director we would identify what response The ThreePenny Opera is aiming to elicit and how we would realise this in the performance. The ThreePenny Opera is one of Bertolt Brecht most successful plays with the major social issue of class‚ power and who controls wealth. A conflict between Mr. Peachum- a man who owns all of London’s beggars and Macheath-
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BEOWULF (Movie Reaction) Beowulf is an early Anglo-Saxon epic poem that reflects the life of the Anglo-Saxons. In like matter‚ their culture‚ custom‚ persona‚ values and their ways of life are shown and exposed. Beowulf happened during the Anno Domini or the Year of the Lord so the Anglo-Saxons believe in Jesus Christ‚ the Christian God. Moreover‚ they deem on fate that all of us will reach our Ragnarok. Beowulf is a man as well as a hero who is the perfect image and individual for the Anglo-Saxons
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All but one of Guiseppe Verdi’s masterworks are operas. This poses a problem for those of us who aren’t opera buffs. Fortunately‚ though‚ that one exception is his stunning Requiem‚ into which he poured the same vibrant emotion that thrills opera fans‚ but without the trite plots‚ simplistic characters and dull narrative stretches that tend to alienate others. Indeed‚ more than a few critics have hailed the Requiem as Verdi’s finest opera. Verdi’s inspiration was neither religious‚ egotistical
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Sydney Opera House Sydney Opera House (1957 - 1973) is a masterpiece of late modern architecture. It was created by a young architect who understood and recognised the potential provided by the site against the stunning backdrop of Sydney Harbour. The base for the building was started in 1959 - years before the designs were finished. It took four years to design by Danish architect Jorn Utzon and by 1962 the designs were finalized and construction began. In total it took 14 years to build
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