Hague‚ once again to Paris then on his way home he stoped at Zurich‚ Donaueschingen‚ and again to Munich. During this trip Wolfgang met many musicians with whom he familiarized himself with there music along with the music of the greats such as J.S. Bach‚ Handel‚
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Flute‚ Oboe 3. Typical forms/structures: Opera‚ Oratorio‚ Fugue‚ Suite‚ Sonata‚ Concerto 4. Composers and their works/pieces: Purcell – Dido and Aeneas Vivaldi – The four seasons J. S Bach – Mass in B Minor Monteverdi – L’Orfeo Handel – Messiah Domenico Scarlatti – Keyboard Sonatas J. S Bach – The well – tempered clavier Romantic (1810 – 1900) 2. Instruments: Full Orchestra‚ Concert Grand Piano‚ Violin‚ Cor Anglais 3. Typical forms/structures: Opera‚ Music Drama‚ Programme
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discovered ideas. From major new innovations in science‚ to vivid changes in geography‚ people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach‚ Handel‚ Vivaldi‚ and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today‚ and is a treasured discovery of outstanding
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Musical Analysis The first piece I chose was Frédéric Chopin’s Prelude in E-Minor (op.28 no. 4). It was performed by Aldona Dvarionaite (2009). Chopin was a composer in the Romantic period. This is a sad piano piece. Chopin wrote primarily for the piano. The piece range was almost monotone in nature. The sound was in scale rising and lowering using the same melody throughout the piece. The tones were kept uniform repeating over and over again. I found this piece of music one dimensional.
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entertaining pieces. As a result‚ he learned what it was like to be in the spotlight. Eventually‚ he began to gain popularity. People began to make special trips to the cafe to hear him play. Marshal john also talks about Casals first encounter with the bach
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composer that has transcended centuries with his distinctive musical compositions. It has been claimed that Johann Sebastian Bach’s style truly pioneered and set a foundation for other German Composers such as Beethoven‚ Mendelssohn‚ Brahms and Mahler. Bach was born in 1685‚ in fact his birthday befittingly was this past Tuesday. But what exactly makes him so highly regarded? There are two reasons. First‚ during his lifetime‚ he was an organist renown for his technique and ability. He was employed at
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music‚ and art of the 17th and 18th centuries that followed mannerism and is characterized by ornate detail. In architecture the period is exemplified by the palace of Versailles and by the work of Bernini in Italy. Major composers include Vivaldi‚ Bach‚ and Handel; Caravaggio and Rubens are important baroque artists.” (Bing Dictionary)
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The Maestro‚ by Peter Goldsworthy The novel Maestro‚ by Peter Goldsworthy is a beautifully crafted novel dealing with the tragic gulf between talent and genius‚ between the real and the spurious. Good literature‚ however‚ is often judged not only by what is written‚ but also the way it is written. Reflecting this criteria‚ Maestro is well written‚ perfectly contrasted and thus an excellent example of a good piece of literature. Goldsworthy has achieved this thorough his character development‚ utilization
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century. He is known for the multiple recordings throughout his career which included solo‚ chamber‚ and orchestral music‚ as well as recordings while conducting. For most cellists his most notable accomplishment was his recordings of the incomparable Bach Cello Suites which were recorded from 1936 to 1939. His early years in his native Catalonia‚ Spain were spent being educated in music by his father who was a parish organist and choirmaster. As would be clearly seen in his later years‚ his understanding
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“Pianoforte: the development‚ technological changes and performance practice” [pic] London Metropolitan University Module: Musical Instruments Student: Silvija Armonaite 07062934 Lec: Lewis Jones‚ Christina Paine. Introduction The early history of piano is familiar or at least easily accessible. It has been summarised in many reference books and explored in recently growing literature. The piano music has occupied a central place in
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