Cantata BWV 1 “Wie Schön Leuchtet der Morgenstern” Johann Sebastian Bach Johann Sebastian Bach held various musical positions all over what is now Germany. From the year 1723 until his death in 1750 he served as cantor and director of music in Liepzig. His job here was very structured and kept him busy; being the head of music at four churches ‚ he had to compose a cantata for every Sunday and adhere to the ways of the church. It was here‚ and under these circumstances that Cantata BWV 1‚ “Wie
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music at all knows who Bach is. Considered to be the greatest composer of all time by many‚ Johann Sebastian Bach paved new roads in music leaving behind one the largest legacies ever. So good was Bach‚ that all music after his death is considered post-Bach. Johann drew inspiration for the majority of his pieces from Martin Luther’s work. A very religious man‚ Bach believed in using his musical gift to glorify God. On the first day of the spring of 1685‚ Johann Sebastian Bach was born in Eisenach
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Two amazing composers of the Baroque period of music were Johann Sebastian Bach and George Frideric Handel. Although both produced much well-loved and well-played music‚ and although both were born in Germany‚ they were very different people. United by their faith‚ they still differ in many areas. Their lives‚ careers‚ and styles will now be compared‚ and their similarities and differences brought out. Both Handel and Bach were Germans‚ and were both born relatively close to the same time. However
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Mendelssohn Concerto in E Minor: A Staple of the Violin Repertoire “I would like to compose a violin concerto for next winter. One in E minor keeps running through my head‚ and the opening gives me no peace‚” German composer Felix Mendelssohn wrote to his friend‚ violinist Ferdinand David‚ in 1838. Mendelssohn would seek to collaborate on his last orchestral work with David‚ revising it painstakingly until its premiere in Leipzig in 1845. The first movement of Mendelssohn’s Violin Concerto in E Minor
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prominent new artists‚ one of the most famous was a Venetian composer by the name of Antonio Vivaldi. He was very important during the baroque ear due to his mastery of the Italian concerto and his involvement in operas. Vivaldi remains relevant in modern times as the concerto is still a hugely popular genre for composers. A concerto refers to an instrumental work written specifically for a soloist or multiple soloists and a large ensemble. Vivaldi was born in Venice in 1678. His father was barber and played
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Johann Sebastian Bach was one of the greatest composers in Western musical history. More than 1‚000 of his compositions survive. Some examples are the Art of Fugue‚ Brandenburg Concerti‚ the Goldberg Variations for Harpsichord‚ the Mass in B-Minor‚ the motets‚ the Easter and Christmas oratorios‚ Toccata in F Major‚ French Suite No 5‚ Fugue in G Major‚ Fugue in G Minor ("The Great")‚ St. Matthew Passion‚ and Jesu Der Du Meine Seele. He came from a family of musicians. There were over 53 musicians
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The concerto form was developed significantly from the Classical to the romantic era; producing changes within its instrumentation‚ form thematic material and rhythmic devices. The societal attitudes towards the composition and consumption of the concerto form also changed during this time. A concerto is an arrangement with solo works performed within the piece‚ alternating between a larger ensemble and the soloist. The root of its definition was believed to mean to ‘skirmish with one another’
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Mozart: Piano Concerto No. 23 in A Major In my introduction to music class we were assigned to listen and evaluate a particular piece of music in order to reflect on our unique individuality. For my project I chose Wolfgang Amadeus Mozart 1756-1791 and his work of the piano concerto No. 23 in A Major specifically the second movement that was created in 1786. In addition to listening‚ the piece must be broken down and organized into themes or motives. By the end of the project we should be able
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write a new work‚ one which gives him the necessary stimulus & drive to break his six year silence. The year is 19 OVERVIEW The concerto has several notable aspects‚ which the composer himself declared. He called it ‘symphony-like’ and indeed it is a genuinely symphonic composition in its large scale and unity. Bartok admits that the use of the title ‘concerto’ for orchestra reflects the virtuosic nature of the orchestral writing in which nearly all of the players become soloists. He also confirms
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